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Emma Parks is the spoiled youngest daughter of a disgraced congressman who's looking for a way to break free of her debutante life of privilege and power. She is not prepared for the harsh realities that come with life in Child Protective Services: abuse, anger, hate, and murder. Her new bosses seem to hate her and her family cuts her off, and her new life is going off the rails until a chance encounter with a young homicide detective. Can she save him after a tragic officer-involved shooting and maybe, just maybe, find their happily ever? This is a compilation of three books from a former CPS employee: Hope Knocks Twice Saturday's Child Emma Forgiven
The third and final book in the Emma Parks series. Emma is a CPS worker in poor urban service area of a large city that is exploding at the seams with violence and hate. The riots and marches threaten everything she believes in, yet the worst part of the story: the chaos is all her fault. Not only does the family who raised her hold her at arm's length, they are suing her to keep what they think is theirs. On top of all this is the devastating news that could change her life forever: she may lose her baby. This is the third of the Emma Parks series, preceded by "Hope Knocks Twice" and "Saturday's Child."
Emma Parks is the spoiled youngest daughter of a disgraced congressman who's looking for a way to break free of her debutante life of privilege and power. She is not prepared for the harsh realities that come with life in Child Protective Services: abuse, anger, hate, and murder. Her new bosses seem to hate her and her family cuts her off, and her new life is going off the rails until a chance encounter with a young homicide detective. Can she save him after a tragic officer-involved shooting and maybe, just maybe, find their happily ever? This is the first of the Emma Parks series, followed by "Saturday's Child" and "Emma Forgiven."
Having survived a police-involved shooting and her first week, Emma Parks is forced to relive the worst years of her life when a child is mysteriousy kidnapped. The bureaucracy of Child Protective Services attacks her when she stands for the truth, and her worst enemy vows to make her life hell. Emma's family is facing their own life and death struggles, but they won't reach out to her because of their own dark secrets, plus the family's powerful matriarch is in town demanding Emma's attention and seeking answers. Penniless, powerless, and almost alone, Emma's darkest days seem ahead of her, not behind. Could she lose her job and her lover in the police department when the truth comes out? This is the second of the Emma Parks series, preceded by "Hope Knocks Twice" and followed by "Emma Forgiven."
A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice. Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers. Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success. Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.
Emma Mitchell's richly illustrated and evocative nature diary tracks the lives of local flora and fauna around her home and further afield, and shows how being in the wild benefits our mental and physical wellbeing.