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With the rain pouring down, blinding camera flashes going off everywhere, fans screaming for autographs and selfies, security at its tightest, and a happenstance, off-the-cuff comment to hopefully lighten an embarrassing wardrobe malfunction...who would have ever thought it would become such an intense and thought-provoking story of such impact that every fan and stargazer must read? It was not some silly teasing, the 'Lev-ee-ooo-sah' call-outs whenever Emma tried to answer a question asked at the Ivy League U.S. University, that caused her to suddenly break down in tears onboard a plane headed home to London. The reason behind her leaving mid-term had nothing to do with Hollywood calling. It was far more dire and horrifying. Something that would take the right man, the forming of a foundation to help children in Africa suffering from Nodding Disease, an extended trip to Africa, and an undeniable love affair before Emma could finally trust one person enough to reveal the frightening truth.
Stardom is hardly what it's cracked up to be, as John E. Topham makes so poignantly clear in this must-read reveal. In a time of so many revelations coming out about Hollywood and showbiz, it's refreshing to read a book with such honest impact and reality twisted around a love story and an epic quest for human kindness. With the rain pouring down, blinding camera flashes, security at its tightest, fans screaming for autographs, and a happenstance, off-the-cuff comment made to hopefully lighten an embarrassing wardrobe malfunction...who would have thought it would become such an intense and thought-provoking story of such impact that every fan and stargazer must read. From a premiere to an adventure in Africa to a romance and a startling reveal that will send shock waves through every reader.
A teenaged girl’s disappearance brings her community’s most devastating secrets to light in this “compelling and nuanced psychological thriller suffused with small town prejudice and dark family secrets” (Paula Hawkins, New York Times bestselling author) that is perfect for fans of Megan Miranda and Celeste Ng. The town of Whistling Ridge guards its secrets. When seventeen-year-old Abigail Blake disappears after a party, her best friend Emma is left with questions no one else can answer. The police initially believe Abi ran away, but Emma doesn’t believe that her friend would leave without her, and when disturbing evidence is discovered nearby, the festering secrets and longstanding resentment of both Abigail’s family and the people of Whistling Ridge begin to surface with devastating consequences. Among those secrets: Abi’s older brother’s passionate, dangerous love for a handsome Romanian immigrant who has recently made his home in the town’s trailer park; her younger brother’s feeling that he knows information he should tell the police, if only he could put it into words; her father’s mercurial rages and her mother’s silence. Then there is the rest of Whistling Ridge, where a charismatic preacher advocates for God with language that mirrors violence, all under the sway of the powerful businessman who rules the town. But Abi has secrets of her own, and the closer Emma grows to unraveling them, the further she feels from her friend. And in a tinderbox of small-town rage, all it will take is just one spark—the truth of what really happened that night—to change their community forever in this “intricate and compelling thriller, beautifully nuanced and wonderfully claustrophobic” (S.J. Watson, New York Times bestselling author).
Jane Austen wrote the untitled fragment that was later called The Watsons in 1803-5, and it was published posthumously in 1871. Joan Aiken, well known for her Jane Austen sequels and children's books, finishes the fragment, introducing a new hero and seamlessly continuing where Jane Austen left off to a satisfying ending for all Austen fans. Emma Watson returns home after 14 years spent with a beloved aunt, whose re-marriage has caused a significant change in Emma's circumstances. Used to a life of ease, warmth and intelligence, Emma is thrust back into a home where, with one exception, her sisters are petty and jealous, if not vulgar, her father is ill and weak, and her brothers are not men of fine minds. This is a poignant exploration of a young lady's endurance in the face of reduced circumstances, and in true Jane Austen fashion, there is an admirable hero to make all right in the end.
The town of Whistling Ridge guards its secrets. When seventeen-year-old Abigail goes missing, her best friend Emma, compelled by the guilt of leaving her alone at a party in the woods, sets out to discover the truth about what happened. The police initially believe Abi ran away, but Emma doesn't believe that her friend would leave without her, and when officers find disturbing evidence in the nearby woods, the festering secrets and longstanding resentment of both Abigail's family and the people of Whistling Ridge, Colorado begin to surface with devastating consequences. Among those secrets: Abi's older brother Noah's passionate, dangerous love for the handsome Rat, a recently arrived Romanian immigrant who has recently made his home in the trailer park in town; her younger brother Jude's feeling that he knows information he should tell the police, if only he could put it into words; Abi's father's mercurial, unpredictable rages and her mother's silence. Then there is the rest of Whistling Ridge, where a charismatic preacher advocates for God's love in language that mirrors violence, under the sway of the powerful businessman who rules the town, insular and wary of outsiders. But Abi had secrets, too, and the closer Emma grows to unravelling the past, the farther she feels from her friend. And in a tinder box of small-town rage, and all it will take is just one spark--the truth of what really happened that night--to change their community forever.
