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An epic story of romance, drama and mythology, for fans of Children of Blood and Bone and Oh My Gods. For Avery Montgomery, the descendent of a Greek god, turning eighteen is a big deal. Not only is it her ticket to the Court, the world's most lavish party for descendants, it also unlocks the ability to hear the thoughts of her one true soul mate. While her birthday looms, Avery finds herself drawn to two royal descendants who couldn't be more different. She hopes her soulmate will be Carlos, who is charming, handsome and her current obsession, but for some reason she starts to feel a pull to Vladimir, her best friend's annoying older brother. As Avery finds herself torn, she stumbles upon a dark side of The Court, which pushes her towards a revelation that will forever alter her past, and her future.
"This book is filled with a great love for the art of writing and is a celebration of the act of reading. Through the prism of the renowned Russian Formalist Viktor Shklovsky, Douglas Glover provides a scrupulous reading of Cervantes's Don Quixote. By showing us how Cervantes constructed his novel, and how we as readers participate in his magical creation, he opens the 400-year-old Spanish masterpiece to a new generation of readers. Glover seduces us with his stunning prose, while making it possible for even the casual reader to understand and enjoy Cervantes's genius."--BOOK JACKET.
Being released in the 400th anniversary of his birth, Enamoured with Piety by Dr. Yarran Johnston, offers an insight into the life and ministry of the Puritan, Thomas Watson. Johnston traces the pervading theme of godliness in Watson’s thoughts and writings, making the case that Watson represents English Puritanism in its mature phase, specifically in its understanding of godliness as a proper regard for God.
It was the worst day of my life. I know most people say that about something obviously horrific-a first heartbreak, the discovery of a fatal illness, or the funeral of a loved one-but my situation was a little different. Not only was it my wedding day, but it was also the day I chose to die. Two men. The first, my Master, my captor, and my impossible love. The other, his brother, a mafioso I was meant to ensnare and ruin. If I had any hope of living a normal life reunited with my family, I had to make a choice. End my old life as I knew it and start fresh, or take down the monsters that hunted me and haunted my Master. In the end, the decision was never really mine to make. Because Alexander Davenport would come to claim me even in death.**The Enslaved Duet is a standalone dark romance duet about Cosima Lombardi from The Evolution of Sin Trilogy. Enthralled must be read before Enamoured.**
Why literally shouldn't be taken literally. Why Americans think home in on something is a mistake and Brits think hone in is. Is it OK to spell OK okay? What's wrong with hence why? Was Alanis Morrisette ever ironic? Fowler's Dictionary of Modern English Usage is the world-famous guide to English usage, loved and used by writers, editors, and anyone who values correct English since it first appeared in 1926. Fowler's gives comprehensive and practical advice on complex points of grammar, syntax, punctuation, style, and word choice. Now enlarged and completely revised to reflect English usage in the 21st century, it provides a crystal-clear, authoritative picture of the English we use, while illuminating scores of usage questions old and new. International in scope, it gives in-depth coverage of both British and American English usage issues, with reference also to the English of Australia, Canada, India, New Zealand, and South Africa. The thousands of authentic examples in the book vividly demonstra
In this book, I have brought together about 1,400 utterances that are faulty. None of these faulty utterances have been produced by me to illustrate incorrect use of English. All the faulty utterances found in this book have been taken from printed materialmostly from the newspapers I read. In order to focus attention on the error, I have shortened some of the faulty utterances. To me, it is very important that the faulty utterances in this book have not been produced by me. Jacques Barzun, the celebrated American scholar and recipient of the Gold Medal for Criticism from the American Academy of Arts and Letters has something very pertinent to say on genuine faults as opposed to faults that have been produced as sample utterances. This is what Barzun says: In student writing, when the assignments are frequent and well designed, all kinds of error and clumsiness occur that are never found in the sample sentences of manuals and grammar books. These faults have the advantage of being genuine; they represent somebodys way of thought, and finding them faulty is a therapeutic attack on the mind that produced them. Barzun is talking about writing done by university students in America, but what he says about it is applicable to a great deal of Indian writing too.
The history of women in early modern Spain is a largely untapped field. This book opens the field substantially by examining the position of women in religious, political, literary, and economic life. Drawing on both historical and literary approaches, the contributors challenge the portrait of Spanish women as passive and marginalized, showing that despite forces working to exclude them, women in Golden Age Spain influenced religious life and politics and made vital contributions to economic and cultural life. The contributors seek to incorporate the study of Spanish women into the current work on literary criticism and on the intersection of private and public spheres. The authors integrate women into subfields of Spanish history and literature, such as Inquisition studies, the Spanish monarchy, Spain's economic and political decline, and Golden Age drama. The essays demonstrate the necessity and value of incorporating women into the study of Golden Age Spain.
It was the biggest day of my life. I know most people say that about something joyous; a graduation, a wedding ceremony, the birth of their first child. My situation was a little different. Sure, it was my eighteenth birthday, but it was also the day that I was sold. Sold to a man with hair like a crown of gold and eyes blacker than the darkest pits of Hell. He bought me to own me, to control me, and to use me as a means to an end. I was his tool and his weapon.And through it all, somehow, I also became his salvation.
Looking for a romantinc adult game to spice things up in the bedroom? This naughty game will be a perfect appetizer to the main course. How do you play this game? 1. Find a body part (e.g. lips) in the first word search and combine it with action found in the second word search (e.g. lick). 2. Take the required action (lick lips). You can set the time limit for finding a word (e.g. 2 minutes). Play the game even 50 times! Enjoy!
For Jeffrey Masten, the history of sexuality and the history of language are intimately related. In Queer Philologies, he studies particular terms that illuminate the history of sexuality in Shakespeare's time and analyzes the methods we have used to study sex and gender in literary and cultural history. Building on the work of theorists and historians who have, following Foucault, investigated the importance of words like "homosexual," "sodomy," and "tribade" in a variety of cultures and historical periods, Masten argues that just as the history of sexuality requires the history of language, so too does philology, "the love of the word," require the analytical lens provided by the study of sexuality. Masten unpacks the etymology, circulation, transformation, and constitutive power of key words within the early modern discourse of sex and gender—terms such as "conversation" and "intercourse," "fundament" and "foundation," "friend" and "boy"—that described bodies, pleasures, emotions, sexual acts, even (to the extent possible in this period) sexual identities. Analyzing the continuities as well as differences between Shakespeare's language and our own, he offers up a queer lexicon in which the letter "Q" is perhaps the queerest character of all.