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As a young man in the early 1960s, Amir leaves his small village in Pakistan to make his way in the world. He comes to Britain as an illegal alien and embarks on a life of dodgy jobs, cheap housing and rip-off landlords, of letters home and dreams of belonging. Thirty years on, Amir now has a home and family, including Parvin, his nineteen-year-old daughter. Parvin has a mind of her own. She answers back, she refuses to do as her father says. As Amir and Parvin battle it out, Amir remembers his early years in Birmingham, specifically a brutal crime of passion which profoundly altered the course of his life. From the leading novelist in the Urdu language, Emigr? Journeys is a poignant comedy of outsiders caught between two worlds and seeking an identity.
A comprehensive guide to European actors in American film, this book brings together 15 chapters with A-Z entries on over 900 individuals. It includes case studies of prominent individuals and phenomena associated with the emigres, such as the stereotyping of European actresses in 'bad women' roles, and the irony of Jewish actors playing Nazis.
Between ten and fifteen thousand persons of Cuban-Jewish heritage currently live in Miami. Until now, however, this vibrant community and its unique traditions have, to a large extent, escaped the notice of ethnographers, historians, and other scholars. In Cuban-Jewish Journeys, Caroline Bettinger-López remedies that neglect with an engaging, in-depth look at a people whose rich mix of cultures confounds typical ethnic images. The author begins by investigating the history and development of the Cuban-Jewish community, tracing its origins back to Jewish enclaves in Eastern Europe, Russia, and the Mediterranean. She explores how these people came to Cuba in the first half of the twentieth century and how they eventually resettled in the United States as part of the larger Cuban migration that followed Fidel Castro's 1959 revolution. In recounting this history, Bettinger-López draws heavily on numerous stories told to her by Cuban Jews in Miami and elsewhere. Those oral histories also form the basis of Bettinger-López's subsequent exploration of the identity and assimilation issues facing "Jewbans" (as many in Miami began calling themselves in the 1970s). She found that place and date of birth, for instance, may affect an individual's identification with a particular homeland and political ideology, which may in turn influence how the individual "remembers" Cuban-Jewish history. The future of Miami's Jewban community, she suggests, now lies in the hands of a generation that, for the most part, has grown up within the United States. Already, the community is transforming itself linguistically, culturally, and religiously to accommodate the younger generation. Skillfully interweaving historical analysis, personal reflections, inter-generational stories, theories of diaspora, photographs, and current debates on ethnographic writing, Cuban-Jewish Journeys will appeal not only to scholars but to anyone interested in the ever-changing face of multicultural America. The Author: Caroline Bettinger-López, a native of Miami, studied anthropology at the University of Michigan. Since her graduation, she has worked in various teaching and social-service positions in Miami. Most recently, she has taught disadvantaged children in Haiti.
Between the end of the Second World War and the early twenty-first century, Britain became multicultural. This vivid book tells that remarkable story. Kieran Connell, an historian of Irish and German heritage who grew up in Balsall Heath, inner-city Birmingham, takes readers into multicultural communities across Britain at key moments in their development. Journeying far beyond London, Multicultural Britain explores the messy contradictions of the country’s transition into today’s diverse society. It reveals the ordinary people who have forged Britain’s multiculturalism; skewers public leaders, from Enoch Powell to Harold Wilson to Margaret Thatcher, who have too often weaponised race for their own political ends; and shines a light on the shifting nature of British racism, revealing its enduring day-to-day impact on ethnic-minority groups. Between postcolonial reckonings and immigration anxieties, how people live together in Brexit Britain remains an urgent question for our time. Connell’s fresh, thought-provoking book unveils British multiculturalism not as a problematic idea, but as a rich and complex lived reality.
In 1984 a radically new graphic design magazine set out to explore the as-yet-untapped and uncharted possibilities of Macintosh-generated graphic design. Boldly new and different, Emigre broke rules, opened eyes and earned its creators, Rudy VanderLans and Zuzana Licko, cult status in the world of graphic design. After a decade of publishing, the jury is still out on Emigre. But now, thanks to this comprehensive 10-year retrospective, you can reach your own conclusions. Are Emigre’s Mac-generated graphics important, influential and controversial…or just plain ugly? You decide. "The only people who have trouble reading Emigre are graphic designers who have been trained to make type clear. The rest of the world doesn’t live in that purist atmosphere." —Chuck Byrne, Print Magazine, September 1992 Here gathered together for the first time, you’ll find: Every Emigre cover ever issued A full catalog of over 80 Emigre typefaces Emigre’s most striking editorial layouts Plus stimulating and provocative commentary from both Rudy VanderLans and Zuzana Licko How has a magazine that prints just 7,000 copies managed to outrage so many graphic designers while inspiring so many others? The answer is in your hands.