Heritage and its economies are driven by affective politics and consolidated through emotions such as pride, awe, joy and pain. In the humanities and social sciences, there is a widespread acknowledgement of the limits not only of language and subjectivity, but also of visuality and representation. Social scientists, particularly within cultural geography and cultural studies, have recently attempted to define and understand that which is more-than-representational, through the development of theories of affect, assemblage, post-humanism and actor network theory, to name a few. While there have been some recent attempts to draw these lines of thinking more forcefully into the field of heritage studies, this book focuses for the first time on relating heritage with the politics of affect. The volume argues that our engagements with heritage are almost entirely figured through the politics of affective registers such as pain, loss, joy, nostalgia, pleasure, belonging or anger. It brings together a number of contributions that collectively - and with critical acuity - question how researchers working in the field of heritage might begin to discover and describe affective experiences, especially those that are shaped and expressed in moments and spaces that can be, at times, intensely personal, intimately shared and ultimately social. It explores current theoretical advances that enable heritage to be affected, released from conventional understandings of both ’heritage-as-objects’ and ’objects-as-representations’ by opening it up to a range of new meanings, emergent and formed in moments of encounter. Whilst representational understandings of heritage are by no means made redundant through this agenda, they are destabilized and can thus be judged anew in light of these developments. Each chapter offers a novel and provocative contribution, provided by an interdisciplinary team of researchers who are thinking theoretically about affect through landscapes, practices of commemoration, visitor experience, site interpretation and other heritage work.
The 'visual' has long played a crucial role in forming experiences, associations, expectations and understandings of heritage. Images convey meaning within a range of practices, including tourism, identity construction, the popularization of the past through a variety of media, and the memorialization of events. However, despite the central role of 'the visual' in these contexts, it has been largely neglected in heritage literature. This edited collection is the first to explore the production, use and consumption of visual imagery as an integral part of heritage. Drawing on case studies from around the world, it provides a multidisciplinary analysis of heritage representations, combining complex understandings of the 'visual' from a wide range of disciplines, including heritage studies, sociology and cultural studies perspectives. In doing so, the book provides a comprehensive overview of the theoretical and methodological tools necessary for understanding visual imagery within its cultural context.
INTERNATIONAL BESTSELLER • A bestselling dystopian novel that tackles surveillance, privacy and the frightening intrusions of technology in our lives—a “compulsively readable parable for the 21st century” (Vanity Fair). When Mae Holland is hired to work for the Circle, the world’s most powerful internet company, she feels she’s been given the opportunity of a lifetime. The Circle, run out of a sprawling California campus, links users’ personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company’s modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can’t believe her luck, her great fortune to work for the most influential company in the world—even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman’s ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge.
The most-trusted film critic in America." --USA Today Roger Ebert actually likes movies. It's a refreshing trait in a critic, and not as prevalent as you'd expect." --Mick LaSalle, San Francisco Chronicle America's favorite movie critic assesses the year's films from Brokeback Mountain to Wallace and Gromit: The Curse of the Were-Rabbit. Roger Ebert's Movie Yearbook 2007 is perfect for film aficionados the world over. Roger Ebert's Movie Yearbook 2007 includes every review by Ebert written in the 30 months from January 2004 through June 2006-about 650 in all. Also included in the Yearbook, which is about 65 percent new every year, are: * Interviews with newsmakers such as Philip Seymour Hoffman, Terrence Howard, Stephen Spielberg, Ang Lee, and Heath Ledger, Nicolas Cage, and more. * All the new questions and answers from his Questions for the Movie Answer Man columns. * Daily film festival coverage from Cannes, Toronto, Sundance, and Telluride. *Essays on film issues and tributes to actors and directors who died during the year.
He takes off his sandals and walks on the abandoned baseball field. Walking under the clear night sky, he feels the soft sand under his feet. He begins to have the thought that has been pondering in his mind all that very day. If I draw near to him, he will draw near to me, he will show up! He paces from base to base expecting him to show himself any moment. Draw near to him, Draw near to him. The thought plays over and over like a song stuck in his mind. Where is he? He wonders. Finally, he asks out loud with no one visible in sight, aEURoewhere are youaEUR? Then hears a whisper behind him say aEURoeHere I amaEUR. The Lion of Judah waits for youaEUR| Will you let him in?