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Game of Thrones superstar EMILIA CLARKE debuts an EXTRA-LENGTH, THREE-ISSUE MINISERIES! The mayhem begins with Maya, under-the-weather scientist by day, over-the-top superhero by night, and badass single mom 24/7. Deadpool action and Fleabag comedy collide when Maya activates her freakish superpowers to take on a secret sect of human traffickers. Mature readers only! Comedy and chaos await in the first of three 40-page issues by the glamorous artist of Horde, LEILA LEIZ!
Amelia Bassano Lanier is proved to be a strong candidate for authorship of Shakespeare's plays: Hudson looks at the fascinating life of this woman, believed by many to be the dark lady of the sonnets, and presents the case that she may have written Shakespeare's plays.
I'm a mom to teenagers... I'm also my late husband's executioner.He was an abusive man on the fast track to devastation. He hung me from a fancy chandelier to die. Had my saviours driven the long way home, I wouldn't be here today to tell my story. It's been a long road since then, but my children and I have finally moved back to town. It's time to lay some ghosts to bed. It's time to truly thank my heroes. It's time to start living again. My name is Lindsi Conner, and it's time to rewrite my story.*Cocky? Check!Handsome? Double check!Free spirited and loving it? Check, check, check.My name is Oscar Franks - Deputy Oscar Franks - and I love my life exactly the way it is. I'm thirty-six years old and single by choice. I don't need complications in my life.That's what I've been telling myself, anyway. That was until she came to town.
Bennett reviews a number of Goethe's works, offering a new interpretation of Werther, fresh insights into Die natürliche Tochter, and an assessment of Die Wahlverwandtschaften that reveals Goethe's feminine voice. He establishes parallels between Goethe's position and that of modern radical feminism regarding the problem of literary revolution. -- book jacket.
Time changes nothingnot in your world, not in mine. Actions are what change, and even that fails. For Emilia Manescu, time seemed endless, for her kind lived far longer than humans. Time never erased the death of her family, her pack, her friends, and multitudes of strangers that she could not save from her evil twin sister, Rebekah. And time could not keep Rebekah from awakening again, hell-bent on resurrecting an even greater evil by name of Sebastian. Time was even running out for Emilia as death and destruction followed her dark twin, and this time, Emilia was afraid that Rebekah would succeed in her mission for Rebekah had a new trick up her sleeve. Will Emilia and her new family stop Rebekah before time runs out and Rebekah brings Sebastian back to life, or will Rebekah succeed and watch as the world burns around her?
This book uses clinical psychoanalytic theory to illustrate how early British Gothic fiction reveals undercurrents of psychopathological behavior. It demonstrates that psychological insights gained from Gothic romance anticipate the later scientific findings of psychoanalysis. Chapters consider the division of the Gothic novel's critical reception between allegory and romance; how the structure of early British Gothic romance parallels Freud's notion of the uncanny; the genre's perverse origins in Walpole's The Castle of Otranto; sexual differentiation and the parallel between development of Gothic romance an development of the psyche; Ann Radcliffe and the terror of hysteria; Matthew Lewis and obsessional neurosis; and the confusion between self and other in Hogg's The Private Memoirs and Confessions of a Justified Sinner.
Macbeth : the question of personality reversal -- Othello : the question of jealousy -- As you like it : the question of escaping conventional society -- Hamlet : the question of guilt and blame -- The taming of the shrew : the question of gender and dominance -- Much ado about nothing : the question of a (happy?) marriage
Cesare Lombroso is widely considered the founder of the field of criminology. His theory of the “born” criminal dominated discussions of criminology in Europe and the Americas from the 1880s into the early twentieth century. His book, La donna delinquente, originally published in Italian in 1893, was the first and most influential book ever written on women and crime. This comprehensive new translation gives readers a full view of his landmark work. Lombroso’s research took him to police stations, prisons, and madhouses where he studied the tattoos, cranial capacities, and sexual behavior of criminals and prostitutes to establish a female criminal type. Criminal Woman, the Prostitute, and the Normal Woman anticipated today’s theories of genetic criminal behavior. Lombroso used Darwinian evolutionary science to argue that criminal women are far more cunning and dangerous than criminal men. Designed to make his original text accessible to students and scholars alike, this volume includes extensive notes, appendices, a glossary, and more than thirty of Lombroso’s own illustrations. Nicole Hahn Rafter and Mary Gibson’s introduction, locating his theory in social context, offers a significant new interpretation of Lombroso’s place in criminology.