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*Includes pictures of the queens and important people, places, and events in their lives. *Discusses the Elizabethan era and Victorian era in depth and looks at their legacies and depictions in pop culture. "Video et taceo." ("I see, and say nothing") - Queen Elizabeth I "Since it has pleased Providence to place me in this station, I shall do my utmost to fulfil my duty towards my country; I am very young and perhaps in many, though not in all things, inexperienced, but I am sure that very few have more real good will and more real desire to do what is fit and right than I have." - Queen Victoria, 1837 England has had no shortage of influential monarchs, but only Queen Elizabeth I and Queen Victoria had their nation's age literally named after them. Both the Elizabethan era and Victorian era have come to symbolize a golden age of peace and progress in every aspect of British life, with the long reigns of both queens also providing stability. When Queen Elizabeth II came to the throne in 1952, many commentators heralded the beginning of her reign as the second Elizabethan age. The first one, of course, concerned the reign of Henry VIII's second surviving daughter and middle surviving child, Queen Elizabeth I, one of England's most famous and influential rulers. It was an age when the arts, commerce and trade flourished. It was the epoch of gallantry and great, enduring literature. It was also an age of wars and military conflicts in which men were the primary drivers and women often were pawns. Elizabeth I changed the rules of the game and indeed she herself was changed by the game. She was a female monarch of England, a kingdom that had unceremoniously broken with the Catholic Church, and the Vatican and the rest of Christendom was baying for her blood. She had had commercial and militaristic enemies galore. In the end, she helped change the entire structure of female leadership. Elizabeth I still wielded great power in the 16th century, whereas Victoria was a constitutional monarch with limited power over the workings of the British government. But in a way, that made Victoria even more unique, as she still proved able to mold the cultural identity of a nearly 65 year long epoch. Furthermore, Victoria established some of the ceremonial customs of the British monarch and became both the forerunner and role model of subsequent queens, a legacy that continues to endure with her great-great granddaughter, Queen Elizabeth II. Though Britain's longest reigning monarch is now mostly associated with conservative values (particularly strict morality and traditional social and gender roles), Victoria and her era oversaw the cultural and technological progress of Britain and the West in general, architectural revivals, and the expansion of imperialism. While some of these developments have been perceived negatively over a century later, Britons of the 19th century and early 20th century often viewed the Victorian Era as the height of their nation's power and influence. England's Greatest Queens chronicles the lives and reigns of Elizabeth I and Victoria, as well as the eras they lived in. Along with pictures of important people, places, and events in her life, you will learn about Queen Elizabeth I and Queen Victoria like you never have before, in no time at all.
Covers more than 1000 rulers and two millennia of history
“Helen Castor has an exhilarating narrative gift. . . . Readers will love this book, finding it wholly absorbing and rewarding.” —Hilary Mantel, Booker Prize-winning author of Wolf Hall In the tradition of Antonia Fraser, David Starkey, and Alison Weir, prize-winning historian Helen Castor delivers a compelling, eye-opening examination of women and power in England, witnessed through the lives of six women who exercised power against all odds—and one who never got the chance. With the death of Edward VI in 1553, England, for the first time, would have a reigning queen. The question was: Who? Four women stood upon the crest of history: Katherine of Aragon’s daughter, Mary; Anne Boleyn’s daughter, Elizabeth; Mary, Queen of Scots; and Lady Jane Grey. But over the centuries, other exceptional women had struggled to push the boundaries of their authority and influence—and been vilified as “she-wolves” for their ambitions. Revealed in vivid detail, the stories of Eleanor of Aquitaine, Isabella of France, Margaret of Anjou, and the Empress Matilda expose the paradox that England’s next female leaders would confront as the Tudor throne lay before them—man ruled woman, but these women sought to rule a nation.
Her story not his, the English monarchy through the private and public lives of the queens of England.
