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Inspired by the 2010 "Spirit of Mecklenburg"--a bronze statue of Captain James Jack, "the South's Paul Revere," in downtown Charlotte, North Carolina--this history details the lives of 12 Charlotteans who made important contributions to the Queen City, from the early Colonial period to the 20th century. Subjects include Catawba Indian chief King Haigler, Founding Father Thomas Polk, freed slave Ishmael Titus, African American celebrity barber Thad Tate and North Carolina's first woman physician, Annie Alexander.
A centuries-old secret document might unravel the origin story of America and reveal the intellectual crime of the millennia in this epic dive into our country’s history to discover the first, true Declaration of Independence. In 1819 John Adams came across a stunning story in his hometown Essex Register that he breathlessly described to his political frenemy Thomas Jefferson as “one of the greatest curiosities and one of the deepest mysteries that ever occurred to me…entitled the Mecklenburg Declaration of Independence. The genuine sense of America at that moment was never so well expressed before, nor since.” The story claimed that a full 14 months before Jefferson crafted his own Declaration of Independence, a misfit band of zealous Scots-Irish patriots, whiskey-loving Princeton scholars and a fanatical frontier preacher in a remote corner of North Carolina had become the first Americans to formally declare themselves “free and independent” from England. Composed during a clandestine all-night session inside the Charlotte courthouse, the Mecklenburg Declaration was signed on May 20, 1775—a date that’s still featured on the state flag of North Carolina. A year later, in 1776, Jefferson is believed to have plagiarized the MecDec while composing his own, slightly more famous Declaration and then, as he was wont to do, covered the whole thing up. Which is exactly why Adams always insisted the MecDec needed to be “thoroughly investigated” and “more universally made known to the present and future generation.” Eleven U.S. Presidents and many of today’s most respected historical scholars agree. Now, with Who’s Your Founding Father?, David Fleming picks up where Adams left off, leaving no archive, no cemetery, no bizarre clue or wild character (and definitely no Dunkin’ Donuts) unexplored while traveling the globe to bring to life one of the most fantastic, important—and controversial—stories in American history.In 1819 John Adams came across a stunning story in his hometown Essex Register. He breathlessly described it to his political frenemy Thomas Jefferson as “one of the greatest curiosities and one of the deepest mysteries that ever occurred to me…entitled the Mecklenburg Declaration of Independence. The genuine sense of America at that moment was never so well expressed before, nor since.” The story claimed that a full 14 months before Jefferson crafted his own Declaration of Independence, a misfit band of zealous Scots-Irish patriots, whiskey-loving Princeton scholars, and a fanatical frontier preacher had joined forces in a remote corner of North Carolina to become the first Americans to formally declare themselves “free and independent” from England. Composed during a clandestine all-night session inside the Charlotte courthouse, the Mecklenburg Declaration, aka the MecDec, was signed on May 20, 1775—a date that’s still featured on the state flag of North Carolina. About a year later, in 1776, Jefferson is believed to have plagiarized the MecDec while composing his own, slightly more famous Declaration, and then, as he was wont to do, covered the whole thing up. Which is why Adams always insisted the MecDec needed to be “thoroughly investigated” and “more universally made known to the present and future generation.” Eleven U.S. Presidents and many of today’s most respected historical scholars agree. Now, with Who’s Your Founding Father?, David Fleming picks up where Adams’ investigation left off. Fleming leaves no archive, cemetery, bizarre clue, conspiracy theory, or wild character unexplored as he travels the globe and shines new light on one of the most fantastic, important—and controversial—stories in American history.
A biographical and critical study of Tennyson aiming to show what went into the making of the man, exploring the power, subtlety and variety of his poems, along with the artistic principles and preoccupations which shaped his life's work.
