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Despite a resurgence of interest in the history of the English language, this work is the only book available to introduce readers to the scripts used in Old and Middle English writing. The best way to understand changes in scripts across time is through visual examples, and this highly illustrated book reveals precisely how Middle English is different from Old English and how these gradual changes have developed. Images from important literary texts such as Caedmon’s “Hymn” and the Lindisfarne Gospels demonstrate the chronological progression of the writing.
An analysis and study of Caroline script from 200 years of ecclesiastical and secular records reveals important historical detail relating to late Anglo-Saxon England.
"First introduced into England about 950 A.D., and competing for a time with the native script, the Caroline minuscule was used for Latin letters until about 1100 A.D. 'English Caroline Minuscule' undertakes a collective treatment of the main centres. The plates are accompanied by notes on the script and other specifications of the representative MSS."--
William Dougal, a post-graduate expert in the medieval script of Caroline Minuscule, stumbles on the garroted corpse of his tutor - and finds himself embroiled in a hunt for a cache of diamonds, a deadly fairy story in which no one obeys the rules, least of all Dougal's girlfriend Amanda.
First full-scale examination of the phenomenon of the English Vernacular minuscule, analysing the full corpus and giving an account of its history and development.
Explains the methods and knowledge required to understand how, why, and for whom manuscripts were made in medieval Britain.
This work, by the greatest living authority on medieval palaeography, offers the most comprehensive and up-to-date account in any language of the history of Latin script. It also contains a detailed account of the role of the book in cultural history from antiquity to the Renaissance, which outlines the history of book illumination. Designed as a textbook, it contains a full and updated bibliography. Because the volume sets the development of Latin script in its cultural context, it also provides an unrivalled introduction to the nature of medieval Latin culture. It will be used extensively in the teaching of latin palaeography, and is unlikely to be superseded.
"This book provides an orientation to the field of medieval manuscript studies. It will be of help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Every chapter in this guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge."--Book jacket.
This volume of The Cambridge History of the Book in Britain presents an overview of the century-and-a-half between the death of Chaucer in 1400 and the incorporation of the Stationers' Company in 1557. The profound changes during that time in social, political and religious conditions are reflected in the dissemination and reception of the written word. The manuscript culture of Chaucer's day was replaced by an ambience in which printed books would become the norm. The emphasis in this collection of essays is on the demand and use of books. Patterns of ownership are identified as well as patterns of where, why and how books were written, printed, bound, acquired, read and passed from hand to hand. The book trade receives special attention, with emphasis on the large part played by imports and on links with printers in other countries, which were decisive for the development of printing and publishing in Britain.
Bernhard Bischoff (1906-1991) was one of the most renowned scholars of medieval palaeography of the twentieth century. His most outstanding contribution to learning was in the field of Carolingian studies, where his work is based on the catalogue of all extant ninth-century manuscripts and fragments. In this book, Michael Gorman has selected and translated seven of his classic essays on aspects of eighth- and ninth-century culture. They include an investigation of the manuscript evidence and the role of books in the transmission of culture from the sixth to the ninth century, and studies of the court libraries of Charlemagne and Louis the Pious. Bischoff also explores centres of learning outside the court in terms of the writing centres and the libraries associated with major monastic and cathedral schools respectively. This rich collection provides a full, coherent study of Carolingian culture from a number of different yet interdependent aspects, providing insights for scholars and students alike.