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Ancient bronze statuary provides a sense of immediacy, a window directly back to the classical world. The wistful expression of a young Roman woman, the fixed jaw of a politician, and the tensed muscles of a Greek athlete appear startlingly lifelike, transfixing the viewer with their striking realism. Incredibly durable yet frequently destroyed for their valuable materials, ancient bronzes are comparatively rare discoveries. This book, richly illustrated with works from the J. Paul Getty Museum and other important collections, provides an engaging overview of classical bronzes. Enduring Bronze considers bronze throughout its long history, exploring its enormous appeal from antiquity to the present day. The book discusses the many roles bronze objects played in ancient Greece and Rome and analyzes discoveries made at ancient foundries and by contemporary scientists. It also examines references to bronze in mythology, Pliny’s histories, and other classical texts, as well as representations on vases and other artworks.
We live in an age of the mobile image. The world today is absolutely saturated with images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has enormous consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new theory and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but it is rarely understood to be fundamentally in motion. The original and materialist approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetic" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.
There is nothing new about the military covenant, a freshly minted term for something that's been around for as long as soldiering itself. 'Tommy' may have to make the ultimate sacrifice for his country. But what will his country do for him? Over centuries the covenant has been variously honoured and ignored. Confronted daily with flag-draped coffins, shameful stories of inadequate kit and shocking images of the fighting in Iraq and Afghanistan: what exactly are we doing to honour those who sacrifice all in the service of their country? In Tommy This an' Tommy That Andrew Murrison uses his perspective as a senior Service doctor and frontline politician to set the events of the past ten years in historical context. He charts the ways in which societal and political changes have impacted on the wellbeing of uniformed men and women, and the nation's changing sense of obligation towards the military. Crucially he asks what the future holds for the military covenant.
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.