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Driven by an inexplicable but driving certainty that his family are on the brink of extinction, Nick Broome vows to bring a child into the world by whatever means necessary. The problem? Nick is gay. Alternately moving and very, very funny, Nick's search for a way to leave a mark on the world and his quest for a surrogate mother, bring him into contact with a host of bizarre characters and straight to the heart of the evolving nature of love and family. By the author of the critically acclaimed 'Fool's Errand'.
The most basic assertions about our bodies--that they are ours and distinguish us from each other, that they are private and have boundaries, races, and genders--are all political theories, constructed in legal texts for political purposes. So argues Alan Hyde in this first account of the body in legal thought. Hyde demonstrates that none of the constructions of the body in legal texts are universal truths that rest solely on body experience. Drawing on an array of fascinating case material, he shows that legal texts can construct all kinds of bodies, including those that are not owned at all, that are just like other bodies, that are public, open, and accessible to others. Further, the language, images, and metaphors of the body in legal texts can often convince us of positions to which we would not assent as a matter of political theory. Through analysis of legal texts, Hyde shows, for example, how law's words construct the vagina as the most searchable body part; the penis as entirely under mental control; the bone marrow that need not be shared with a half-sibling who will die without it; and urine that must be surrendered for drug testing in rituals of national purification. This book will interest anyone concerned with cultural studies, gender studies, ethnic studies, and political theory, or anyone who has heard the phrase "body constructed in discourse" and wants to see, step by step, exactly how this is done.
An intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject.
This volume features bioarchaeological research that interrogates the human skeleton in concert with material culture, ethnographic data and archival research. This approach provides examples of how these intersections of inquiry can be used to consider the larger social and political contexts in which people lived and the manner in which they died. Bioarchaeologists are in a unique position to develop rich interpretations of the lived experiences of skeletonized individuals. Using their skills in multiple contexts, bioarchaeologists are also situated to consider the ethical nature and inherent humanity of the research collections that have been used because they represent deceased for whom there are records identifying them. These collections have been the basis for generating basic information regarding the human skeletal transcript. Ironically though, these collections themselves have not been studied with the same degree of understanding and interpretation that is applied to archaeological collections.
Expanding Psychoanalysis explores the work of the acclaimed psychoanalyst, writer, and activist Susie Orbach. The book studies Orbach’s multifaceted career in five sections, examining her multitudinous contributions to the mental health profession, from the creation of feminist psychotherapy to the enhancement of media psychology, to the growth of political and social consultation. The book contains clinical, historical, and personal chapters, examining Orbach from a range of perspectives. Each chapter investigates a key aspect of Orbach’s work and its impact on the professional, the social, and the personal level. The book concludes with an epilogue by Orbach herself. Expanding Psychoanalysis will be essential for all readers interested in the work of Susie Orbach.
"The Lost Souls and their Bodies" satirically explores the socio-political settings of the Northern, Southern, Eastern and Western lands from which main characters originate only to be united on a Northern island. They all experience voids described as a fictional space of nothingness. Worldly ambitions can never be sufficient for the souls and are barely ever satiable for their bodies coming from different cultures and religions; Islam, Judaism and Christianity. Each character has a dream that reflects their deepest longings and fears despite decadent life settings. Yet they only truly find fulfillment in moments of disinterested love when destiny brings them together. The magical character - the Unwell Man - represents a crazy man from Lea's town in the chaotic Southern lands with a soul that registers injustice, war tragedy, birth and death. Borderless and separated, united and confined; it is a journey of the lost souls and their bodies to their final destination.
Following the deaths of Trayvon Martin and other black youths in recent years, students on campuses across America have joined professors and activists in calling for justice and increased awareness that Black Lives Matter. In this second edition of his trenchant and provocative book, George Yancy offers students the theoretical framework they crave for understanding the violence perpetrated against the Black body. Drawing from the lives of Ossie Davis, Frantz Fanon, Malcolm X, and W. E. B. Du Bois, as well as his own experience, and fully updated to account for what has transpired since the rise of the Black Lives Matter movement, Yancy provides an invaluable resource for students and teachers of courses in African American Studies, African American History, Philosophy of Race, and anyone else who wishes to examine what it means to be Black in America.
From National Book Award Finalist Eliot Schrefer comes the compelling tale of a girl who must save a group of bonobos -- and herself -- from a violent coup. Congo is a dangerous place, even for people who are trying to do good.When Sophie has to visit her mother at her sanctuary for bonobos, she's not thrilled to be there. Then Otto, an infant bonobo, comes into her life, and for the first time she feels responsible for another creature.But peace does not last long for Sophie and Otto. When an armed revolution breaks out in the country, the sanctuary is attacked, and the two of them must escape unprepared into the jungle. Caught in the crosshairs of a lethal conflict, they must struggle to keep safe, to eat, and to live. In ENDANGERED, Eliot Schrefer plunges us into a heart-stopping exploration of the things we do to survive, the sacrifices we make to help others, and the tangled geography that ties us all, human and animal, together.
Gorgeous Beasts takes a fresh look at the place of animals in history and art. Refusing the traditional subordination of animals to humans, the essays gathered here examine a rich variety of ways animals contribute to culture: as living things, as scientific specimens, as food, weapons, tropes, and occasions for thought and creativity. History and culture set the terms for this inquiry. As history changes, so do the ways animals participate in culture. Gorgeous Beasts offers a series of discontinuous but probing studies of the forms their participation takes. This collection presents the work of a wide range of scholars, critics, and thinkers from diverse disciplines: philosophy, literature, history, geography, economics, art history, cultural studies, and the visual arts. By approaching animals from such different perspectives, these essays broaden the scope of animal studies to include specialists and nonspecialists alike, inviting readers from all backgrounds to consider the place of animals in history and art. Combining provocative critical insights with arresting visual imagery, Gorgeous Beasts advances a challenging new appreciation of animals as co-inhabitants and co-creators of culture. Aside from the editors, the contributors are Dean Bavington, Ron Broglio, Mark Dion, Erica Fudge, Cecilia Novero, Harriet Ritvo, Nigel Rothfels, Sajay Samuel, and Pierre Serna.
An imaginative and original reappraisal of reproductive science, Bodies in glass explores the complex cultural landscape and emergent iconographic bodies of in vitro fertilisation (IVF) and medical genetic discourse. Through a compelling deconstruction of medical and legal languages, texts and institutional practices, Deborah Lynn Steinberg traces the convergence of four key logics - authorial, recombinant, embryo-protectionist and eugenic - which, she argues, are embedded in the field of IVF; the textual material processes of erasure and recombination of women's bodies and reproductive 'fitness'.