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- The first publication dedicated to the artist Emil Milan, illustrated with his finest artistic creations- Previously unseen documents and photographs- Rare artwork- The artist is illuminated through stories and interviews from those who knew him best- Milan's life story is woven through American history, including WWII and the American studio craft movement- Midcentury modern designArtist Emil Milan (American, 1922-1985) was a major contributor to the studio craft movement in the 1950s and 60s. He was an innovator in woodworking tools and techniques, and a pioneer in using power tools to boost production. After training to be a sculptor at the Art Students League of New York, he developed and produced a distinctive line of "functional sculpture" - wooden bowls, trays, and serving ware - that captured the essence of Midcentury Modern Design. He stood with now legendary artists and designers like Wharton Esherick, Sam Maloof, Wendell Castle, Charles Eames, George Nakashima, and Bob Stocksdale (among others) in the most important exhibitions of fine craft in America. His wares were tailored for and sold in high-end retailers such as Hammacher Schlemmer, Saks Fifth Avenue and the original Pottery Barn store in Manhattan. After moving to rural Pennsylvania in 1961, he re-emerged as a teacher, mentor, and role model for dozens of successful artists and woodworkers who found inspiration in his teaching, his methods, and his self-sufficient lifestyle close to nature. After fading into obscurity following his death, this book rekindles awareness and appreciation of this remarkable American artist. AwardsFirst Prize - 2018 - Exhibition Catalogues American Alliance of Museums - Museum Publications Design Competition CATEGORY: Institutions with budgets under $1,000,000 https: //www.aam-us.org/programs/awards-competitions/2018-museum-publications-design-competition-winners-2/ Gold Medal - 2018 - Regional Non-Fiction Books, Mid-Atlantic Independent Publisher Book Awards http: //www.ippyawards.com/130/medalists/2018-medalists-categories-1-42/regional-and-ebook Regional Winner - 2018 - Editorial Books, Midwest PRINT Regional Design Awards To be published in The Best of Design, Spring 2019 Winner - 2018 Creative Quarterly 53 To be published in January 2019
The Summer 2018 issue of the world's best how-to magazine for woodcarvers is packed with patterns, techniques, tips and projects for all skill levels. This issue includes quick-carve projects that are perfect for campouts and teaching kids. Celebrate the patriotic holidays by whittling eagle heads, or capture the sounds of summer with a wood spirit whistle. Try your hand at an action-packed baseball pitcher caricature, or chip-carve a peaceful summer scene. Harold Enlow shows how to carve a classic cowboy—from the iconic hat to the stubbly beard—in 20 easy steps. Karen Henderson reveals her simple trick that lets you handcarve colorful wood to make gorgeous spoons. Desiree Hajny teaches how to combine carving and woodburning techniques to create a fearsome tiger, and Deborah Pompano’s lighthouse pyro pattern is perfect for beginners. But whatever you carve, keep your tools sharp! You can have sharp tools in just 10 minutes by using Bob Duncan’s quick & easy method for hand-sharpening most knives, gouges & v-tools.
In both Vasari's life and in his Lives, prints played important roles. This volume examines Giorgio Vasari's interest, as an art historian and as an artist, in engravings and woodblock prints, revealing how it sheds light on aspects of Vasari's career, and on aspects of sixteenth-century artistic culture and artistic practice. It is the first book to study his interest in prints from this dual perspective.
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.
Essay by Robert Storr. Foreword by Glenn D. Lowry.