The real story of the American "Shero," Mary Patton, and her famed gunpowder production can finally be heard in her voice via this creative non-fiction work. Scientific, forestry and geologic research reveal the hidden truth untold for hundreds of years. Her famed gunpowder helped win the battles of King's Mountain, Cowpens and Guilford Courthouse. Sold across the entire Southeast, the legend comes to an all new light. Six, full-color, first-ever paintings of Mary and her friends are enclosed making United States history. You will listen to her speak in her true voice of love, intimacy, her children, her friends of the Taylor's, and many Colonels like Hambright, Hampton, Cleaveland, Sevier, and more, like Private Ishmael Titus, Captain Redhead and Sally New River of the Catawba Indian Nation. An MA-rated book that contains vulgarities invented hundreds of years ago, hangings that were held, and the fire with filth of the real war. Outlander and GOT fan approved.
The history of an important newspaper is almost by definition a political, economic, and social history of the region it serves as well as the human drama of the people whose visions, talents, and labors shaped it over the years. Jack Claiborne combines these elements in The Charlotte Observer, a narrative that traces the development of the largest newpaper in the Carolinas from Reconstruction to the present. A business-oriented paper from the outset, the Observer began as a four-page, single-sheet publication, printed and folded by hand and distributed mostly by train. Today its huge presses print, cut, count, and fold more than 230,000 copies daily and 270,000 on Sundays for distribution by truck to mountain towns and coastal resorts as well as the sprawling neighborhoods of Charlotte. The rise of the Observer mirrors the rise of Charlotte as the Carolinas' largest trading, manufacturing, financial, and distribution center, and the evolution of the surrounding Piedmont countryside from an area of rolling farms and cotton fields to a dispersed urban region of manufacturing and commerce. In telling the Observer's story, Claiborne also recounts the birth and death of its formal rival, the evening Charlotte News (1888-1985). The story documents the Observer's embrace of the New South creed as it emerged as one of North Carolina's most influential newspapers and the voice of its industrial interests. Like Charlotte and the surrounding region, which were shaped by such men as Zebulon Vance, James Duke, Henry Belk, and Cameron Morrison, the Observer bears the imprint of many personalities, from pioneer industrialist D. A. Tompkins and the eloquent, outspoken editor J. P. Caldwell, to John S. and John L. Knight, leaders of the national company that owns the modern Observer. Spiced with vignettes of those and others who shaped and guided the paper, Claiborne's account captures the clash of ambition and personality that marked the paper's rise. The death of editor J. P. Caldwell in 1911 touched off a five-year struggle for power until the paper was purchased by Curtis Johnson, who built it into a large and highly profitable enterprise. Johnson's death in 1950 precipitated another five-year struggle, resulting in the paper's purchase by the Knights and their appointment of "Pete" McKnight as editor. Under McKnight the paper abandoned its rigid conservatism to become an advocate of social change across the South. Originally published in 1986. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The life and accomplishments of an influential leader in the desegregated South This biography of educational activist and Black studies forerunner Bertha Maxwell-Roddey examines a life of remarkable achievements and leadership in the desegregated South. Sonya Ramsey modernizes the nineteenth-century term “race woman” to describe how Maxwell-Roddey and her peers turned hard-won civil rights and feminist milestones into tangible accomplishments in North Carolina and nationwide from the late 1960s to the 1990s.  Born in 1930, Maxwell-Roddey became one of Charlotte’s first Black women principals of a white elementary school; she was the founding director of the University of North Carolina at Charlotte’s Africana Studies Department; and she cofounded the Afro-American Cultural and Service Center, now the Harvey B. Gantt Center for African-American Art + Culture. Maxwell-Roddey founded the National Council for Black Studies, helping institutionalize the field with what is still its premier professional organization, and served as the 20th National President of Delta Sigma Theta Sorority, Inc., one of the most influential Black women’s organizations in the United States.  Using oral histories and primary sources that include private records from numerous Black women’s home archives, Ramsey illuminates the intersectional leadership strategies used by Maxwell-Roddey and other modern race women to dismantle discriminatory barriers in the classroom and the boardroom. Bertha Maxwell-Roddey offers new insights into desegregation, urban renewal, and the rise of the Black middle class through the lens of a powerful leader’s life story. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Bittersweet Legacy is the dramatic story of the relationship between two generations of black and white southerners in Charlotte, North Carolina, from 1850 to 1910. Janette Greenwood describes the interactions between black and white business and p