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This work, based on archival research, combines a collective portrait of aristocratic women with an analysis of the particular, class-specific form of patriarchy and gender relations that flourished among the upper classes in Yorkist and early Tudor England.
This study uncovers the active role played by women in the evolution of religious art and architecture. Their preferred art, Barbara J. Harris shows, reveals their responses to the religious revolution and signifies their preferred identities.
The role played by women in the evolution of religious art and architecture has been largely neglected. This study of upper-class women in the fifteenth and sixteenth centuries corrects that oversight, uncovering the active role they undertook in choosing designs, materials, and locations for monuments, commissioning repairs and additions to many parish churches, chantry chapels, and almshouses characteristic of the English countryside. Their preferred art, Barbara J. Harris shows, reveals their responses to the religious revolution and signifies their preferred identities. Bron: Flaptekst, uitgeversinformatie.
This work, based on archival research, combines a collective portrait of aristocratic women with an analysis of the particular, class-specific form of patriarchy and gender relations that flourished among the upper classes in Yorkist and early Tudor England.
This collection of essays examines women's involvement in politics in early modern England, as writers, as members of kinship and patronage networks, and as petitioners, intermediaries and patrons. It challenges conventional conceptualizations of female power and influence, defining 'politics' broadly in order to incorporate women excluded from formal, male-dominated state institutions. The chapters embrace a range of interdisciplinary approaches: historical, literary, palaeographic, linguistic and gender based. They deal with a variety of issues related to female intervention within political spheres, including women's rhetorical, persuasive and communicative skills; the production by women of a range of texts that can be termed 'political'; the politicization of marital, family and kinship networks; and female involvement in patronage and court politics. Women and Politics in Early Modern England, 1450-700 also looks at ways in which images of female power and authority were represented within canonical texts, such as Shakespeare's plays and Milton's epic poetry. The volume extends the range of areas and texts for the study of women, gender and politics, and locates women's political, social and cultural activities within the contexts of the family, locality and wider national stage. It argues for a blurring of the boundaries between the traditional categories of the 'public' and the 'private,' the 'domestic' and the 'political'; and enhances our understanding of the ways in which women exerted political force through informal, intimate and personal, as well as more official, and formal channels of power. As a whole the book makes an important contribution to the reassessment of early modern politics from the perspective of women.
Gender and Political Culture in Early Modern Europe investigates the gendered nature of political culture across early modern Europe by exploring the relationship between gender, power, and political authority and influence. This collection offers a rethinking of what constituted ‘politics’ and a reconsideration of how men and women operated as part of political culture. It demonstrates how underlying structures could enable or constrain political action, and how political power and influence could be exercised through social and cultural practices. The book is divided into four parts - diplomacy, gifts and the politics of exchange; socio-economic structures; gendered politics at court; and voting and political representations – each of which looks at a series of interrelated themes exploring the ways in which political culture is inflected by questions of gender. In addition to examples drawn from across Europe, including Austria, the Dutch Republic, the Italian States and Scandinavia, the volume also takes a transnational comparative approach, crossing national borders, while the concluding chapter, by Merry Wiesner-Hanks, offers a global perspective on the field and encourages comparative analysis both chronologically and geographically. As the first collection to draw together early modern gender and political culture, this book is the perfect starting point for students exploring this fascinating topic.
Through an analysis of the marriage patterns of thousands of aristocratic women as well as an examination of diaries, letters, and memoirs, this book demonstrates that the sense of rank identity as manifested in these women's marriages remained remarkably stable for centuries, until it was finally shattered by the First World War.
This collection offers a variety of approaches to aspects of women’s lives. It moves beyond men’s prescriptive pronouncements about female nature to women's lived experiences, replacing the singular woman with plural women and illuminating female agency. The contributors show that women’s lives changed over the life course and differed according to region and social class. They also demonstrate that in the early modern period the largely private spaces in women’s lives were not enclosed worlds isolated from the public spaces in which men operated. Contributors to this important collection are leading international scholars and offer strong, substantial, and archival-based research.
Gender, Family, and Politics is the first full-length, gender-inclusive study of the Howard family, one of the pre-eminent families of early-modern Britain. Most of the existing scholarship on this aristocratic dynasty's political operation during the first half of the sixteenth-century centres on the male family members, and studies of the women of the early-modern period tends to focus on class or geographical location. Nicola Clark, however, places women and the question of kinship in centre-stage, arguing that this is necessary to understand the complexity of the early modern dynasty. A nuanced understanding of women's agency, dynastic identity, and politics allows us to more fully understand the political, social, religious, and cultural history of early-modern Britain.