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In a culture preoccupied with newness and a fashion system largely predicated upon it, what is the significance of worn clothes and why do they have the power to affect us so deeply? How are relationships to clothing produced and maintained through the embodied practices of wearing, maintenance and repair? Through a focus upon a single garment, the shoe, this book calls on readers to reconsider the value of the marks of wear at a time when fast fashion reigns supreme and interest in damaged, or worn, garments quietly increases. Originating in an experimental practice-based methodology which placed wearing at its center, this book presents the act of wearing as a tool for developing knowledge, of 'being in' or 'being with', rather than observing from the outside. Bringing together anthropological and psychoanalytic theory with practices of handmaking, wearing, and photography, this book asks what is the embodied experience of wearing and the affect of the worn? Beautifully illustrated in full color throughout, Worn is the first book to focus exclusively on the significance of imperfect garments as important aspects of our material world and culture.
Everyday items found at the sites of atrocities possess a striking emotional force. Victims’ garments, broken glasses, wallets, shoes, and other such personal property that are recovered from places of death including concentration camps, mass graves, and prisons have become staples of memorial museums, exhibited to the public as material testimony in order to evoke sympathy and promote human rights. How do these objects take on such power, and what are the benefits and pitfalls of deploying them for political purposes? A Victim’s Shoe, a Broken Watch, and Marbles examines how artifacts of atrocities circulate and, in so doing, sheds new light on the institutions and social processes that shape collective memory of human rights abuses. Lea David traces the journeys of what she terms “desire objects”: their rediscovery at the locations of mass atrocities, their use in forensic and legal procedures, their return to the homes of grieving families, their appearance in public spaces such as museums and exhibitions, and their role in political protests. She critically investigates the logic that shapes why and how desire objects gain symbolic power and political significance, showing when and under what circumstances they are used to promote particular worldviews and narratives. Featuring both novel theoretical methods and keen empirical analysis, this book offers important insights into the shortcomings of common assumptions about human rights.
This book is about the objects people owned and how they used them. Twenty-three specially written essays investigate the type of things that might have been considered 'everyday objects' in the medieval and early modern periods, and how they help us to understand the daily lives of those individuals for whom few other types of evidence survive - for instance people of lower status and women of all status groups. Everyday Objects presents new research by specialists from a range of disciplines to assess what the study of material culture can contribute to our understanding of medieval and early modern societies. Extending and developing key debates in the study of the everyday, the chapters provide analysis of such things as ceramics, illustrated manuscripts, pins, handbells, carved chimneypieces, clothing, drinking vessels, bagpipes, paintings, shoes, religious icons and the built fabric of domestic houses and guild halls. These things are examined in relation to central themes of pre-modern history; for instance gender, identity, space, morality, skill, value, ritual, use, belief, public and private behaviour, continental influence, materiality, emotion, technical innovation, status, competition and social mobility. This book offers both a collection of new research by a diverse range of specialists and a source book of current methodological approaches for the study of pre-modern material culture. The multi-disciplinary analysis of these 'everyday objects' by archaeologists, art historians, literary scholars, historians, conservators and museum practitioners provides a snapshot of current methodological approaches within the humanities. Although analysis of material culture has become an increasingly important aspect of the study of the past, previous research in this area has often remained confined to subject-specific boundaries. This book will therefore be an invaluable resource for researchers and students interested in learning about important new work which demonstrates the potential of material culture study to cut across traditional historiographies and disciplinary boundaries and access the lived experience of individuals in the past.
'Fascinating and eye-opening' OWEN JONES DO YOU KNOW WHERE YOUR SHOES COME FROM? DO YOU KNOW WHERE THEY GO WHEN YOU'RE DONE WITH THEM? In 2019, 66.6 million pairs of shoes were manufactured across the world every single day. They have never been cheaper to buy, and we have never been more convinced that we need to buy them. Yet their cost to the planet has never been greater. In this urgent, passionately argued book, Tansy E. Hoskins opens our eyes to the dark origins of the shoes on our feet. Taking us deep into the heart of an industry that is exploiting workers and deceiving consumers, we begin to understand that if we don't act fast, this humble household object will take us to the point of no return.
Bad Shoes & the Women Who Love Them is a lighthearted wake-up call to women to make informed decisions when buying and wearing fashionable shoes. Arming the reader with essential facts, citing medical literature as well as leading podiatric surgeons and orthopedists, Tanenbaum covers the history of high heels, Chinese foot binding, the controversy over cosmetic surgery of the foot, and what Freud had to say about women's shoes and sex. Illustrated by artist Vanessa Davis throughout, Bad Shoes & the Women Who Love Them also includes hilarious anecdotes from women who love shoes. And yes—it is possible to make smart footwear decisions without sacrificing style! Tanenbaum shows you how.
That moment when disaster strikes... a plane crash, a sinking ship, an avalanche, a raging fire, an earthquake, an out of control spaceship... and the main protagonist is caught in the middle of it. Who or what caused the disaster? How does the main character react to the unfolding disaster, and what are the consequences of their actions?
Available for the first time in the United States a new series of innovative critical studies introducing writers and their contexts to a wide range of readers. Drawing upon the mast recent thinking in English studies, each book considers biographical material, examines recent criticism, includes a detailed bibliography, and offers a concise but challenging reappraisal of a writer's major work. Published in the U. K. by Northcote House in association with The British Council.
The Oxford Handbook of Natural Theology is the first collection to consider the full breadth of natural theology from both historical and contemporary perspectives and to bring together leading scholars to offer accessible high-level accounts of the major themes. The volume embodies and develops the recent revival of interest in natural theology as a topic of serious critical engagement. Frequently misunderstood or polemicized, natural theology is an under-studied yet persistent and pervasive presence throughout the history of thought about ultimate reality - from the classical Greek theology of the philosophers to twenty-first-century debates in science and religion. Of interest to students and scholars from a wide range of disciplines, this authoritative handbook draws on the very best of contemporary scholarship to present a critical overview of the subject area. Thirty-eight new essays trace the transformations of natural theology in different historical and religious contexts, the place of natural theology in different philosophical traditions and diverse scientific disciplines, and the various cultural and aesthetic approaches to natural theology to reveal a rich seam of multi-faceted theological reflection rooted in human nature and the environments within which we find ourselves.
This book offers a study of post-9/11 anti-war organizations in the United States and their role in domestic foreign policy debates. The moment of the 9/11 terrorist attacks has been much cited in political and cultural scholarship and much attention has been paid to the promotion of "War on Terror" policies. The social mechanisms behind the circumscription and regulation of national ideals attracted critical analyses from scholars across disciplines; yet the prevalence of scholarly concern with the negative political devices of the Bush Administration at times seemed to risk reproducing the hierarchies of power that underpinned the very issue of concern, and even the War on Terror itself. By contrast, this book celebrates the political acts of individuals committed to changing the dominant politics of the Bush era. Drawing on participant observation and interviews with the leaders of prominent anti-war organizations including Code Pink and Iraq Veterans Against the War, the book employs Performance Theory to evaluate the capacity of protest to effect lasting social change. In addition to highlighting an often overlooked aspect of foreign policy formation, this volume demonstrates that Performance Studies can be used as innovative approach to Politics and IR. This book will be of much interest to students of US politics and foreign policy, theatre studies, cultural studies, and critical security and international relations.