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". . . intriguing, both a solid refresher on our savage colonial history and a smart rumination on what it means to get lost. ― Outside First time in paperback, ebook, and audio editions Part travel adventure, part history, part exploration Features four specific "blank spots" from across the country and delves into our human relationships with place In The Last Empty Places, bestselling author Peter Stark takes the reader to four of the most remote, wild, and unpopulated areas of the United States outside of Alaska and mainly not part of protected wilderness: the rivers and forests of Northern Maine; the rugged, unpopulated region of Western Pennsylvania that lies only a short distance from the East’s big cities; the haunting canyons of Central New Mexico; and the vast, arid basins of Southeast Oregon. Stark discovers that the places he visits are only "blank" in terms of a lack of recorded history. In fact, each place holds layers of history, meaning, and intrinsic value and is far from being blank. He also finds that each region has played an important role in shaping our American idea of wilderness through the influential "natural philosophers" who visited these places and wrote about their experiences--Henry David Thoreau, William Bartram, John Muir, and Aldo Leopold. It’s a fascinating look at the value of nature, the ways humans use and approach it, and what it means to seek out empty places in today’s world.
In this paean to the wild lands of the American West, Paul Gruchow celebrates the intrinsic value of places that resist human exploitation. Whether he's rambling through the Minnesota Blue Mounds, spying on migrating cranes in the Nebraska sandhills, lumbering along the Oregon Trail in an old-fashioned wagon train, contemplating the "unearthly spires" of the Dakota Badlands, clambering up Wyoming's Big Horn Mountains, or getting lost in Montana's Beartooth range, Gruchow is an ideal companion, a writer who makes the quirks and curiosities of the natural world come alive.
"Empty Spaces, Empty Places" revisits the manger, cross and tomb through interviews with the innkeeper's wife, the Centurion and Mary Magdalene. By remembering the stories of Jesus' birth, death and resurrection, believers see the lives He touched then and continues to touch today.
"This volume began life as a conference on 'Empty Spaces' held at the Institute of Historical Research in London in 2015"--Page vii.
From director and cofounder of the Royal Shakespeare Company Peter Brook, The Empty Space is a timeless analysis of theatre from the most influential stage director of the twentieth century. As relevant as when it was first published in 1968, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance--of any scale. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional, and fascinating, this book shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.
Fresh from her critically acclaimed international tour, America's premier preformance artist has re-created her startling new work in a lavishly illustrated book. Empty Places includes the complete text of that performance, as well as all the songs on her tie-in album Strange Angels, comedic monologues and 200 dazzling photographs.
Gentrification is reshaping cities worldwide, resulting in seductive spaces and exclusive communities that aspire to innovation, creativity, sustainability, and technological sophistication. Gentrification is also contributing to growing social-spatial division and urban inequality and precarity. In a time of escalating housing crisis, unaffordable cities, and racial tension, scholars speak of eco-gentrification, techno-gentrification, super-gentrification, and planetary-gentrification to describe the different forms and scales of involuntary displacement occurring in vulnerable communities in response to current patterns of development and the hype-driven discourses of the creative city, smart city, millennial city, and sustainable city. In this context, how do contemporary creative practices in art, architecture, and related fields help to produce or resist gentrification? What does gentrification look and feel like in specific sites and communities around the globe, and how is that appearance or feeling implicated in promoting stylized renewal to a privileged public? In what ways do the aesthetics of gentrification express contested conditions of migration and mobility? Addressing these questions, this book examines the relationship between aesthetics and gentrification in contemporary cities from multiple, comparative, global, and transnational perspectives.
This book is an anthology of my past 2 years of poem writing. It includes some of my well known poems as well as those that are lesser known, all from my website thepoeticunderground.tumblr.com.
When the Bolsheviks set out to build a new world in the wake of the Russian Revolution, they expected religion to die off. Soviet power used a variety of tools--from education to propaganda to terror—to turn its vision of a Communist world without religion into reality. Yet even with its monopoly on ideology and power, the Soviet Communist Party never succeeded in overcoming religion and creating an atheist society. A Sacred Space Is Never Empty presents the first history of Soviet atheism from the 1917 revolution to the dissolution of the Soviet Union in 1991. Drawing on a wealth of archival material and in-depth interviews with those who were on the front lines of Communist ideological campaigns, Victoria Smolkin argues that to understand the Soviet experiment, we must make sense of Soviet atheism. Smolkin shows how atheism was reimagined as an alternative cosmology with its own set of positive beliefs, practices, and spiritual commitments. Through its engagements with religion, the Soviet leadership realized that removing religion from the "sacred spaces" of Soviet life was not enough. Then, in the final years of the Soviet experiment, Mikhail Gorbachev—in a stunning and unexpected reversal—abandoned atheism and reintroduced religion into Soviet public life. A Sacred Space Is Never Empty explores the meaning of atheism for religious life, for Communist ideology, and for Soviet politics.
In Wild Empty Spaces, Vince Gowmon leads you through six stages of the soul, from its arrival on Earth, through its expression in childhood, relationships, its summons to reflect, slow and gradually return to the wild empty spaces where we hear its whispers calling us home. This courageous journey is not so much about dying and death on a physical level, but about bowing to Mystery, to something much larger than our individual self. More specifically, the poems are an emphatic invitation to become intimate with the subtle entreaties of Mother Nature, to walk with the wisdom of inquiry, feel deeply, dream boldly, and allow the force of our longings to break our hearts open. They are an invitation to brave the space between what we've always known, the spaces in which our immanent wildness finds us.