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Empire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars—nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of "modern identity." The modern body, radiating freedom and power, appeared to Weimar artists and intelligentsia to be the source of a transgressive energy, as well as the sign and manifestation of powerful, mysterious "inner" conditions. Toepfer shows how this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. With the help of much unpublished or long-forgotten archival material (including many little-known photographs), he investigates the process of constructing an "empire" of appropriative impulses toward ecstasy. Toepfer presents the work of such well-known figures as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, along with less-known but equally fascinating body culture practitioners. His book is certain to become required reading for historians of dance, body culture, and modernism.
New York Times bestselling sensation Gena Showalter enthralls with a dark, tantalizing world of humans, otherworlders, powers beyond imagining, and a seductive vampire undone by his insatiable hunger for one woman. Growing up poor on New Chicago’s meanest streets, Ava Sans had two options: be the predator or be the prey. No contest. Now, working for Alien Investigation and Removal, she’s been ordered to capture the biggest, baddest warrior of all—a vampire too beautiful to be real, with the abilityto manipulate time. Once the leader of the entire vampire army, McKell has been deemed savage and unstable, spurned even by his own kind. To McKell, humans should be nothing more than sustenance. Yet the petite, golden-skinned Ava is a fascinating contradiction—vicious yet witty, strong yet vulnerable, lethal but fiercely loyal. Against his better judgment, McKell craves that loyalty, and much more. When the chase leads to seduction, McKell and Ava will race to discover the truth about his past. But the answers will come at a price, even for a woman who thought she had nothing left to lose...
AUTOBIOGRAPHY
Hempton explores the rise of Methodism from its unpromising origins as a religious society within the Church of England in the 1730s to a major international religious movement by the 1880s.
Anita Berber (1899-1928) and Sebastian Droste (1892-1927) were the most notorious dancers of Weimar Germany whose works (like their personal lives) were suffused with drugs, decadence and polysexuality. This rare book ... has its origins around a series of dance events performed by the couple in 1922 and consists in part of a number of Expressionist poems related to those evenings ... [and] includes essays, stage designs for projected works and a series of extraordinary photographs commissioned from Madame D'Ora (Dora Kalmus). The finished product should be seen as much as decadent literature as it is a landmark text of dance history and document of Weimar period excess ... --from publisher's web site.
With her trademark humor and sizzling love scenes, Nina Bangs brings us to the Scottish Highlands to meet her sexiest hero yet, a mysterious and seductive vampire.
“The role of the critic,” Daniel Mendelsohn writes, “is to mediate intelligently and stylishly between a work and its audience; to educate and edify in an engaging and, preferably, entertaining way.” His latest collection exemplifies the range, depth, and erudition that have made him “required reading for anyone interested in dissecting culture” (The Daily Beast). In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture’s Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a “Greek DNA” in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the “aesthetics of victimhood” in Hanya Yanagihara’s A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgård. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence—a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist’s personal essays, including his “critic’s manifesto” and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics.
In 1995, after receiving a tip from an informant that a new drug called Ecstasy was being pushed in Manhattan’s nightclubs, DEA agent Robert Gagne embarked on a mission to unravel one of the world’s most lucrative drug-trafficking networks. Chemical Cowboys tracks Gagne as he infiltrates New York’s club scene, uncovering a multimillion-dollar criminal empire that spans continents. At its helm is Oded “Fat Man” Tuito, an Israeli fugitive and elusive drug kingpin who combines Wall Street business savvy with old-fashioned street smarts and a taste for violence. A taut behind-the-scenes glimpse into an international criminal enterprise, Chemical Cowboys is a riveting tale of one man’s obsessive pursuit of justice—and the personal cost of that obsession.
As well as producing one of the finest of all poetic traditions, ancient Greek culture produced a major tradition of poetic theory and criticism. Halliwell's volume offers a series of detailed and challenging interpretations of some of the defining authors and texts in the history of ancient Greek poetics: the Homeric epics, Aristophanes' Frogs, Plato's Republic, Aristotle's Poetics, Gorgias's Helen, Isocrates' treatises, Philodemus' On Poems, and Longinus On the Sublime. The volume's fundamental concern is with how the Greeks conceptualized the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right (a kind of 'ecstasy') and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience - including the roles of emotion, ethics, imagination, and knowledge - in the life of their culture.