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This study uncovers the active role played by women in the evolution of religious art and architecture. Their preferred art, Barbara J. Harris shows, reveals their responses to the religious revolution and signifies their preferred identities.
The role played by women in the evolution of religious art and architecture has been largely neglected. This study of upper-class women in the fifteenth and sixteenth centuries corrects that oversight, uncovering the active role they undertook in choosing designs, materials, and locations for monuments, commissioning repairs and additions to many parish churches, chantry chapels, and almshouses characteristic of the English countryside. Their preferred art, Barbara J. Harris shows, reveals their responses to the religious revolution and signifies their preferred identities. Bron: Flaptekst, uitgeversinformatie.
Women and Epistolary Agency in Early Modern Culture, 1450–1690 is the first collection to examine the gendered nature of women’s letter-writing in England and Ireland from the late-fifteenth century through to the Restoration. The essays collected here represent an important body of new work by a group of international scholars who together look to reorient the study of women’s letters in the contexts of early modern culture. The volume builds upon recent approaches to the letter, both rhetorical and material, that have the power to transform the ways in which we understand, study and situate early modern women’s letter-writing, challenging misconceptions of women’s letters as intrinsically private, domestic and apolitical. The essays in the volume embrace a range of interdisciplinary approaches: historical, literary, palaeographic, linguistic, material and gender-based. Contributors deal with a variety of issues related to early modern women’s correspondence in England and Ireland. These include women’s rhetorical and persuasive skills and the importance of gendered epistolary strategies; gender and the materiality of the letter as a physical form; female agency, education, knowledge and power; epistolary networks and communication technologies. In this volume, the study of women’s letters is not confined to writings by women; contributors here examine not only the collaborative nature of some letter-writing but also explore how men addressed women in their correspondence as well as some rich examples of how women were constructed in and through the letters of men. As a whole, the book stands as a valuable reassessment of the complex gendered nature of early modern women’s correspondence.
This book explores the ways that families were formed and re-formed, and held together and fractured, in Britain from the sixteenth to twentieth century. The chapters build upon the argument, developed in the 1990s and 2000s, that the nuclear family form, the bedrock of understandings of the structure and function of family and kinship units, provides a wholly inadequate lens through which to view the British family. Instead the volume's contributors point to families and households with porous boundaries, an endless capacity to reconstitute themselves, and an essential fluidity to both the form of families, and the family and kinship relationships that stood in the background. This book offers a re-reading, and reconsideration of the existing pillars of family history in Britain. It examines areas such as: Scottish kinship patterns, work patterns of kin in Post Office families, stepfamily relations, the role of family in managing lunatic patients, and the fluidity associated with a range of professional families in the nineteenth century. Chapter 8 of this book is available open access under a CC BY 4.0 license at link.springer.com
This work, based on archival research, combines a collective portrait of aristocratic women with an analysis of the particular, class-specific form of patriarchy and gender relations that flourished among the upper classes in Yorkist and early Tudor England.
Contributing an original dimension to the significant body of published scholarship on women in 16th-century England, this study examines the largest corpus of women’s private writings available to historians: their wills. In these, female voices speak out, commenting on their daily lives, on identity, gender, status, familial relationships and social engagement. Wills show women to have been active participants in a civil society, well aware of their personal authority and potential influence, whose committed actions during life and charitable strategies after death could and did impact the health of that society. From an intensive analysis of more than 1200 wills, this pioneering work focuses on women from all parts of the country and all strata of society, revealing an entire population of articulate, opportunistic, and capable individuals who found the spaces between the lines of the law and used those spaces to achieve personal goals. Author Susan James demonstrates how wills describe strategies for end-of-life care, create platforms of remembrance, and offer insights into the myriad occupational endeavors in which women were engaged. James illuminates how these documents were not simply instruments of bequest and inheritance, but were statements of power and control, catalogues of material culture from which we are able to gauge a woman’s understanding of her own reality and the context that formed her environment. Wills were tools and the way in which women wielded these tools offers new ways to look at England in the 16th century and reveals the seminal role women played in its development.
"This extraordinary true story transports us to Tudor and Stuart England as Alice Spencer, the daughter of an upstart sheep farmer, becomes one of the most powerful women in the country and establishes a powerful dynasty that endures to this day"--
The story of the Earl of Warwick's wife Anne Beauchamp and their daughters, Isabel and Anne Neville. They were supposed to be pious, fruitful and submissive. The wealthiest women in the kingdom, Anne Beauchamp and her daughters were at the heart of bitter inheritance disputes. Well educated and extravagant, they lived in style and splendour but were forced to navigate their lives around the unpredictable clashes of the Cousins’ War. Were they pawns or did they exert an influence of their own? The twists and turns of Fate as well as the dynastic ambitions of Richard Neville, Earl of Warwick saw Isabel married without royal permission to the Yorkist heir presumptive, George Duke of Clarence. Anne Neville was married to Edward of Lancaster, the only son of King Henry VI when her father turned his coat. One or the other was destined to become queen. Even so, the Countess of Warwick, heiress to one of the richest titles in England, could not avoid being declared legally dead so that her sons-in-law could take control of her titles and estates. Tragic Isabel, beloved by her husband, would experience the dangers of childbirth and on her death, her midwife was accused of witchcraft and murder. Her children both faced a traitor’s death because of their Plantagenet blood. Anne Neville became the wife of Richard, Duke of Gloucester having survived a forced march, widowhood and the ambitions of Isabel’s husband. When Gloucester took the throne as Richard III, she would become Shakespeare’s tragic queen. The women behind the myth suffered misfortune and loss but fulfilled their domestic duties in the brutal world they inhabited and fought by the means available to them for what they believed to be rightfully their own. The lives of Countess Anne and her daughters have much to say about marriage, childbirth and survival of aristocratic women in the fifteenth century.
The Routledge History of Women in Early Modern Europe is a comprehensive and ground-breaking survey of the lives of women in early-modern Europe between 1450 and 1750. Covering a period of dramatic political and cultural change, the book challenges the current contours and chronologies of European history by observing them through the lens of female experience. The collaborative research of this book covers four themes: the affective world; practical knowledge for life; politics and religion; arts, science and humanities. These themes are interwoven through the chapters, which encompass all areas of women’s lives: sexuality, emotions, health and wellbeing, educational attainment, litigation and the practical and leisured application of knowledge, skills and artistry from medicine to theology. The intellectual lives of women, through reading and writing, and their spirituality and engagement with the material world, are also explored. So too is the sheer energy of female work, including farming and manufacture, skilled craft and artwork, theatrical work and scientific enquiry. The Routledge History of Women in Early Modern Europe revises the chronological and ideological parameters of early-modern European history by opening the reader’s eyes to an exciting age of female productivity, social engagement and political activism across European and transatlantic boundaries. It is essential reading for students and researchers of early-modern history, the history of women and gender studies.
Offers a compelling story of mercantile wealth and merchant heiresses who asserted their rights despite loss, imprisonment, and murder.