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Twelve-year-old Emily is flying with her parents to China to adopt and bring home a new baby sister. She’s excited but nervous to travel across the world and very aware that this trip will change her entire life. And the cracks are already starting to show the moment they reach the hotel—her parents are all about the new baby, and have no interest in exploring. In the adoption trip group, Emily meets Katherine, a Chinese-American girl whose family has returned to China to adopt a second child. The girls eventually become friends and Katherine reveals a secret: she’s determined to find her birth mother, and she wants Emily’s help. New country, new family, new responsibilities—it’s all a lot to handle, and Emily has never felt more alone. From the author of Extraordinary and Call Me Sunflower, Emily Out of Focus is a warm and winning exploration of the complexity of family, friendship, and identity that readers will love.
Playing on our universal fascination with reality TV, Emily Whitson’s Beneath the Marigolds is the Bachelor(ette) gone terribly wrong. Reese Marigold saved Ann Stone from a life of addiction by introducing Ann to AA and serving as her sponsor in recovery. Despite their differences—Reese is a hopeless romantic, while Ann is a no-nonsense attorney—the women remain close ten years later. So when Reese goes missing after attending Last Chance, an exclusive singles’ retreat off the coast of Hawaii, Ann infiltrates the retreat. Quickly, Ann realizes there’s more to Last Chance than meets the eye. With its extravagant clothes, never-ending interviews, and bizarre dates, Ann begins to suspect the retreat is a front for a reality dating show. Could Reese be safe and sound, keeping a low profile until the premier, or did something more sinister occur? As Ann traces Reese’s last known movements, partakes in the unusual “journey,” and meets the other attendees who all have something to hide, she jeopardizes her career, her sanity, and her life to find her missing friend. Told from the perspective of both Ann and Reese, Beneath the Marigolds is a fast-paced thriller that explores friendship, women in recovery, and the traditional marriage path idealized by today’s numerous dating and relationship reality shows.
Gutenberg’s invention of movable type in the fifteenth century introduced an era of mass communication that permanently altered the structure of society. While publishing has been buffeted by persistent upheaval and transformation ever since, the current combination of technological developments, market pressures, and changing reading habits has led to an unprecedented paradigm shift in the world of books. Bringing together a wide range of perspectives—industry veterans and provocateurs, writers, editors, and digital mavericks—this invaluable collection reflects on the current situation of literary publishing, and provides a road map for the shifting geography of its future: How do editors and publishers adapt to this rapidly changing world? How are vibrant public communities in the Digital Age created and engaged? How can an industry traditionally dominated by white men become more diverse and inclusive? Mindful of the stakes of the ongoing transformation, Literary Publishing in the 21st Century goes beyond the usual discussion of 'print vs. digital' to uncover the complex, contradictory, and increasingly vibrant personalities that will define the future of the book.
Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women to express themselves. But not so within the social sphere of the séance--a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and most important, influence as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead. The Fox sisters inspired some of the era’s best-known political activists and set off a transatlantic séance craze. While in the throes of a trance, Emma Hardinge Britten delivered powerful speeches to crowds of thousands. Victoria Woodhull claimed guidance from the spirit world as she took on the millionaires of Wall Street before becoming America’s first female presidential candidate. And Georgina Weldon narrowly escaped the asylum before becoming a celebrity campaigner against archaic lunacy laws. Drawing on diaries, letters, and rarely seen memoirs and texts, Emily Midorikawa illuminates a radical history of female influence that has been confined to the dark until now.
