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To be Enchanted, at one time, meant to be ‘carried away,’ from one’s hum-drum existence, to something or somewhere magical, perhaps even spiritual, at least, always more than merely physically pleasant! Of course, this depended on one’s beliefs in human souls. Take that away, and enchantment would be as mundane as everything else in modern daily life. No Soul means no possibility of Enchantment. Ken Evans.
Beautifully constructed in a semi-classical style, this graphic novel features a light-spirited romantic story. This latest installment in the Louvre collection tells the tale of a museum director in a waking dream after his retirement dinner where he wanders the vast halls of the museum before eloping with a muse. The magic of the vast museum melds with the ethereal storytelling to create a unique graphic novel that stands as an unforgettable experience.
Novel involving the plot of a lady travelling to Florida who finds a magician with "sex-change" seeds. She then proceeds to transform several characters into the opposite sex with comic results. Basis for the 1914 silent film of the same name, directed by Sidney Drew.
This volume presents over 200 selected original artworks from the collection of Betsy Beinecke Shirley, one of the great collectors of American children's literature. Shirley gathered an authoritative collection of books, original illustrations, manuscripts, as well as drawings and paintings from such children's classics as ''Treasure Island'' and ''Eloise.'' The artwork in Shirley's collection guides the reader on a tour through the stages of childhood reading, this volume begins with ABC's and nursery books. It continues through adventure stories, magazines, and more, then concludes with a miscellany section of odds and ends. The images demonstrate how children's books evolved, from the nation's first days of independence to modern times. Artists whose works are represented include many of the favorites, among them Ludwig Bemelmans, Maurice Sendak, A.B. Frost, Wanda Gag, Peter Newell, N.C. Wyeth, Tony Sarg, Robert Lawson, and Johnny Gruelle.
Is there magic in your junk drawer or in the pieces of a broken china plate? In Conjuring the Commonplace, Laine Fuller and Cory Thomas Hutcheson answer with a resounding, “Yes!” and deftly show you how to incorporate that magic into your everyday. They also point to other hidden treasures in places in your home you may have never thought to look. As the hosts of the long-running podcast New World Witchery, Cory and Laine have shared the folklore and magic of North America and their own magical journeys with listeners. Conjuring the Commonplace continues that conversation, highlighting the folklore of the common objects and the practical ways they have each incorporated these small magics into their lives and how you might too. If you’ve ever questioned whether to toss out that bit of string from a sewing project or wondered what you should know before picking up that shiny penny on the sidewalk, this book is for you.
From bestselling author Tanya Huff comes the first in a series about an unconventional family where women cultivate power, men show a little horn, and aunties are almost always a step ahead... Growing up a Gale girl in rural Ontario meant all the freedom Alysha Gale wanted: tracing charms on her lovers, ruling the high school with her pack of cousins, dodging the aunties’ more coercive pies. But at twenty-four, Allie is brokenhearted, out of a job, and not so much nestled in the bosom of her family as suffocated. Until her wild grandmother writes to announce she’s dead and deeding Allie a junk shop in Calgary. As soon as she steps into the Enchantment Emporium, Allie knows there’s plenty to keep even a Gale girl busy. There’s a monkey’s paw sitting in the glass case. Her grandmother did business with a supernaturally odd collection of strays. And a smoking hot man with a dodgy cover story keeps inquiring about Gran—who’s vanished without a trace. But the shadows of Calgary hide more than one kind of threat. Allie could flee back home... or discover if she can become a force to be reckoned with all by herself.
Written from the belief that every discipline is enhanced by understanding the arguments made for its existence and the conditions in which it was established, the author aims to help students and colleagues to think critically about the impact of institutional location in forming our habits of mind.
Emotions of Menace and Enchantment examines four pivotal human emotions. It explores what defines these emotions, how they interact, and how they impact the experience of self-boundary. All four feelings speak to the boundary around the self, to whether we stiffen that boundary, relax it or worry about its fraying. Psychoanalysis has looked closely at conflicts that human beings experience, but has paid relatively less attention to the specific emotions through which conflict is known and managed. The disgust emotion is unique in operating like a gatekeeper that manages what approaches us closely. Disgust appears prominently in our relationship with the physical world, but surprisingly, is just as common in the world of politics. It moves people to action, including deeds of great violence. Horror occurs when we feel invaded and altered by something that leads to profound insecurity. Human beings behaving inhumanly is one common source of horror. While disgust is a moral emotion, horror makes no judgments but speaks to the misery of being unsafe. Awe opens the self to the outside world, and creates moments that sustain us through times of stress. Fascination also involves openness but its characteristic attitude and attention shows its differences from awe. It forms the foundation for deep learning. All four emotions find their way into psychopathology; for example, fascination plays a role in addiction and awe in masochism and cult formation. Emotions of Menace and Enchantment will help mental health professionals in psychoanalysis, psychotherapy, psychiatry and social work to better parse clinical encounters with the four emotions and to think as well about defensive patterns aimed at blunting contact with them. It will engage anyone interested in examining the roles these emotions play in politics, societal violence, addictions, and everyday joys and suffering.
'Disenchantment' has been a consistent trope in sociology since Weber's appropriation of the term nearly a century ago. In this work I argue that, in contrast to the standard modernization story, organizations have long been subject to countervailing forces other than that that of rationalization. This has been especially true in schools, institutions that exist at the intersection of the logics of bureaucracy, democracy and expressive youth cultures. In this dissertation I identify a uniquely contemporary organizational response to these tensions, one I associate with the notion of 're-enchantment.' I use this term to refer to reforms that identify emotional and intellectual alienation as the primary institutional problems to be overcome and find a solution in the reinvigoration of organizational practices with imagination, creativity, and collaboration. The result is a genre of reform that accepts the logic of standardized and rationalized outcomes but attempts to transform the process of achieving these goals by 're-enchanting' organizational experience with a sense of connectedness and creativity. In this dissertation I discuss small school reform generally, and a particular instance of it at Mill Town high specifically, as examples of organizational re-enchantment. More than just introducing new practices or structures, small school reform entails an effort to reshape the tactic and practical modes of coordination, what I call ways of being. These are social conventions that allow actors to coordinate with each other and their environment in a way that is grounded in a shared practical understanding of the proper ordering of people and things. In contrast to standard account that locate the barrier to change in the minds of organizational actors, utilizing a mixed-methods approach I show that much of the failure of the reform at Mill Town was not the result of beliefs, attitudes or values of teachers, but rather concerned the complexity of changing culturally disposed, and intersubjectively sustained, modes of coordination in the organization.
India's association with magicians goes back thousands of years. Conjurors and illusionists dazzled the courts of Hindu maharajas and Mughal emperors. As British dominion spread over the subcontinent, such wonder-workers became synonymous with India. Western magicians appropriated Indian attire, tricks and stage names; switching their turbans for top hats, Indian jugglers fought back and earned their grudging respect. This book tells the extraordinary story of how Indian magic descended from the realm of the gods to become part of daily ritual and popular entertainment across the globe. Recounting tales of levitating Brahmins, resurrections, prophesying monkeys and "the most famous trick never performed," Empire of Enchantment vividly charts Indian magic's epic journey from street to the stage. This heavily illustrated book tells the extraordinary, untold story of how Indian magic descended from the realm of the gods to become part of daily ritual and popular entertainment across the globe. Drawing on ancient religious texts, early travelers' accounts, colonial records, modern visual sources, and magicians' own testimony, Empire of Enchantment is a vibrant narrative of India's magical traditions, from Vedic times to the present day.