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Emmy is brilliant at the computer game, Illusory Isles. Her avatar is a powerful fire elemental with magma claws and flaming breath. When Emmy's gaming video gets a front-page feature, thousands of devoted fans flock to watch her battle the ultimate online baddie, the Mulch Queen herself. Life at school is the exact opposite. Emmy is friendless and bullied by Vanessa AKA the Queen of Mean. To Vanessa and her gang, Emmy is a weirdo with bad handwriting, horrible fashion sense and no dad. But if Emmy can take on the Mulch Queen online, perhaps she also find a way to take on Vanessa too? Emmy decides to level up and solve this puzzle alone. But then Emmy discovers that Mulch Queens and Mean Queens are much easier to face when you have a little help from new friends . . .
Two teenagers. Two very bumpy roads taken that lead to Heartland Academy. After his parents' divorce, Justin is on rocky mental ground. But when a handful of Tylenol lands him in the hospital, he has really hit rock bottom. A scandalous photo of Emmy leads to vicious rumors around school, but things get worse when she threatens the boy who started it all on Facebook. Justin and Emmy arrive at Heartland Academy, a reform school that will force them to deal with their issues. Along the way they will find a ragtag group of teens who are just as broken, stubborn, and full of sarcasm as themselves. A funny, sad, and remarkable story, A Really Awesome Mess is a journey of friendship and self-discovery.
Sixth-grader Emmy tries to find her place in a new school and to figure out how she can create her own kind of music using a computer.
Having uncovered the secrets that lay behind the spookily pristine town of Perfect, Violet and the townsfolk are enjoying their new freedom from the maniacal rule of the evil Archer twins. But have they really seen the last of Edward Archer? Why is Boy acting strangely? And who is masterminding a scary zombie army?
It's 1863 and 10-year-old Emmy Blue Hatchett has been told by her father that soon their family will leave their farm, family, and friends in Illinois, and travel west to a new home in Colorado. It's difficult leaving family and friends behind. They might not see one another ever again. When Emmy's grandmother comes to say goodbye, she gives Emmy a special gift to keep her occupied on the trip. The journey by wagon train is long and full of hardships. But the Hatchetts persevere and reach their destination in Colorado, ready to start their new life.
"A powerful, complex, and fascinating coming-of-age novel." -- Costa Book Award PanelA boy and a girl in the Philippine jungle must confront what coming of age will mean to their friendship made even more complicated when Americans invade their country. Samkad lives deep in the Philippine jungle, and has never encountered anyone from outside his own tribe before. He's about to become a man, and while he's desperate to grow up, he's worried that this will take him away from his best friend, Little Luki, who isn't ready for the traditions and ceremonies of being a girl in her tribe.But when a bad omen sends Samkad's life in another direction, he discovers the brother he never knew he had. A brother who tells him of a people called "Americans." A people who are bringing war and destruction right to their home...A coming-of-age story set at the end of the 19th century in a remote village in the Philippines, this is a story about growing up, discovering yourself, and the impact of colonialism on native peoples and their lives.
A novel of love in all its forms: for the land, for family, and the once-in-a-lifetime kind that catches two people when they least expect it Emmy is a shy, sheltered sixteen-year-old when her mom, Kate, sends her to eastern Washington to an aunt and uncle she never knew she had. Fifteen years earlier, Kate had abandoned her sister, Beth, when she fled her painful past and their fundamentalist church. And now, Beth believes Emmy’s participation in a faith healing is her last hope for having a child. Emmy goes reluctantly, but before long she knows she has come home. She feels tied to the rugged landscape of coulees and scablands. And she meets Reuben, the Native American boy next door. In a part of the country where the age-old tensions of cowboys versus Indians still play out, theirs is the kind of magical, fraught love that can only survive with the passion and resilience of youth. Their story is mirrored by the generation before them, who fears that their mistakes are doomed to repeat themselves in Emmy and Reuben. With Louise Erdrich’s sense of place and a love story in the tradition of Water for Elephants, this is an atmospheric family drama in which the question of home is a spiritual one, in which getting over the past is the only hope for the future.
Wellington the elephant cannot wait to grow up, but when he receives a jacket that is too big for him on his birthday, Wellington is worried he is too small.
Alexis Peterson’s days are filled with scheming, backstabbing, adultery, and murder. She is a soap opera star, after all. But a new role has her feeling like she’s in the horror business. Tabloids and fans are stunned when daytime soap opera star, Alexis Peterson, leaves her popular daytime show for another soap. She’s too busy preparing to be a presenter at the Daytime Emmy Awards to even notice. But when her co-presenter loses his life before presenting a winner, Alex realizes she has another murder mystery on her hands. Working behind the scenes to find out how her co-star could have met such an end, she invites the handsome Detective Frank Jakes back in her life--a man she can’t stop imaging having a real love scene with. But first Alex must focus on finding the killer—before she sees another one of Hollywood’s brightest stars burn out. Praise for Death in Daytime: “Sheer fun.”—Carolyn Hart “Had me laughing out loud… keeps you guessing to the very end.”—Ronn Moss (Ridge Forrester on The Bold and the Beautiful)
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.