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When he’s mistaken for her husband-to-be, is that prophetic? Miss Lucinda Calvert’s quiet life as a rector’s daughter is turned topsy-turvy by the arrival of a gentleman new to the area. Mr John Harris seems respectable, but sets the village gossips wagging with speculation about his past—on which topic he is very private indeed. He pays her particular attention, and his mysterious papers and odd habits confuse her almost as much as his unexpected kiss! Then speculation of a French spy in their midst, taking advantage of the nearby military encampment, sets Lucinda worrying. Could the man she has grown so fond of—perhaps even loves—be a traitor? Full of charming Regency village life with amusing characters—human and animal alike—Dinah Dean’s sweet and clean romance is perfect for fans of richly detailed historical romance like those by Georgette Heyer and Mimi Matthews.
English gentry go in for bean farming in Minnesota after the Civil War.
Studies of the English gentleman have tended to focus mainly on the nineteenth century, encouraging the implicit assumption that this influential literary trope has less resonance for twentieth-century literature and culture. Christine Berberich challenges this notion by showing that the English gentleman has proven to be a remarkably adaptable and relevant ideal that continues to influence not only literature but other forms of representation, including the media and advertising industries. Focusing on Siegfried Sassoon, Anthony Powell, Evelyn Waugh and Kazuo Ishiguro, whose presentations of the gentlemanly ideal are analysed in their specific cultural, historical, and sociological contexts, Berberich pays particular attention to the role of nostalgia and its relationship to 'Englishness'. Though 'Englishness' and by extension the English gentleman continue to be linked to depictions of England as the green and pleasant land of imagined bygone days, Berberich counterbalances this perception by showing that the figure of the English gentleman is the medium through which these authors and many of their contemporaries critique the shifting mores of contemporary society. Twentieth-century depictions of the gentleman thus have much to tell us about rapidly changing conceptions of national, class, and gender identity.