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Fr. Richard Schiefen collection.
Amid the current political disputes regarding the character of the Victorian period in England--whether economic individualism or social responsibility were the major characteristics of the time--this fine, scholarly study, first published in 1945, is again available to provide a benchmark by which to assess the political claims. The scholarly and political value of the work is clear; it is deeply researched, clearly written, and establishes guidelines for contemporary social action and thought. In his perceptive introduction to this edition, Pomper points to lessons the book provides for contemporary politics: the values of careful documentation and research that characterized the work and enhanced the results of Fabianism; the need for a skeptical optimism in social thought; and an understanding of the contrasting fate of socialism in Great Britain and the United States.
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Dedicated fans of Jane Austen's novels will delight in accompanying historian Jeremy Black through the drawing rooms, chapels, and battlefields of the time in which Austen lived and wrote. In this exceedingly readable and sweeping scan of late 18th- and early 19th-century Britain, Black provides a historical context for a deeper appreciation of classic novels such as Pride and Prejudice, Emma, and Sense and Sensibility. While Austen's novels bring to life complex characters living in intimate surroundings, England in the Age of Austen provides a fuller account of what the village, the church, and the family home would really have been like. In addition to seeing how Austen's own reading helped her craft complex characters like Emma, Black also explores how recurring figures in the novels, such as George III or Fanny Burney, provide a focus for a historical discussion of the fiction in which they appear. Jane Austen's world was the source of her works and the basis of her readership, and understanding that world gives fans new insights into the multifaceted narratives she created.
In 1720s London, a well-known band of young ruffians gave themselves crescent tattoos and adorned turbans in honour of their so-called 'mohamattan [Muslim]' Indian namesakes, the Mohawk. Few Britons noticed the gang's mistaken muddling of North American and Indian subcontinent geographies and cultures. Even fewer cared in an age in which 'Indian' was a catch-all term applied to theatre characters, philosophies, and objects whose only common characteristic often was that they were not European. Yet just thirty years later, when the North American empire had entered centre stage, Londoners bought Iroquois tomahawks at auctions; provincial newspapers debated Cherokee politics; women shopkeepers read aloud newspaper accounts of frontier battles as their husbands counted the takings; church congregations listened to the sermons of American Indian converts; families toured museum exhibits of American Indian artefacts; and Oxford dons wagered their bottles of port on the outcome of American wars. Focusing on the question, 'How did the British who remained in Britain perceive American Indians, and how did these perceptions reflect and affect British culture?', Savages within the Empire explores both how Britons engaged with the peripheries of their Atlantic empire without leaving home, and, equally important, how their forged understanding significantly affected the British and their rapidly expanding world. It draws from a wide range of evidence to consider an array of eighteenth-century contexts, including material culture, print culture, imperial government policy, the Church of England's missionary endeavours, the Scottish Enlightenment, and the public outcry over the use of American Indians as allies during the American War of Independence. By chronicling and exploring discussions and representations of American Indians in these contexts, Troy Bickham reveals the proliferation of empire-related subjects in eighteenth-century British culture as well as the prevailing pragmatism with which Britons approached them.