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The premier scholar of the English-language traditional or popular ballad, Francis James Child spent decades working on his widely read and performed collection, The English and Scottish Popular Ballads. In this first single author monograph of Child's life and work, Mary Ellen Brown analyzes Child's editorial methods, his decisions about which ballads to include, and his relationships with colleagues at Harvard and abroad. Brown draws on his extensive correspondence with collaborators to trace the production of his monumental work from conception and selection through organization and collation of the ballads. Child's Unfinished Masterpiece shows readers what was at stake in Child's search for original manuscript materials housed at libraries and estates far afield and his desire to uncover unedited versions of previous editors' texts. In analyzing Child's letters, Brown also delves into his important network of collaborators, scholars, and friends such as William Macmath, Sven Grundtvig, James Russell Lowell, and Charles Eliot Norton, who influenced the organization and content of his work. Readers learn about the questions Child faced as an editor: whether the materials he gathered were authentic, whether a piece was more ballad or a song, or whether the text was sufficiently old or traditional. In showing Child's struggles with content and organization for The English and Scottish Popular Ballads, Brown notes the difficulty in defining the ballad genre while also showing that a clear definition is not a fatal flaw of the volume or to scholars' continued study of it.
This is the first book to combine contemporary debates in ballad studies with the insights of modern textual scholarship. Just like canonical literature and music, the ballad should not be seen as a uniquely authentic item inextricably tied to a documented source, but rather as an unstable structure subject to the vagaries of production, reception, and editing. Among the matters addressed are topics central to the subject, including ballad origins, oral and printed transmission, sound and writing, agency and editing, and textual and melodic indeterminacy and instability. While drawing on the time-honoured materials of ballad studies, the book offers a theoretical framework for the discipline to complement the largely ethnographic approach that has dominated in recent decades. Primarily directed at the community of ballad and folk song scholars, the book will be of interest to researchers in several adjacent fields, including folklore, oral literature, ethnomusicology, and textual scholarship.
Includes a plot summary, brief history, and list of selected recordings for each ballad! At the end of the 19th century, Harvard professor Francis James Child published a collection of 305 traditional English and Scottish ballads that would influence folk tradition and popular culture for decades to come. Presented here are those Child Ballads that have become most widely known around the world. While the songs themselves may be centuries old, the stories they tell are timeless. So go forth now and enjoy these tales of kings, queens, serving men and maidens, spirits, demons and guardian angels; of redemption, betrayal, avengement and loss, and, of course... MAD LOVE, MURDER & MAYHEM.
Excerpt from The English and Scottish Popular Ballads, Vol. 4 I would acknowledge with particular gratitude the liberality of the hon. Mrs max well-scott in allowing the examination and use of the rich store of ballads accumulated at Abbotsford by her immortal ancestor; and also that of lord rosebery in sending to Edinburgh for inspection the collection of rare Scottish broadsides formed by the late David Laing, and permitting me to print several articles. The rev. S. Baring-gould has done me the great favor of furnishing me with copies of traditional ballads and songs taken down by him in the West of England. I am much indebted to the rev. W. Forbes-leith for his good offices, and to MR mac math, as I have been all along, for help of every description. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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