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Originally published in The New Yorker, Mollie Panter-Downes was the voice of England during the Second World War.
An anthology of Great War short stories by British writers, both famous and lesser-known authors, men and women, during the war and after its end. These stories are able to illustrate the impact of the Great War on British society and culture and the many modes in which short fiction contributed to the war's literature. The selection covers different periods: the war years themselves, the famous boom years of the late 1920s to the more recent past in which the First World War has received new cultural interest.
An American Orwell for the age of Trump, Roy Scranton faces the unpleasant facts of our day with fierce insight and honesty. We’re Doomed. Now What? penetrates to the very heart of our time. Our moment is one of alarming and bewildering change—the breakup of the post-1945 global order, a multispecies mass extinction, and the beginning of the end of civilization as we know it. Not one of us is innocent, not one of us is safe. Now what? We’re Doomed. Now What? addresses the crisis that is our time through a series of brilliant, moving, and original essays on climate change, war, literature, and loss, from one of the most provocative and iconoclastic minds of his generation. Whether writing about sailing through the melting Arctic, preparing for Houston’s next big storm, watching Star Wars, or going back to the streets of Baghdad he once patrolled as a soldier, Roy Scranton handles his subjects with the same electric, philosophical, demotic touch that he brought to his groundbreaking New York Times essay, “Learning How to Die in the Anthropocene.”
Struggles over drinking water, new outbreaks of mass violence, ethnic cleansing, civil wars in the earth's poorest countries, endless flows of refugees: these are the new conflicts and forces shaping the world of the 21st century. They no longer hinge on ideological rivalries between great powers but rather on issues of class, religion and resources. The genocides of the last century have taught us how quickly social problems can spill over into radical and deadly solutions. Rich countries are already developing strategies to garner resources and keep 'climate refugees' at bay. In this major book Harald Welzer shows how climate change and violence go hand in hand. Climate change has far-reaching consequences for the living conditions of peoples around the world: inhabitable spaces shrink, scarce resources become scarcer, injustices grow deeper, not only between North and South but also between generations, storing up material for new social tensions and giving rise to violent conflicts, civil wars and massive refugee flows. Climate change poses major new challenges in terms of security, responsibility and justice, but as Welzer makes disturbingly clear, very little is being done to confront them. The paperback edition includes a new Preface that brings the book up to date and addresses the most recent developments and trends.
First published in 1950, Operation Heartbreak tells the fictional story of Wilie Marygton, a career soldier who was too young for WWI and too old for WWII. Born into a military family, Willie’s one goal in life is to take part in a battle, so he is exhilarated when he receives his commission, and is scheduled to leave for the Western Front on November 9, 1918. However, news of the Armistice changes his orders, and he instead spends the next 20 years in various posts in India and Africa, where his main occupation seems to be big game hunting and polo. With the rise of fascism, he is ready to resign his commission to fight in Spain, but is persuaded otherwise and spends WWII training recruits, lamenting his military status. But in an ironic twist of fate, he does end up playing an important part in the war effort....
A look at how 'ordinary' people in London and Birmingham lived, worked and coped during World War II, through the diary of an "ordinary commonplace Londoner."
The great interest of Jocelyn Playfair's book for modern readers is its complete authenticity. Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when we still had no idea which way the war was going.