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Finally available, a high quality book of the original classic edition of Emmeline - The Orphan of the Castle. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Charlotte Turner Smith, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Emmeline - The Orphan of the Castle in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Emmeline - The Orphan of the Castle: Look inside the book: And an old housekeeper, a servant who waited on her, the steward, and a labourer who was kept to look after his horse and work in that part of the garden which yet bore the vestige of cultivation, were now all its inhabitants; except a little girl, of whom the housekeeper had the care, and who was believed to be the natural daughter of that elder brother, by whose death Lord Montreville, the present possessor, became entitled to the estate. ...Garnet understood that Mounseer desired to be shewn the apartments destined for his master, which he assiduously assisted in preparing; and then seeing the women busied in following his directions, he attempted to return to his companion; but by missing a turning which should have carried him to the kitchen, he was bewildered among the long galleries and obscure passages of the castle, and after several efforts, could neither find his way back to the women, nor into the kitchen; but continued to blunder about till the encreasing gloom, which approaching night threw over the arched and obscure apartments, through windows dim with painted glass, filled him with apprehension and dismay, and he believed he should wander there the whole night; in which fear he began to make a strange noise for assistance; to which nobody attended, for indeed nobody for some time heard him.
Early novelists such as Samuel Richardson, Daniel Defoe, and Laurence Sterne helped create the formula for the modern novel.
This work concentrates on how eighteenth-century feminine novelists articulate the concerns important to women's lives and fates, and argues that these novelists used their romances to combat the controlling ideologies of the age.
The English Novel, Volume II: Smollett to Austen collects a series of previously-published essays on the early eighteenth-century novel in a single volume, reflecting the proliferation of theoretical approaches since the 1970s. The novel has been the object of some of the most exciting and important critical speculations, and the eighteenth-century novel has been at the centre of new approaches both to the novel and to the period between 1750 and 1800. Richard Kroll's introduction seeks to frame the contributions by reference to the most significant critical discussions. These include: the general importance of 'sentimentalism' as a cultural movement after 1750; its relationship to the emergence of the Gothic novel as a specific genre or mode; the rapid rise in the number of women novelists in the later eighteenth century; the relationship between the novel as mediator of social relations and the idea of the 'public sphere'; the relationship between novelistic codes and the massive growth of a consumerist society; the class conflicts of writers like Smollett; the effect on the novel of the new 'British' nation; and the effects of the French Revolution and the subsequent political debates on writers like Wollstonecraft, Godwin, and Austen. This collection will be of interest to students of the later enlightenment, and also to all who are interested in late eighteenth-century radicalism, and the general relationship between literature, history, and politics.
This collection brings together key writings which convey the breadth of what is understood to be Gothic, and the ways in which it has produced, reinforced, and undermined received ideas about literature and culture. In addition to its interests in the late eighteenth-century origins of the form, this collection anthologizes path-breaking essays on most aspects of gothic production, including some of its nineteenth, twentieth and twenty-first century manifestations across a broad range of cultural media.