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CONTENTS MYTHOLOGY LEGENDS FOLK TALES REFERENCES INDEX
Contents The First Lunar Month The Second Lunar Month The Third Lunar Month The Fourth Lunar Month The Fifth Lunar Month The Sixth Lunar Month The Seventh Lunar Month The Eighth Lunar Month The Ninth Lunar Month The Tenth Lunar Month The Eleventh Lunar Month The Twelfth Lunar Month The Leap month Lunar Month
Concepts Rites and Officiants Divinities and Sacred Entities Ritual Venues Ritual Props Ritual Offerings References List of Photographs
An indispensable tool for librarians who do reference or collection management, this work is a pioneering offering of expertly selected print and electronic reference tools for East Asian Studies (Chinese, Japanese, and Korean). Handbook for Asian Studies Specialists: A Guide to Research Materials and Collection Building Tools is the first work to cover reference works for the main Asian area languages of China, Japan, and Korea. Several leading Asian Studies librarians have contributed their many decades of experience to create a resource that gathers major reference titles—both print and online—that would be useful to today's Asian Studies librarian. Organized by language group, it offers useful information on the many subscription-based and open-source electronic tools relevant to Asian Studies. This book will serve as an essential resource for reference collections at academic libraries. Previously published bibliographies on materials deal with China or Japan or Korea, but none have coalesced information on all three countries into one work, or are written in English. And unlike the other resources available, this work provides the insight needed for librarians to make informed collection management decisions and reference selections.
This collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines historical, political, and cultural conditions of Shakespearean performances in Europe, Asia, and North and South America. The first part of this volume offers a theoretical introduction to Shakespeare as myth from a twenty-first century perspective. The second part critically evaluates myths of linguistic transcendence, authenticity, and universality within broader European, neo-liberal, and post-colonial contexts. The study of local identities and global icons in the third part uncovers dynamic relationships between regional, national, and transnational myths of Shakespeare. The fourth part revises persistent narratives concerning a political potential of Shakespeare’s plays in communist and post-communist countries. Finally, part five explores the influence of commercial and popular culture on Shakespeare myths. Michael Dobson’s Afterword concludes the volume by locating Shakespeare within classical mythology and contemporary concerns.
First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.
A fascinating introduction to the world of Korean myth and legend. The myths of Korea may seem a complex and intriguing mix of ghosts, spirits, and superstition, but they form the bedrock of one of the most vibrant global cultures today. In the past few decades, South Korea has experienced a rapid rise to prominence on the world stage as the Hallyu, the "Korean wave" of popular culture, drives newfound interest in the country. This swift transformation has also generated paradoxes within contemporary South Korea, where cutting-edge technology now coexists with centuries-old shamanistic legends and Buddhist rituals. Korean myths are a living and evolving part of society, in both the North and South. With the export of Korean film across the globe, K-pop, fashion, K-dramas, literature, and comics there is a growing desire to understand the folklore and mythical underpinnings of contemporary Korean culture. Authors Heinz Insu Fenkl and Bella Dalton-Fenkl bring together a wealth of knowledge of both the new and the old, the traditional and the modern, to guide readers through this fascinating history and help them understand the culture and traditions of the Korean people. From the Changsega ("Song of Creation") sung by shamans to the gods, goddesses, and monsters who inhabit the cosmos—including the god Mireuk, creator of the world, and the giant Grandma Mago, who was able to create mountains from the mud on her skirt—these myths have been disseminated for centuries and continue to resonate in popular culture today.
Why do Koreans search for shamans? Confrontation with jarring reality, magnified in the context of immigration, pulls them to look for cultural roots in moral solidarity with their ancestors. Ancestral spirits travel by carrying culturally engrained remedial power to the “othered” life of the Korean immigrant community in the country of Protestantism. Korean shamans mediate the present with the past, life with death, the living with the ancestral spirits, and Confucian moral virtue with Protestant belief, and fill the geographical and collective mental gap in a life of transition. This book introduces Korean shamanism within the Protestant context of immigration in the United States, including an ethnography of Korean shamans in order to observe this landscape of not only conflictive but also ambivalent episodes through rituals and narratives of participants.
This work, in 6 volumes, is a compendium of traditional cosmologies worldwide. The material includes the global mythology of creation and destruction, but also comprises information drawn from other areas of traditional knowledge, ritual, iconography, shamanism, costume, and dance. Relying on original sources, universal points of agreement are identified, often on counter-intuitive ideas. These suggest a single template, a blueprint for a universal mythology of origins with local variations. Volume 5 documents a large number of traditions concerning unusual and often undesirable properties and activities of the sun and moon. To name just a few examples, prominent beliefs were that the moon was originally brighter than the sun and that the earth once succumbed to the heat caused by the sun's former proximity, its greater strength, its failure to move or the appearance of multiple luminaries.