One of us is in the dark. One of us is a bully. One of us wants to be understood. One of us loves a girl who loves another. One of us remembers the past as if it just happened. One of us believes they’ve drawn the future. But we’re all on the same map, looking for the same thing. Year Ten begins with a jolt for best friends and neighbours Wren and Milo. Along with Hari, Juliet, Ben and Adie, they tell a story of friendship, family, wild crushes, bitter feuds, and the power of a portrait. As their lives interwine, images could bring them together, and tear them apart. FROM THE AUTHOR OF THE OTHER SIDE OF SUMMER
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.” In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and bringing him home to her family, adopting two children from Ethiopia, and living and teaching in a primarily white New England college town. Each of these essays sets out to discover a new way of talking about race and of telling the truth as the author has lived it. "Black Is the Body is one of the most beautiful, elegant memoirs I've ever read. It's about race, it's about womanhood, it's about friendship, it's about a life of the mind, and also a life of the body. But more than anything, it's about love. I can't praise Emily Bernard enough for what she has created in these pages." --Elizabeth Gilbert WINNER OF THE CHRISTOPHER ISHERWOOD PRIZE FOR AUTOBIOGRAPHICAL PROSE NAMED A BEST BOOK OF THE YEAR BY NPR AND KIRKUS REVIEWS ONE OF MAUREEN CORRIGAN'S 10 UNPUTDOWNABLE READS OF THE YEAR
A young mother's life is forever changed and her faith in God is broken when her son in diagnosed with complex physical disabilities. Restore and grow your faith as you read about Hilary Yancey's personal journey back to God. Three months into her pregnancy with her first child, Hilary Yancey received a phone call that changed everything. As she learned the diagnosis-cleft lip and palate, a missing right eye, possible breathing complications-Hilary began to pray in earnest. Even in the midst of these findings, she prayed that God would heal her son. God could do a miracle unlike anything she had seen. Only when Hilary held her baby, Jack, in her arms for the first time did she realize God had given her something drastically different than what she had demanded. Hilary struggled to talk to God as she sat for six weeks beside Jack's crib in the NICU. She consented to surgeries and learned to care for a breathing tube and gastronomy button. In her experience with motherhood Hilary had become more familiar with the sound of her son's heart monitor than the sound of his heartbeat. Later, during surgeries and emergency trips back to the hospital with her crying, breathless boy, Hilary reproached the stranger God had become. Jack was different. Hilary was not the mother she once imagined. God was not who Hilary knew before. But she could not let go of one certainty-she could see the image of Christ in Jack's face. Slowly, through long nights of wrestling and longer nights of silence, Hilary cut a path through her old, familiar faith to the God behind it. She discovered that it is by walking out onto the water, where the firm ground gives way, that we can find him. And meeting Jesus, who rises with his scars to proclaim new life, is never what you once imagined.
Once Upon A Time, There was a king who passed. He left behind two sons, one beloved and one outcast. The older of the two was set to take the throne, but before he could, he had to find a queen to call his own. The younger one was known to be unruly and unhinged. The chosen queen was warned to keep far away from him. Beautiful and cunning, in the light is where she stayed. But late at night, it was the shadowed lands in which she played. Mistakes were made and secrets forged; forgetting duty and her sense. And while the new king had her hand, her heart belonged to the scarred prince. *Scarred is a dark royal romance. It is not a retelling, and it is not fantasy. It has mature situations and themes which may be considered triggers for some. Reader discretion is advised.*
Sunny Beringer hates her first name—her real first name—Sunflower. And she hates that her mom has suddenly left behind her dad and uprooted their family miles away from New Jersey to North Carolina just so she can pursue some fancy degree. Sunny has to live with a grandmother she barely knows, and she’s had to leave her beloved cat and all her friends behind. And no one else seems to think anything is wrong. So she creates “Sunny Beringer’s Totally Awesome Plan for Romance”—a list of sure-fire ways to make her parents fall madly in love again, including: Send Mom flowers from a “Secret Admirer” to make her dad jealous and make him regret letting them move so far away. Make a playlist of his favorite love songs—the mushier the better—and make sure it’s always playing in the car. Ask them about the good old days when they first fell in love. But while working on a photo album guaranteed to make Mom change her mind and rush them right back home, Sunny discovers a photo—one that changes everything. Sunny’s family, the people she thought she could trust most in the world, have been keeping an enormous secret from her. And she’ll have to reconcile her family’s past and present, or she’ll lose everything about their future.
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.