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Accompanying the new translation of Artemidorus' The Interpretation of Dreams in the Oxford World's Classics series, this volume aims to provide the non-specialist reader with a readable and engaging road-map to this vast and complex text and to the theory and practice of dream-interpretation in antiquity.
Guy Gavriel Kay, multiple award-winning author of The Fionavar Tapestry and Sailing to Sarantium, completes his magnificent tale of an alternate Byzantine world… In the golden city of Sarantium, a renowned mosaicist seeks to fill his artistic ambitions and his destiny high upon a dome intended to be the emperor’s enduring sanctuary and legacy. The beauty and solitude of Crispin's work cannot protect him from the dangerous intrigues of court and city, swirling with rumors of war and conspiracy, while otherworldly fires mysteriously flicker and disappear in the streets at night. The emperor is plotting a conquest of Crispin’s homeland to regain an empire. And with his fate entwined with that of his royal benefactor, Crispin’s loyalties come with a very high price. And another voyager has come to the imperial city: Rustem of Kerakek, a physician from an eastern desert kingdom, determined to find his own fate amid the shifting, treacherous currents of passion and violence that define Sarantium.
'Dreams are products of the mind, and do not come from any external source' Artemidorus' The Interpretation of Dreams (Oneirocritica) is the richest and most vivid pre-Freudian account of dream interpretation, and the only dream-book to have survived complete from Graeco-Roman times. Written in Greek around AD 200, when dreams were believed by many to offer insight into future events, the work is a compendium of interpretations of dreams on a wide range of subjects relating to the natural, human, and divine worlds. It includes the meanings of dreams about the body, sex, eating and drinking, dress, the weather, animals, the gods, and much else. Artemidorus' technique of dream interpretation stresses the need to know the background of the dreamer, such as occupation, health, status, habits, and age, and the work is a fascinating social history, revealing much about ancient life, culture, and beliefs, and attitudes to the dominant power of Imperial Rome. Martin Hammond's fine translation is accompanied by a lucid introduction and explanatory notes by Peter Thonemann, which assist the reader in understanding this important work, which was an influence on both Sigmund Freud and Michel Foucault.
Dodson reads the dreams in the Gospel of Matthew (1:18b-25; 2:12, 13-15, 19-21, 22; 27:19) as the authorial audience. This approach requires an understanding of the social and literary character of dreams in the Greco-Roman world. Dodson describes the social function of dreams, noting that dreams constituted one form of divination in the ancient world, and looks at the theories and classification of dreams that developed in the ancient world. He then moves on to demonstrate the literary dimensions of dreams in Greco-Roman literature. This exploration of the literary representation of dreams is nuanced by considering the literary form of dreams, dreams in the Greco-Roman rhetorical tradition, the inventiveness of literary dreams, and the literary function of dreams. The dreams in the Gospel of Matthew are then analyzed in this social and literary context. It is demonstrated that Matthew's use of dreams as a literary convention corresponds to the script of dreams in other Greco-Roman narratives. This correspondence includes the form of the Matthean dreams, dreams as a motif of the birth topos (1:18b-25), the association of dreams and prophecy (1:22-23; 2:15, 23), the use of the double-dream report (2:12 and 2:13-15), and dreams as an ominous sign in relation to an individual's death (27:19). An appendix considers the Matthean transfiguration as a dream-vision report.
The Roman History of Cassius Dio provides one of the most important continuous narratives of the early Roman empire, spanning the inception of the Principate under Augustus to the turbulent years of the Severan Dynasty. It has been a major influence on how scholars have thought about Roman imperial history, from the Byzantine period down to the present day, as well as being a work of considerable literary sophistication and merit. This book, the product of an international collaborative project, brings together thirteen chapters written by scholars based in Europe, North America, and Australia. They offer new approaches to Dio's representation of Roman emperors, their courtiers, and key political constituencies such as the army and the people, as well as the literary techniques he uses to illuminate his narrative, from speeches to wonder narratives.
This collection of essays, dedicated to A.H.M. Kessels, provides an overview of modern Dutch scholarship in Greek and Latin studies with special emphasis on dreams in classical literature, classical drama and the reception of Homer.