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This handy carrying case includes tons of magnets of dazzling dresses, shoes, tiaras, and jewelry, plus two magnetic dolls of Cinderella and Belle, eight play scenes, and a storybook. Dress up your favorite Disney Princess in a glamorous outfit, place her in a scene, and read a classic retelling of her story in the 16-page flip book.
More than mere playthings, Enchanted Dolls are elegantly sculpted and articulated works of art. Strikingly nude, engraved or adorned in opulent sculptural costumes of precious metals, gemstones and rare found objects, each doll intricately conveys an aspect of our humanity. As Marina says 'the reason I love making dolls is because it it's a multidisciplinary art form. To create a doll I get to do it all: sculpture, industrial design, painting, engraving, mold-making, drawing, metalwork, fashion and jewellery design. I want it all!'
The author concludes her autobiography with stories of her life in England, India, and China in the years between the two World Wars.
Rich selection of dressmakers' patterns from popular, late-19th-century magazine The Voice of Fashion includes 50 garments for women, from day and evening dresses to tennis outfits and undergarments. 498 illustrations.
Beautiful blooms adorn these unique and romantic fashions inspired by nature. Thirty-one stunning illustrations feature models wearing gorgeous gowns and dresses detailed with lush florals, leaves, and vines. The imaginative drawings will enthrall colorists and fashionistas alike. The artwork is printed on one side only, and the pages are perforated for easy removal and display.
What girl hasn't dreamed of popping out of a manhole cover in the middle of Times Square and finding Prince Charming? In this fresh spin on the classic fairy tales made famous by Disney, a princess discovers that "happily ever after" doesn't have to be picture perfect!/DIV Enchanted: The Junior Novel tells the story of the beautiful Giselle, who finds herself banished from the magical and animated world of Andalasia to the gritty reality of modern-day Manhattan. Featuring an all-star cast that includes Patrick Dempsey (Grey's Anatomy), Amy Adams (Junebug), Susan Sarandon (Stepmom), and James Marsden (X-Men), this lighthearted and romantic comedy is sure to be the must-see holiday film of 2007!DIV
From The Hobbit to Harry Potter, how fantasy harnesses the cultural power of magic, medievalism, and childhood to re-enchant the modern world Why are so many people drawn to fantasy set in medieval, British-looking lands? This question has immediate significance for millions around the world: from fans of Lord of the Rings, Narnia, Harry Potter, and Game of Thrones to those who avoid fantasy because of the racist, sexist, and escapist tendencies they have found there. Drawing on the history and power of children’s fantasy literature, Re-Enchanted argues that magic, medievalism, and childhood hold the paradoxical ability to re-enchant modern life. Focusing on works by authors such as J. R. R. Tolkien, C. S. Lewis, Susan Cooper, Philip Pullman, J. K. Rowling, and Nnedi Okorafor, Re-Enchanted uncovers a new genealogy for medievalist fantasy—one that reveals the genre to be as important to the history of English studies and literary modernism as it is to shaping beliefs across geographies and generations. Maria Sachiko Cecire follows children’s fantasy as it transforms over the twentieth and twenty-first centuries—including the rise of diverse counternarratives and fantasy’s move into “high-brow” literary fiction. Grounded in a combination of archival scholarship and literary and cultural analysis, Re-Enchanted argues that medievalist fantasy has become a psychologized landscape for contemporary explorations of what it means to grow up, live well, and belong. The influential “Oxford School” of children’s fantasy connects to key issues throughout this book, from the legacies of empire and racial exclusion in children’s literature to what Christmas magic tells us about the roles of childhood and enchantment in Anglo-American culture. Re-Enchanted engages with critical debates around what constitutes high and low culture during moments of crisis in the humanities, political and affective uses of childhood and the mythological past, the anxieties of modernity, and the social impact of racially charged origin stories.
“A totally captivating, hilarious, and clever look on the magical kingdom of Manhattan, where kissing frogs has never been this fun.”—Melissa de la Cruz, author of The Au Pairs Katie Chandler had always heard that New York is a weird and wonderful place, but this small-town Texas gal had no idea how weird until she moved there. Everywhere she goes, she sees something worth gawking at and Katie is afraid she’s a little too normal to make a splash in the big city. Working for an ogre of a boss doesn’t help. Then, seemingly out of the blue, Katie gets a job offer from Magic, Spells, and Illusions, Inc., a company that tricks of the trade to the magic community. For MSI, Katie’s ordinariness is an asset. Lacking any bit of magic, she can easily spot a fake spell, catch hidden clauses in competitor’s contracts, and detect magically disguised intruders. Suddenly, average Katie is very special indeed. She quickly learns that office politics are even more complicated when your new boss is a real ogre, and you have a crush on the sexy, shy, ultra powerful head of the R&D department, who is so busy fighting an evil competitor threatening to sell black magic on the street that he seems barely to notice Katie. Now it’s up to Katie to pull off the impossible: save the world and–hopefully–live happily ever after.
Every action-packed Look and Find adventure features fun and exciting things to find and explore. Additional challenges are at the end of every book.
This volume of essays examines the ways in which magical practices are found in different aspects of contemporary capitalist societies. From contract law to science, by way of finance, business, marketing, advertising, cultural production, and the political economy in general, each chapter argues that the kind of magic studied by anthropologists in less developed societies – shamanism, sorcery, enchantment, the occult – is not only alive and well, but flourishing in the midst of so-called ‘modernity’. Modern day magicians range from fashion designers and architects to Donald Trump and George Soros. Magical rites take place in the form of political summits, the transformation of products into brands through advertising campaigns, and the biannual fashion collections shown in New York, London, Milan and Paris. Magical language, in the form of magical spells, is used by everyone, from media to marketers and all others devoted to the art of ‘spin’. While magic may appear to be opposed to systems of rational economic thought, Moeran and Malefyt highlight the ways it may in fact be an accomplice to it.