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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hardcover reprint of the original 1915 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Litchfield, Henrietta Emma Darwin. Emma Darwin, A Century of Family Letters, 1792-1896, Volume 2. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Litchfield, Henrietta Emma Darwin. Emma Darwin, A Century of Family Letters, 1792-1896, Volume 2. London, J. Murray, 1915. Subject: Darwin, Emma Wedgwood, Wedgwood, Mrs., 1808-1896
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Emma Darwin, Vol. 2 of 2: A Century of Family Letters, 1792 1896 Charles Darwin's house at Down, 1880. From a water-colour painting by Albert Goodwin in possession of Horace Darwin. Mr and Mrs Darwin are seated in the verandah, their grandchild Bernard Darwin stands in front, and Polly is trotting towards them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1915 edition. Excerpt: ...the Z.s ever came to the house. In later years my father's state was so suffering that intercourse with our neighbours almost ceased, and we children had a rather desolate feeling that we were left out. But I think that my mother never felt this as any loss. She was not essentially sociable as was my father. The early memories that come back to me seem now to be full of sunshine and happiness. I think of a sound we always associated with the summer, the rattle of the fly-wheel of the well, drawing water for the garden; the lawn burnt brown, the garden a blaze of colour, the six oblong beds in front of the drawing-room windows, with phloxes, lilies, and larkspurs in the middle, and portulacas, verbenas, and other low growing plants in front; the row of lime-trees humming with bees, my father lying on the grass under them; the children playing about, with probably a kitten and a dog, and my mother dressed in lilac muslin, wondering why the blackcaps did not here sing the same song as they did at Maer. This was a perennial puzzle to her, but what the mystery was I have never been able to guess. Of pleasure, as the world reckons it, there was but little. We often went to stay with Erasmus Darwin for short visits, but London always gave my mother bad headaches and more than half her time was spent in a darkened room. Every now and then there is an entry in her little diary of a concert or a play, but I should think not more than a dozen times in all the years whilst we were children. She had, however, constant enjoyment in country sights and sounds. She made the " Sand-walk," where she accompanied my father on his daily walks, a wild garden. She used to have the Dog's-mercury and Jack-in-the-hedge pulled up by a small boy hired for the...
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