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In this lively and informative book, Benjamin Wardhaugh explains how Euclid's text journeyed from antiquity to the Renaissance, introducing some of the many readers, copyists, and editors who left their mark on the Elements before handing it on. He shows how some read the book as a work of philosophy, while others viewed it as a practical guide to life. He examines the many different contexts in which Euclid's book and his geometry were put to use, from the Neoplatonic school at Athens and the artisans' studios of medieval Baghdad to the Jesuit mission in China and the workshops of Restoration London. Wardhaugh shows how the Elements inspired ideas in theology, art, and music, and how the book has acquired new relevance to the strange geometries of dark matter and curved space.
Greek ideas about geometry, straight-edge and compass constructions, and the nature of mathematical proof dominated mathematical thought for about 2,000 years.
Euclid's Elements of Geometry was a book that changed the world. In a sweeping history, Benjamin Wardhaugh traces how an ancient Greek text on mathematics - often hailed as the world's first textbook - shaped two thousand years of art, philosophy and literature, as well as science and maths. Thirteen volumes of mathematical definitions, propositions and proofs. Writing in 300 BC, Euclid could not have known his logic would go unsurpassed until the nineteenth century, or that his writings were laying down the very foundations of human knowledge. Wardhaugh blasts the dust from Euclid's legacy to offer not only a vibrant history of mathematics, told through people and invention, but also a broader story of culture. Telling stories from every continent, ranging between Ptolemy and Isaac Newton, Hobbes and Lewis Carrol, this is a history that dives from Ancient Greece to medieval Byzantium, early modern China, Renaissance Italy, the age of European empires, and our world today. How has geometry sat at the beating heart of sculpture, literature, music and thought? How can one unknowable figure of antiquity live through two millennia?
The present volume provides a fascinating overview of geometrical ideas and perceptions from the earliest cultures to the mathematical and artistic concepts of the 20th century. It is the English translation of the 3rd edition of the well-received German book “5000 Jahre Geometrie,” in which geometry is presented as a chain of developments in cultural history and their interaction with architecture, the visual arts, philosophy, science and engineering. Geometry originated in the ancient cultures along the Indus and Nile Rivers and in Mesopotamia, experiencing its first “Golden Age” in Ancient Greece. Inspired by the Greek mathematics, a new germ of geometry blossomed in the Islamic civilizations. Through the Oriental influence on Spain, this knowledge later spread to Western Europe. Here, as part of the medieval Quadrivium, the understanding of geometry was deepened, leading to a revival during the Renaissance. Together with parallel achievements in India, China, Japan and the ancient American cultures, the European approaches formed the ideas and branches of geometry we know in the modern age: coordinate methods, analytical geometry, descriptive and projective geometry in the 17th an 18th centuries, axiom systems, geometry as a theory with multiple structures and geometry in computer sciences in the 19th and 20th centuries. Each chapter of the book starts with a table of key historical and cultural dates and ends with a summary of essential contents of geometr y in the respective era. Compelling examples invite the reader to further explore the problems of geometry in ancient and modern times. The book will appeal to mathematicians interested in Geometry and to all readers with an interest in cultural history. From letters to the authors for the German language edition I hope it gets a translation, as there is no comparable work. Prof. J. Grattan-Guinness (Middlesex University London) "Five Thousand Years of Geometry" - I think it is the most handsome book I have ever seen from Springer and the inclusion of so many color plates really improves its appearance dramatically! Prof. J.W. Dauben (City University of New York) An excellent book in every respect. The authors have successfully combined the history of geometry with the general development of culture and history. ... The graphic design is also excellent. Prof. Z. Nádenik (Czech Technical University in Prague)
The Mathematics of the Heavens and the Earth is the first major history in English of the origins and early development of trigonometry. Glen Van Brummelen identifies the earliest known trigonometric precursors in ancient Egypt, Babylon, and Greece, and he examines the revolutionary discoveries of Hipparchus, the Greek astronomer believed to have been the first to make systematic use of trigonometry in the second century BC while studying the motions of the stars. The book traces trigonometry's development into a full-fledged mathematical discipline in India and Islam; explores its applications to such areas as geography and seafaring navigation in the European Middle Ages and Renaissance; and shows how trigonometry retained its ancient roots at the same time that it became an important part of the foundation of modern mathematics. The Mathematics of the Heavens and the Earth looks at the controversies as well, including disputes over whether Hipparchus was indeed the father of trigonometry, whether Indian trigonometry is original or derived from the Greeks, and the extent to which Western science is indebted to Islamic trigonometry and astronomy. The book also features extended excerpts of translations of original texts, and detailed yet accessible explanations of the mathematics in them. No other book on trigonometry offers the historical breadth, analytical depth, and coverage of non-Western mathematics that readers will find in The Mathematics of the Heavens and the Earth.
Making up Numbers: A History of Invention in Mathematics offers a detailed but accessible account of a wide range of mathematical ideas. Starting with elementary concepts, it leads the reader towards aspects of current mathematical research. The book explains how conceptual hurdles in the development of numbers and number systems were overcome in the course of history, from Babylon to Classical Greece, from the Middle Ages to the Renaissance, and so to the nineteenth and twentieth centuries. The narrative moves from the Pythagorean insistence on positive multiples to the gradual acceptance of negative numbers, irrationals and complex numbers as essential tools in quantitative analysis. Within this chronological framework, chapters are organised thematically, covering a variety of topics and contexts: writing and solving equations, geometric construction, coordinates and complex numbers, perceptions of ‘infinity’ and its permissible uses in mathematics, number systems, and evolving views of the role of axioms. Through this approach, the author demonstrates that changes in our understanding of numbers have often relied on the breaking of long-held conventions to make way for new inventions at once providing greater clarity and widening mathematical horizons. Viewed from this historical perspective, mathematical abstraction emerges as neither mysterious nor immutable, but as a contingent, developing human activity. Making up Numbers will be of great interest to undergraduate and A-level students of mathematics, as well as secondary school teachers of the subject. In virtue of its detailed treatment of mathematical ideas, it will be of value to anyone seeking to learn more about the development of the subject.
A classic treatment of convergence and uniformity in topology from the acclaimed Annals of Mathematics Studies series Princeton University Press is proud to have published the Annals of Mathematics Studies since 1940. One of the oldest and most respected series in science publishing, it has included many of the most important and influential mathematical works of the twentieth century. The series continues this tradition as Princeton University Press publishes the major works of the twenty-first century. To mark the continued success of the series, all books are available in paperback and as ebooks.
For centuries the world has been misled about the original source of the Arts and Sciences; for centuries Socrates, Plato and Aristotle have been falsely idolized as models of intellectual greatness; and for centuries the African continent has been called the Dark Continent, because Europe coveted the honor of transmitting to the world, the Arts and Sciences. It is indeed surprising how, for centuries, the Greeks have been praised by the Western World for intellectual accomplishments which belong without a doubt to the Egyptians or the peoples of North Africa.
This book is the first complete study of the origin of geometry in India. In Ancient India, brick-built fire-altars (citi-s) were ordained for the Soma sacrifice, a Vedic rite, which led to the compilation of rule-books for making and arranging bricks. These volumes, called ÅsulbasÅ«tra-s, represent the first available texts of both geometry and mensuration, and were composed from 600 BCE, although the actual practice goes back to c. 1500 BCE. This book begins by detailing the history of geometry in Egypt, Mesopotamia, and Greece, and shows that geometry everywhere starts with brick-built structures, rather than the measurement of land. It emphasizes that geometry in India, unlike in Greece, was side-based rather than angle-based. The text is profusely illustrated.