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Stretching from "Aaron, Sam, Arizona pioneer" to "Zutacapan, Acomo pueblo chief," the three-volume Encyclopedia of Frontier Biography, and Supplemental-volume 4, profiles approximately 4,500 frontier pioneers and Native Americans. Dan L. Thrapp's comprehensive work will interest scholars, researchers, and general readers curious about the figures who developed, defended, decorated, and devilized the American West. All the famous ones are here: Volume I (A-F) includes Billy the Kid, Daniel Boone, Calamity Jane, George Custer, Buffalo Bill, Cochise, and John C. Fremont, among others. There are also entries for worthies less well known: Big Nose Kate, Nellie Cashman, Scott Cooley, to cite a few. Even Gary Cooper and other actors who portrayed westerners are sketched in. Thrapp's richly detailed biographies are continued in Volumes II (G-O) and III (P-Z). Thrapp has included seventeenth- and eighteenth-century figures in both New France and New England, as well as the trans-Appalachian country, but the majority are nineteenth-century men and women who discovered, settled, fought for, or simply lived in the raw lands west of the Mississippi River.
Uses many sources to portray the diversity of the American frontier of the 1800s.
Acclaimed independent history scholar Gregory Michno has created a chronological listing of every significant fight between Indians and the United States Army, as well as better-known Indian battles with civilian emigrants. This detailed study is more tha
Sifting factual information from among the lies, legends, and tall tales, the lives and battles of gunfighters on both sides of the law are presented in a who's who of the violent West
With over 1000 entries and 400 illustrations, this volume is the most fact-packed history of the West ever assembled. Crime historian extraordinaire Jay Robert Nash has left no stone unturned in his search for the gunmen, train robbers, gangs, desperadoes, range warriors, gamblers, and lawmen that roamed the frontier. Contrary to popular myth, the Wild West was not a glamorous land where chivalry and courage were the custom and a man died with his boots on. It was a land of incredible hardships—brutal weather, hunger and disease, and the constant threat of violent death. Everyone carried a six-shooter, neutrality was impossible, and violence unavoidable; lawmen and outlaws lived side by side, and often there was no telling one from the other. Into this land came pioneers lured by promises of great fortunes, ex-Confederate soldiers embittered by the outcome of the war, greedy cattle barons, and merchant princes. It was truly an explosive mixture.Included in this volume are all the great Western legends—Billy the Kid, Jesse and Frank James, Butch Cassidy, the Sundance Kid, Wyatt Earp, Doc Holliday, Judge Roy Bean, ”Wild Bill” Hickock—and a host of lesser-known figures who, though they may have missed notoriety, were equally lethal. And while the West was very much a man's world, several women managed to shoot, steal, or gamble their way to fame—including Belle Starr, Pearl Hart, and Calamity Jane.A compelling read, Encyclopedia of Western Lawmen & Outlaws will be the standard reference for years to come. In addition to alphabetical listings, it offers a glossary of lawmen and a glossary of outlaws, a magnificent photo and illustration appendix, and an extensive bibliography of books on the American West.
Over 450 entries provide information on cowboy history, culture, and myth of both North and South America.
The Western tradition, with its well-worn tropes, readily identifiable characters, iconic landscapes, and evocative soundtracks, is not limited to the United States. Western, or Western-inspired films have played a part in the output of numerous national film traditions, including Asia, Central and Eastern Europe, and Latin America. In International Westerns: Re-Locating the Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the significance and meanings of these films, their roots in other media, and their reception in the national industries which gave them form. Among the questions that the volume seeks to answer are: What do Westerns not made in the U.S. reveal? In what ways do they challenge or support the idea of national literatures and cinemas? How do these films negotiate nation, narrative, and genre? Divided into five sections, the twenty essays in this volume look at films from a wide range of national cinemas, such as France (The Adventures of Lucky Luke), Germany (Der Schuh des Maitu), Brazil (O Cangaceiro), Eastern Europe (Lemonade Joe), and of course, Asia (Sukiyaki Western Django). Featuring contributions from a diverse group of international scholars—often writing about Westerns adapted to their own national traditions—these essays address such matters as competing national film traditions, various forms of satire and comedy based on the Western tradition, the range of cultural adaptations of the traditional Western hero, the ties between the nation-state and the outlaw, and Westerns in a variety of unanticipated guises. Representing a broader look at global Westerns than any other single volume to date—and featuring more than 70 illustrations—International Westerns will be of interest to scholars of film, popular culture, and cultural history.
Gunleather is an icon of American Western lore. PACKING IRON is a high quality pictorial celebration of the artistry & innovation of the craftsmen who designed the gun rigs of the old time trail driving Cowboys, lawmen & Hollywood heroes. This unique slice of Western Americana is presented in over 300 dazzling color photographs, plus almost 100 historic images. Standard trade discounts. To order write or call: ZON INTERNATIONAL PUBLISHING COMPANY, P.O. Box 47, MILLWOOD, NY 10546. Phone: 914-245-2926. FAX: 914-962-1945.
Borgo Cataloging Guides are written by catalogers for catalogers. These guides provide surveys of cataloging practice and science in the Library of Congress classification scheme. Each book surveys a specific subject area, with comprehensive coverage of the actual subject headings and classification numbers.