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Since it first rolled off the presses in 1856, The Honolulu Advertiser has been an important force in reporting and shaping the news of Honolulu and, secondarily, the Hawaiian Islands. Established as The Pacific Commercial Advertiser, a four-page weekly, it was the first enduring non-government owned or subsidized newspaper published in the Hawaiian Kingdom. Under its first owner, the son of New England missionaries, the Advertiser became the most successful commercial English language newspaper in the Islands. The paper became a daily in 1882 and in 1921 changed its name to The Honolulu Advertiser. Now owned by Gannett Company, Inc., the Advertiser is one of the oldest newspapers still operating west of the Rockies. George Chaplin, editor-in-chief of the Advertiser from 1959 to 1986, has written a colorful and entertaining insider's account of nearly a century and a half of Advertiser history. He covers the legion of personalities that has worked for the Advertiser over the years: owners (from its first Island owner, Henry Whitney, to its last, the Thurston Twigg-Smith family), publishers, editors, reporters, political cartoonists, photographers, and pressroom people. He reports on issues and historical events that had a powerful impact on the Honolulu community and comments on the newspaper's position regarding each: the sensational Massie trial, the dilemma of Hawaii's Americans of Japanese ancestry during World War II, the labor movement and communism in the Islands, and statehood, among others. He also recalls the many political figures who have waged their media battles within the pages of the Advertiser.Presstime in Paradise is an illuminating and informative look at the internal operations of a newspaper and its relationship with a community that has both influenced it and been influenced by it. It adds significantly to the growing body of literature on the role of the free press in Hawaii.
Ever since this country came into being, women have waged battles for rights in the pages of their plays, and on the stages where those plays were performed. - FROM THE PREFACE BY SHIRLEY LAURO Front Lines is a pathbreaking collection of the most important, critically acclaimed plays written by the country's leading contemporary female playwrights. Including seven full scripts and accompanying materials, Front Lines provides both major examples of the playwright's craft and an essential introduction to the politically inspired work of female dramatists of the twenty-first century. Here is Jessica Blank's widely heralded The Exonerated (written with Erik Jensen), based on interviews with American prisoners incarcerated for crimes they did not commit. Also included is Nilaja Sun's outstanding No Child . . ., winner of the Outer Critics Circle's 2007 John Gassner Award for Best New Play - a funny, stirring one-woman show centering on an inner-city teacher's success at involving her rebellious students in their own education by putting on a play. Rounding out the collection are Emily Mann's Mrs. Packard, Paula Vogel's Hot 'n' Throbbing, Shirley Lauro's Clarence Darrow's Last Trial, Quiara Alegra Hudes's Eliot: A Soldier's Fugue, and Cindy Cooper's Words of Choice. With a preface by distinguished playwright Shirley Lauro and an introduction by theater critic Alexis Greene, Front Lines also includes short biographies of the playwrights and a production photo of each play.
Make your trip to Hawaii unforgettable with illustrated features, maps, and colour photos. Customise your trip with simple planning tools.