In Émigré Voices Lewkowicz and Grenville present twelve oral history interviews with men and women who came to Britain as Jewish refugees from Germany and Austria in the late 1930s, many of whom known for their enormous contributions to British culture.
_______________ 'A boisterous tribute to her home town that crackles with the chaos of Pakistani political life' - The Times 'Deftly woven and provocative ... Shamsie's blistering humour and ear for dialogue scorches through their whirl of whisky and witticisms' - Observer 'You will notice very quickly that you're reading a book by someone who can write ... Above all, Kartography is a love story. And if you're not sniffling by, or in fact on, page 113, you're reading the wrong book' - Guardian _______________ BY THE ACCLAIMED WINNER OF THE WOMEN'S PRIZE FOR FICTION 2018 SHORTLISTED FOR THE JOHN LLEWELLYN RHYS PRIZE _______________ Soul mates from birth, Karim and Raheen finish one another's sentences, speak in anagrams and lie spine to spine. They are irrevocably bound to one another and to Karachi, Pakistan. It beats in their hearts - violent, polluted, corrupt, vibrant, brave and ultimately, home. As the years go by they let a barrier of silence build between them until, finally, they are brought together during a dry summer of strikes and ethnic violence and their relationship is poised between strained friendship and fated love. _______________ 'Perceptive, funny and poignant' - Times Literary Supplement 'A touching love story, with the city of Karachi beating at its heart' - Daily Mail 'A gorgeous novel of perimeters and boundaries, of the regions – literal and figurative – in which we're comfortable moving about and those through which we'd rather not travel' - Los Angeles Times
New Soundings in Postcolonial Writing is a collection of critical and creative writing in honour of the postcolonial critic, editor and anthologist Bruce King. There are essays on topics relating to Caribbean authors (Derek Walcott, Simone and Andre Schwarz-Bart); diaspora writers in England (Zadie Smith, Andrea Levy, Michael Ondaatje), South East Asian writing in English (Arun Kolatkar, recent Pakistani fiction, Anita Desai) and New Zealand, Canadian and Pacific writers (Albert Wendt, Patricia Grace, Bill Manhire, Joseph Boyden, Greg O’Brien). The creative writing section features new work by David Dabydeen, Fred D’Aguiar, Arvind Mehrotra, Jeet Thayil, Meena Alexander, Keki Daruwalla, Adil Jussawalla, Tabish Khair, Susan Visvanathan and others, reflecting King’s pioneering work on Indian poetry in English, and his many friendships.
"The thirteen articles presented here originated with a conference on emigre feminism held at Trent University in October 1996. The authors, most of them now living in Canada, are scholars from South Africa, Uganda, Chile, Trinidad and Tobago, Greece, Hungary, the Czech Republic, Poland, Turkey, Iran, Finland, and New Zealand.
Most think of an émigré as one who leaves her native land to find home in another. Claudia Keelan, in essays both personal and critical, enlists poetic company for her journey, engaging both canonical and common figures, from Gertrude Stein to a prophetic Las Vegas cab driver named Caesar. Mapping her own peripatetic evolution in poetry and her nomadic life, she also engages with Christian and Buddhist doctrines on the virtues of dispossession. ​ Ecstatic Émigré pays homage to poets from Thoreau and Whitman to Alice Notley, all of whom share a commitment to living and writing in the moment. Keelan asks the same questions about the growth of flowers or the meaning of bioluminescence as she does about the poetics of John Cage or George Oppen. Her originality is grounded by the ways in which she connects poetic principles with the spiritual concepts of via negativa demonstrated both in St. John of the Cross and Mahayana Buddhism. In addition, her essays demonstrate an activist spirit and share a commitment to the passive resistance demonstrated in Martin Luther King, Jr.’s concept of the “beloved community” and philosopher Simone Weil’s dedication to “exile.”