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With this collection of poems, Matthew Arnold cemented his place as a leading voice in Victorian literature. From the sublime natural beauty of Empedocles' volcano to the quiet struggles of everyday life, these poems explore themes of love, loss, and the search for transcendence in a rapidly changing world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This Elibron Classics title is a reprint of the original edition published by Walter Scott, Ltd. in London, 1896.
In lucid, elegant poems, Forever contemplates love against the pressing question of mortality after a diagnosis of cancer. Praised for a voice with "the crystalline, transformative, pure pitch of a lyric poet" (Ilya Kaminsky), James Longenbach explores a life lived with the knowledge of its end in his sixth collection. These luminous, lyrical poems pose a question: Why did this poet once live as if he would live forever? And what does it mean to know that we will not? Forever explores the meaning of love, from its discovery in the first poem, "Two People," to its maintenance in the last, "Forever." In between, the volume explores the precariously imminent demise of all that we love—the finite lives of other people, the mortal beauty of Venice—all thrown into urgent relief by the poet’s own cancer diagnosis. Evoking "the vivid dailiness of domestic life…and the specificity and poignance" of memories, "these lyrics are intimately personal, achingly autobiographical" (Langdon Hammer, American Scholar). Forthright, moving, and wry, the poems in Forever look back gratefully—excitedly—on a lifetime of self-making and self-shattering events.
With this collection of poems, Matthew Arnold cemented his place as a leading voice in Victorian literature. From the sublime natural beauty of Empedocles' volcano to the quiet struggles of everyday life, these poems explore themes of love, loss, and the search for transcendence in a rapidly changing world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ilvolume è una raccolta di poesie sull'Etna di famosi scrittori anglofoni, tra i quali Wilde, Lawrence, Dickinson, ecc
The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.
Valedictory addresses offer a way to conceptualize the relation of self to others, private to public, ephemeral to eternal. Whether deathbed pronouncements, political capitulations, or seafaring farewells, "parting words" played a crucial role in the social imagination of Victorian writing. In this compelling new book, Justin Sider traces these public addresses across a wide range of works, from poems by Byron, Tennyson, and Browning, to essays by Twain and Wilde, to novels by Dickens and Eliot. Ironically, while the Victorian era saw the loss of faith in a unitary national public, it asked poetry to address just such a public. Attending to the form, rather than the discursive content, of poets' engagement with public culture, Parting Words explains how the valedictory allowed Victorian poets to explore the ways their poems might be received by distant and anonymous readers in an emergent mass culture. Using a wide array of materials such as letters and reviews to describe the rapidly changing print culture in which poets were intervening, Sider shows how the growing diversification and destabilization of the Victorian reading public was countered by the demand for a public poetry. Characteristically, the speakers of Tennyson's "Ulysses" and Matthew Arnold's "Empedocles on Etna" imagine their farewells as simultaneous entrances into a public space where they and their readers, however distant, might yet meet. This new consciousness anticipated modernist poetry, which in turn used the valedictory to underscore the futility and alienation of such hopes.