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During the twentieth century, American Indians across North America organized protests against traditional museum treatment of Native materials and the Native community. In response, museums began to change their methods. Spirited Encounters provides a foundation for understan...
The Northwest Coast of North America was home to dozens of Native peoples at the time of its first contact with Europeans. The rich artistic, ceremonial, and oral traditions of these peoples and their preservation of cultural practices have made this region especially attractive for anthropological study. Coming to Shore provides a historical overview of the ethnology and ethnohistory of this region, with special attention given to contemporary, theoretically informed studies of communities and issues. The first book to explore the role of the Northwest Coast in three distinct national traditions of anthropology- American, Canadian, and French-Coming to Shore gives particular consideration to the importance of Claude Levi-Strauss and structuralism, as well as more recent social theory in the context of Northwest Coast anthropology. In addition contributors explore the blurring boundaries between theoretical and applied anthropology as well as contemporary issues such as land claims, criminal justice, environmentalism, economic development, and museum display. The contribution of Frederica de Laguna provides a historical background to the enterprise of Northwest Coast anthropology, as do the contributions of Claude Levi-Strauss and Marie Mauze. Marie Mauze is a senior researcher at the Centre National de la Recherche Scientifique in Paris. Her books include Present Is Past: Some Uses of Tradition in Native Societies. Michael E. Harkin is a professor of anthropology at the University of Wyoming and the editor of Reassessing Revitalization Movements: Perspectives from North America and the Pacific Islands (Nebraska 2004). Sergei Kan is a professor of anthropology and Native American studies at Dartmouth College and author of Memory Eternal: Tlingit Culture and Russian Orthodox Christianity through Two Centuries.
Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the co
Michael R. Jeffords and Susan L. Post have circled the globe--and explored their neighborhood--collecting images of the natural world. This book opens their personal cabinet of curiosities to tell the stories of the pair's most unusual encounters. From the "necking" battles of mate-hungry giraffes to the breathtaking beauty of millions of monarch butterflies at rest, Jeffords and Post share 200 stunning photographs and their own insightful essays to guide readers on a spectacular journey. Their training as entomologists offers unique perspectives on surprise stag beetle swarms and spider hunting habits. Their photographic eye, honed by decades of observation, finds expression in once-in-a-lifetime images. The result is an eyewitness collection of startling and unusual phenomena that illuminates the diverse life inhabiting our planet.
Art in the Encounter of Nations is the first book-length study of interactions between the Japanese and American art worlds in the early postwar years. It brings to light a rich exchange of opinions and debates regarding the relationship between the art of the two nations. The author begins with an examination of the Japanese margins of American Abstract Expressionism. Taking a contrapuntal approach, he investigates four abstract painters: two Japanese artists who moved to the United States (Okada Kenzo and Hasegawa Saburo) and two European Americans whose work is often associated with Japanese calligraphy (Mark Tobey and Franz Kline). He then looks at the work of two young scions of the calligraphy and pottery worlds of Japan -- Morita Shiryo and Yagi Kazuo -- and argues that their radical innovations in these ancient arts were, in part, provoked by their sense of a threat posed by Euro-American modernity. The final chapter is devoted to the career of Japanese American sculptor and designer Isamu Noguchi, whose feeling of affiliation was directed to both the U.S. and Japan in shifting ratios through a series of public and private places, each posing unique opportunities for exploring national distinctions.
Voices of a Thousand People is the story of one Native community?s efforts to found their own museum and empower themselves to represent their ancient traditional lifeways, their historic experiences with colonialism, and their contemporary efforts to preserve their heritage for generations to come. This ethnography richly portrays how a community embraced the archaeological discovery of Ozette village in 1970 and founded the Makah Cultural and Research Center (MCRC) in 1979. Oral testimonies, participant observation, and archival research weave a vivid portrait of a cultural center that embodies the self-image of a Native American community in tension with the identity assigned to it by others.
The first American national museum designed and run by indigenous peoples, the Smithsonian Institution?s National Museum of the American Indian in Washington DC opened in 2004. It represents both the United States as a singular nation and the myriad indigenous nations within its borders. Constructed with materials closely connected to Native communities across the continent, the museum contains more than 800,000 objects and three permanent galleries and routinely holds workshops and seminar series. This first comprehensive look at the National Museum of the American Indian encompasses a variety of perspectives, including those of Natives and non-Natives, museum employees, and outside scholars across disciplines such as cultural studies and criticism, art history, history, museum studies, anthropology, ethnic studies, and Native American studies. The contributors engage in critical dialogues about key aspects of the museum?s origin, exhibits, significance, and the relationship between Native Americans and other related museums.
The Makah Indians of Washington State--briefly in the national spotlight when they resumed their ancient whaling traditions in 1999--have begun a process that will eventually lead to the repatriation of objects held by museums and federal agencies nationwide. Drawing Back Culture describes the early stages of the tribe's implementation of what some consider to be the most important piece of cultural policy legislation in the history of the United States: the Native American Graves Protection and Repatriation Act (NAGPRA). NAGPRA was passed by Congress in 1990 to give Native people a mechanism through which they could reclaim specific objects of importance to the tribe. Because NAGPRA definitions were intended for widespread applicability, each tribe must negotiate a fit between these definitions and their own material culture. The broad range of viewpoints within any given tribal community creates internal negotiations over NAGPRA surrounding the identification and eventual return of such objects. Negotiations also arise concerning the nature of ownership. At the heart of this ongoing struggle are themes relevant to indigenous studies worldwide: the central role of material culture in cultural revitalization movements, concerns with intellectual property rights and self-representation, and the trend towards professional cultural resource management among indigenous peoples. The conception of ownership lies at the heart of the Makahs' struggle to implement NAGPRA. Tweedie explores their historical patterns of ownership, and demonstrates the challenges of implementing legislation which presumes a concept of communal ownership foreign to the Makahs' highly developed and historically documented patterns of personal ownership of both material culture and intellectual property. Drawing Back Culture explores how NAGPRA implementation has been working at the tribal level, from the perspective of a tribe struggling to fit the provisions of the law with its own sense of history, ownership, and the drive for cultural renewal.
This volume brings together an impressive collection of important works covering nearly every aspect of early Native American history, from contact and exchange to diplomacy, religion, warfare, and disease.