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The history and construction of 18th century American furniture is examined in this critical evaluation that looks at the topic both from an aesthetic and technical point of view
In English Decoration, architectural and interior designer Ben Pentreath presents a major new survey of the best of the English style. Eighteen homes, many of which have never been previously photographed, provide the source material for his wide-ranging investigation of this classic look. The houses include Ben’s own homes in London and West Dorset, alongside those of Earls and artists, writers and architects, book designers and gardeners. The book opens with an essay on the English style in decoration, and then entrance halls, living rooms, kitchens and dining rooms and bedrooms and bathrooms are considered in turn, together with simple Rooms of Utility and spectacular Rooms of Display. There is also a foreword by Nicky Haslam, suggestions for further reading, and a style directory that reveals Ben's own favorite sources—helping you to achieve the classic English look, wherever you live.
American Furniture & Decoration Colonial & Federal is Edward Stratton Holloway's illustrated manual on Colonial and Federal furniture and decoration, it was first published in 1928. Holloway was born in Ashland, Greene County, New York in 1859. He attended Pennsylvania Academy of Fine Arts between 18881 and 1905 and then went on to work as art director for the publisher J. B. Lippincott Co. for 46 years where he wrote a number of books on interior design and antique furniture.
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This book shows all types of chairs, tables, sofas, and beds made in America from the seventeenth century to the mid-twentieth century.
A 2023 Choice Reviews Outstanding Academic Title The 20th century furniture is hot. American Furniture Designers: 1900 to the Present highlights the furniture produced by the 20 most important American furniture designers of the 20th and early 21st centuries plus a selection of the best-known European designers whose work is sold by Knoll International and Herman Miller. The designers are organized into five chapters. Introductions to each section summarize the evolution of furniture design as it evolved through the 20th and early 21st centuries. The book begins with the Arts and Crafts era before World War I; moves into the interwar period when Modernism gained a foothold in America; continues through the Postwar heyday of Mid-century Modern; highlights the furniture from the 1970s and into the 21st century with a focus on the foremost promoters of modern furniture, Knoll International and Herman Miller; and concludes with a selection of the top Studio Furniture makers and their innovative creations. The book focuses on the leading American designers from each of these periods including Gustav Stickley and Charles Rohlfs during the Arts and Crafts movement, Paul Frankl and Gilbert Rohde in the interwar period, Charles and Ray Eames and George Nelson for Mid- century Modern, and Wendell Castle and George Nakashima for Studio Furniture to name just a few. All their furniture is explained and profusely illustrated with 280 color photos. For anyone curious about the modern material culture that surrounds them, the book will explain everything about American furniture from 1900 into the 21st century: when it was made, where it was made, who made it, what it was made of, how it was designed, how long it was in production, and how the furniture related to its contemporaries.
Rev. ed. of: The new fine points of furniture.1993.
Magnificent reproduction of 1788 folio of Hepplewhite furnishings. Classic, highly valued work depicts chairs, stools, sofas, sideboards, beds, pedestals, desks, bookcases, tables, chests of drawers, wardrobes, fire screens, and many other items. 128 plates.
Acknowledged as the journal of record in its field, American Furniture presents new research on furniture design, use, production, and appreciation. The 1999 volume presents articles devoted to Rhode Island furniture, plus the usual book reviews, bibliography of recent works, and index.
Interior designer and decorative arts and antiques expert Thomas Jayne follows up his essential 2010 compendium The Finest Rooms in America with this new collection of his own work. Thomas Jayne possesses a unique dual vision—he keeps one eye focused on the aesthetic traditions of the past, and the other looking forward: innovating, creating, and imagining interiors to suit modern sensibilities. His reverence for traditional ideas does not restrict Jayne’s understanding of what makes a beautiful room—rather than seeking to replicate and repeat the exact décor from past, Jayne finds inspiration in the distinctive histories of the spaces in which he works. In every project he undertakes, he draws on his rich academic background in the decorative arts to design interiors that harmonize with their historical settings, yet also connect intimately to the active and modern lives of families who call these remarkable buildings home. Jayne believes that American interior decoration is unique in its combination of elements from European and Asian cultural traditions with indigenous ideas and materials, in its emphasis on comfort and livability, and in its human scale. Presented here for the first time, his projects reflect this sensibility, drawing from established traditions and reinterpreting them for contemporary life. Drawing on the legacies of Albert Hadley and Sister Parish, Jayne insists on authenticity and comfort, incorporating elegant antiques and art with a subtle but warm palette and a welcoming setting. In this richly illustrated collection of both city and country residences, Jayne reveals the inspiration and thought behind each design, identifying elements from the architecture, the clients’ collections of art and antiques, and from the site itself that serves as the basis for the decoration of the rooms.