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This book focuses on the life and artistic activities of Emilio Sanchez (1921–1999) in New York, and Latin America in the 1940s and 1950s. More specifically, the book will consider Sanchez in the wider context of mid-century Cuban artists, and cross-cultural exchange between New York, Cuba, and the Caribbean. The book reflects on why Sanchez chose to be a mobile observer of the American and Caribbean vernacular at a time when such an approach seemed at odds with the mainstream avant-garde. The book includes a foreword by Dr. Ann Koll, former Executive Director/Curator of the Emilio Sanchez Foundation, and an introduction by Dr. Nathan J. Timpano, University of Miami Department of Art and Art History. This book will be of interest to scholars in modern art, Caribbean studies, architectural history, and Latin American and Hispanic studies.
"I know of no other work on Latin American slavery during the decades before emancipation that captures the slaves' relentless pursuit of freedom as poignantly as does this one."--Francisco A. Scarano, University of Wisconsin, Madison "A splendid and important contribution to a growing body of literature on nineteenth-century slavery and abolition."--Frederick P. Bowser, Stanford University "I know of no other work on Latin American slavery during the decades before emancipation that captures the slaves' relentless pursuit of freedom as poignantly as does this one."--Francisco A. Scarano, University of Wisconsin, Madison
An interdisciplinary journal that publishes original research and surveys of current research on Latin America and the Caribbean.