An intimate and revealing look at the daily lives and responsibilities of the Tudor Queens of England From Elizabeth of York, wife of Henry VII, the first Tudor monarch, to Elizabeth I, her grand-daughter and the last, The Tudor Queens of England delves into the secret lives of some of the most colorful and dramatic women in British history. The majority of the fourteen queens considered here, from Catherine de Valois and Elizabeth Woodville to Elizabeth of York, Jane Seymour and Catherine Parr, were consorts, the wives of kings. Although less frequently examined than ruling queens, queen consorts played a crucial and central role within the Royal Court. Their first duty was to bear children and their chastity within marriage had to be above reproach. Any suspicion of sexual misconduct would cast doubt on the legitimacy of their offspring. Three of these women - Margaret of Anjou, Anne Boleyn and Catherine Howard - were accused of such conduct, and two were tried and executed. A queen also had to contribute to her husband's royal image. This could be through works of piety or through humble intercession. It could also be through her fecundity because the fathering of many children was a sign of virility and of divine blessing. A queen might also make a tangible contribution to her husband's power with her marriage as the symbol of an international diplomatic agreement. A ruling queen was very different, especially if she was married, insofar as she had to fill the roles of both king and queen. No woman could be both martial and virile, and at the same time submissive and supportive. Mary I solved this problem in a constitutional sense but never at the personal level. Elizabeth I sacrificed motherhood by not marrying. She chose to be mysterious and unattainable - la belle dame sans merci. In later life she used her virginity to symbolize the integrity of her realm and her subjects remained fascinated by her unorthodoxy. How did they behave (in and out of the bedchamber)? How powerful were they as patrons of learning and the arts? What religious views did they espouse and why? How successful and influential were they? From convenient accessory to sovereign lady the role of queen was critical, colorful, and often dramatic. The Tudor Queens of England is the first book of its kind to intimately examine these questions and more.
"Sarah Gristwood has written a masterpiece that effortlessly and enthrallingly interweaves the amazing stories of women who ruled in Europe during the Renaissance period." -- Alison Weir Sixteenth-century Europe saw an explosion of female rule. From Isabella of Castile, and her granddaughter Mary Tudor, to Catherine de Medici, Anne Boleyn, and Elizabeth Tudor, these women wielded enormous power over their territories, shaping the course of European history for over a century. Across boundaries and generations, these royal women were mothers and daughters, mentors and protées, allies and enemies. For the first time, Europe saw a sisterhood of queens who would not be equaled until modern times. A fascinating group biography and a thrilling political epic, Game of Queens explores the lives of some of the most beloved (and reviled) queens in history.
"Superb.... A perceptive, suspenseful account." --The New York Times Book Review "Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston Herald The political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power. Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.
In the first volume of an exciting new series, bestselling author Alison Weir brings the dramatic reigns of England’s medieval queens to life. The lives of England’s medieval queens were packed with incident—love, intrigue, betrayal, adultery, and warfare—but their stories have been largely obscured by centuries of myth and omission. Now esteemed biographer Alison Weir provides a fresh perspective and restores these women to their rightful place in history. Spanning the years from the Norman conquest in 1066 to the dawn of a new era in 1154, when Henry II succeeded to the throne and Eleanor of Aquitaine, the first Plantagenet queen, was crowned, this epic book brings to vivid life five women, including: Matilda of Flanders, wife of William the Conqueror, the first Norman king; Matilda of Scotland, revered as “the common mother of all England”; and Empress Maud, England’s first female ruler, whose son King Henry II would go on to found the Plantagenet dynasty. More than those who came before or after them, these Norman consorts were recognized as equal sharers in sovereignty. Without the support of their wives, the Norman kings could not have ruled their disparate dominions as effectively. Drawing from the most reliable contemporary sources, Weir skillfully strips away centuries of romantic lore to share a balanced and authentic take on the importance of these female monarchs. What emerges is a seamless royal saga, an all-encompassing portrait of English medieval queenship, and a sweeping panorama of British history. Praise for Queens of the Conquest “Best-selling author [Alison] Weir pens another readable, well-researched English history, the first in a proposed four-volume series on England’s medieval queens. . . . Weir’s research skills and storytelling ability combine beautifully to tell a fascinating story supported by excellent historical research. Fans of her fiction and nonfiction will enjoy this latest work.”—Library Journal (starred review) “Another sound feminist resurrection by a seasoned historian . . . Though Norman queens were largely unknowable, leave it to this prolific historical biographer to bring them to life. . . . As usual, Weir is meticulous in her research.”—Kirkus Reviews
From one of our finest historians comes an outstanding exploration of the British monarchy from the retreat of the Romans up until the modern day. This compendium volume of two earlier books is fully revised and updated.
Britain’s greatest queen, Elizabeth I, was also the bewildered, motherless child of an all-powerful father; a captive in the Tower of London; a shrewd politician; a brilliant scholar; a lover of the arts; and, eventually, an icon. In this unforgettable fictional memoir, Elizabeth recounts the emotional turmoil of her life: the loneliness of power; the heartbreak of her lifelong love affair with Robert Dudley; and the terrible guilt of ordering the execution of her cousin, Mary, Queen of Scots.