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New York Times best-selling series - Omnibus - March Upcountry and March to the Sea, Books 1 and 2 in the Empire of Man Series. Roger Ramius MacClintock was young, handsome, athletic, an excellent dresser, and third in line for the Throne of Man. It probably wasn't too surprising that someone in his position should react by becoming spoiled, self_centered, and petulant. After all, what else did he have to do with his life? Then warships of the Empire of Man's worst rivals shoot his crippled vessel out of space and Roger is shipwrecked on the planet Marduk, whose jungles are full of deadly predators and barbarian hordes with really bad dispositions. Now all Roger has to do is hike halfway around the entire planet, then capture a spaceport from the Bad Guys, somehow commandeer a starship, and then go home to Mother for explanations. Fortunately, Roger has an ace in the hole: Bravo Company of Bronze Battalion of The Empress' Own Regiment. If anyone can get him off Marduk alive, it's the Bronze Barbarians. At the publisher's request, this title is sold without DRM (Digital Rights Management). About The Empire of Man Series: _Will fascinate sophisticated readers (the manual of arms for a fourarmed, 10 foot soldier is a thing of beauty) . . . [and] grip straightforward action lovers.Ó ¾Publishers Weekly _Coauthors Weber and Ringo excel in depicting the lives and times of soldiers both on and off the battlefield.Ó ¾Library Journal.
Prince Roger MacClintock is heading for a ceremonial appearance when his space ship crashes, stranding him and his guardian Royal Marines on a jungle planet held by enemy forces. To survive, they must trek to the planet's only spaceport, and a spoiled prince must learn to be a man. This is the first volume in a new series by the bestselling author of the Honor Harrington adventures.
Left stranded on the barbarian planet Marduk with a group of Royal Marines, Prince Roger MacClintock and his followers set out to recapture an interstellar empire from enemies who have branded Roger a traitor and outlaw.
The Pirate Isles are united under Drake Morrass’ flag, but the war has only just begun. There’s still a long way to go before he’s able to call himself King, and traitors at every turn. The Five Kingdoms and Sarth have assembled a fleet of ships unlike any the world has ever seen and they intend to purge the Pirate Isles once and for all by fire and steel. Revenge, never far from Keelin Stillwater’s mind, is finally within his grasp and he sets sail to the Forgotten Empire. But more than dense jungles and ruined cities await him there. Vengeful gods and malignant spirits now call those cursed lands home, and they are not wisely disturbed. Meanwhile, Elaina Black tries to secure herself powerful allies and the forces those allies can spare. She’s set her course on the throne: either by Drake’s side or over his dead body.
In this thrilling sequel to "March Upcountry", Prince Roger MacClintock and his Royal Marines are stranded on a barbaric world and their only hope for escape is to take over an enemy-held spaceport.
As we approach the elections of 2004, U.S. progressives are faced with the challenge of how to confront our unresponsive and apparently untouchable power structures. With millions of antiwar demonstrators glibly dismissed as a "focus group," and with the collapse of political and intellectual dialogue into slogans and soundbites used to stifle protest-"Support the Troops," "We Are the Greatest Nation on Earth," etc.-many people feel cynical and hopeless. Citizens of the Empire probes into the sense of disempowerment that has resulted from the Left's inability to halt the violent and repressive course of post-9/11 U.S. policy. In this passionate and personal exploration of what it means to be a citizen of the world's most powerful, affluent and militarized nation in an era of imperial expansion, Jensen offers a potent antidote to despair over the future of democracy. In a plainspoken analysis of the dominant political rhetoric-which is intentionally crafted to depress political discourse and activism-Jensen reveals the contradictions and falsehoods of prevailing myths, using common-sense analogies that provide the reader with a clear-thinking rebuttal and a way to move forward with progressive political work and discussions. With an ethical framework that integrates political, intellectual and emotional responses to the disheartening events of the past two years, Jensen examines the ways in which society has been led to this point and offers renewed hope for constructive engagement. Robert Jensen is a professor of media law, ethics and politics at the University of Texas, Austin. He is the author of Writing Dissent: Taking Radical Ideas from the Margins to the Mainstream, among other books. He also writes for popular media, and his opinion and analytical pieces on foreign policy, politics and race have appeared in papers and magazines throughout the United States.
"Roger Ramius Sergei Alexander Chiang MacClintock has had a really bad year. Bad enough to be the spoiled rotten fop of a prince no one wanted or trusted." -- Jacket.
Originally published in 1991. Focusing on ‘boys' own’ literature, this book examines the reasons why such a distinct type of combative masculinity developed during the heyday of the British Empire. This book reveals the motives that produced this obsessive focus on boyhood. In Victorian Britain many kinds of writing, from the popular juvenile weeklies to parliamentary reports, celebrated boys of all classes as the heroes of their day. Fighting fit, morally upright, and proudly patriotic - these adventurous young men were set forth on imperial missions, civilizing a savage world. Such noble heroes included the strapping lads who brought an end to cannibalism on Ballantyne's "Coral Island" who came into their own in the highly respectable "Boys' Own Paper", and who eventually grew up into the men of Haggard's romances, advancing into the Dark Continent. The author here demonstrates why these young heroes have enjoyed a lasting appeal to readers of children's classics by Stevenson, Kipling and Henty, among many others. He shows why the political intent of many of these stories has been obscured by traditional literary criticism, a form of criticism itself moulded by ideals of empire and ‘Englishness’. Throughout, imperial boyhood is related to wide-ranging debates about culture, literacy, realism and romance. This is a book of interest to students of literature, social history and education.
Books 3 and 4 in the New York Times best-selling Empire of Man series: March to the Stars and We Few, both New York Times bestsellers. Prince Roger MacClintock was an heir to the galaxy's Throne of Man and a self-obsessed spoiled young brat¾that is, until he and the Royal Marines sent to protect him were stranded by an assassination attempt on the wild and dangerous planet of Marduk. After much travail, Roger has developed into a competent and compassionate leader of men. That competence will be tested when Roger and the Marines face an even greater challenge. The Throne of Man has been usurped. With his brother dead and the forces of an interstellar empire arrayed against him, Roger must avenge his family and fight for the just rule of a thousand stars. At the publisher's request, this title is sold without DRM (Digital Rights Management). About The Empire of Man Series: "Will fascinate sophisticated readers (the manual of arms for a four-armed, ten-foot soldier is a thing of beauty) . . . [and] grip straightforward action lovers."¾Publishers Weekly "Coauthors Weber and Ringo excel in depicting the lives and times of soldiers both on and off the battlefield."¾Library Journal
The city-state of Venice, with a population of less than 100,000, dominated a fragmented and fragile empire at the boundary between East and West, between Latin Christian, Greek Orthodox, and Muslim worlds. In this institutional and administrative history, Monique O’Connell explains the structures, processes, practices, and laws by which Venice maintained its vast overseas holdings. The legal, linguistic, religious, and cultural diversity within Venice’s empire made it difficult to impose any centralization or unity among its disparate territories. O’Connell has mined the vast archival resources to explain how Venice’s central government was able to administer and govern its extensive empire. O’Connell finds that successful governance depended heavily on the experience of governors, an interlocking network of noble families, who were sent overseas to negotiate the often conflicting demands of Venice’s governing council and the local populations. In this nexus of state power and personal influence, these imperial administrators played a crucial role in representing the state as a hegemonic power; creating patronage and family connections between Venetian patricians and their subjects; and using the judicial system to negotiate a balance between local and imperial interests. In explaining the institutions and individuals that permitted this type of negotiation, O’Connell offers a historical example of an early modern empire at the height of imperial expansion.