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"In his texts, Émile Gallé digs for the sources of his own art ... he allows himself to read his mysterious and refined works through their nexus with literature, philosophy, and contemporary art"--Dust jacket flap.
This book represents the first book-length, critical study of the art of Emile Gallé. It thus promises not only to revolutionize our understanding of his work but also to reframe the study of Art Nouveau by relocating the movement within the deeply politicized context in which it was created.
-- Published to coincide with a major exhibition. -- Examines in depth the historical background of each designer and firm, their styles and techniques. This introduction to the most innovative period of goth century glass-making was published to coincide with The Art of Glass - Art Nouveau to Art Deco exhibition at the Sunderland Museum and Art Gallery. The fascinating history of art glass in this Period begins in the 1880's with the precursors to Art Nouveau, follows the creations of Galle, Daum and Muller Freres. It continues with the development of opalescent, frosted and clear molded glass -- especially Lalique, Art Deco, functionalism, Orrefors and English and Scottish glass. But it is above all the glass itself, beautifully reproduced in full color, that brings to life one of the most exciting and creative periods in the history of art glass.
Included for the first time under one cover are all Galle's major works of furniture, both those he designed as unique pieces for an exclusive clientele and those he displayed at two World Expositions and at the annual Paris Salons between 1889 and his un
The influence of the plastic arts, especially painting and sculpture, upon the Hispanic literary movement known as Modernismo is well-documented. Although numerous studies have referred to gems, Beyond the Glitter focuses upon the significance of gems and jewels in elaborating Modernismo's complex aesthetics. The role of gems and jewelry is discussed in the poetics of three prominent Modernista writers: Ruben Dario, Ramon del Valle-Inclan, and Jose Asuncion Silva. The conclusion underscores how the rich and varied symbolism associated with jewelry and precious gems enriched the poetics of Modernista writers because it enabled them to articulate their quest for ideal beauty, expressive of a sublime state of mind and spirit.
"Glass made transparent" guides the reader in eight chapters through the world of the great French glass artists Gallé, Daum and Schneider of the period 1890-1930. Esveld not only describes the beauty and artistry of their glass art but also reveals the technical side of their creations in great detail. This book helps to detect a genuine example from a falsification, a flawless piece from a damaged one and it trains the eye for any cut glass or combinations of pieces put together. It educates the reader to develop a feeling for the perfect style and shape, to learn to look sharply at the decoration, colour, finish and signature of its maker. It also points out all the applied tricks of the trade of the past and present day in order to deceive the unsuspecting buyer. Only the flawless pieces remain expensive and maintain their value. All the others bought at one's own risk, either at auctions or on e-bay are always paid over the top.
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.