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Explains the reasons for the large Irish emigration, and examines the problems they faced adjusting to new lives in the United States.
Two centuries of Irish emigration to the U.S. are portrayed through rare photos and the letters of emigrants writing of their New World experiences.
The book investigates the formation of the Cristero diaspora, a network of Mexican emigrants, exiles, and refugees across the United States who supported a Mexican Catholic uprising during the late 1920s. These emigrants had a profound and enduring impact on Mexican American community formation, political affiliations, and religious devotion.
A three-dimensional book featuring images and documents of Irish immigrants.
In the century between the Napoleonic Wars and the Irish Civil War, more than seven million Irish men and women left their homeland to begin new lives abroad. While the majority settled in the United States, Irish emigrants dispersed across the globe, many of them finding their way to another “New World,” Australia. Ireland’s New Worlds is the first book to compare Irish immigrants in the United States and Australia. In a profound challenge to the national histories that frame most accounts of the Irish diaspora, Malcolm Campbell highlights the ways that economic, social, and cultural conditions shaped distinct experiences for Irish immigrants in each country, and sometimes in different parts of the same country. From differences in the level of hostility that Irish immigrants faced to the contrasting economies of the United States and Australia, Campbell finds that there was much more to the experiences of Irish immigrants than their essential “Irishness.” America’s Irish, for example, were primarily drawn into the population of unskilled laborers congregating in cities, while Australia’s Irish, like their fellow colonialists, were more likely to engage in farming. Campbell shows how local conditions intersected with immigrants’ Irish backgrounds and traditions to create surprisingly varied experiences in Ireland’s new worlds. Outstanding Book, selected by the American Association of School Librarians, and Best Books for Special Interests, selected by the Public Library Association “Well conceived and thoroughly researched . . . . This clearly written, thought-provoking work fulfills the considerable ambitions of comparative migration studies.”—Choice
Global Mobilities illustrates the significant engagement of museums and archives with populations that have experienced forced or willing migration: emigrants, exiles, refugees, asylum seekers, and others. The volume explores the role of public institutions in the politics of integration and cultural diversity, analyzing their efforts to further the inclusion of racial and ethnic minority populations. Emphasizing the importance of cross-cultural knowledge and exchange, global case studies examine the conflicts inherent in such efforts, considering key issues such as whether to focus on origins or destinations, as well as whether assimilation, integration, or an entirely new model would be the most effective approach. This collection provides an insight into diverse perspectives, not only of museum practitioners and scholars, but also the voices of artists, visitors, undocumented immigrants, and other members of source communities. Global Mobilities is an often provocative and thought-inspiring resource which offers a comprehensive overview of the field for those interested in understanding its complexities.
Between 1600 and 1929, perhaps seven million men and women left Ireland and crossed the Atlantic. Ireland and Irish America is concerned with Catholics and Protestants, rural and urban dwellers, men and women on both sides of that vast ocean. Drawing on over thirty years of research, in sources as disparate as emigrants' letters and demographic data, it recovers the experiences and opinions of emigrants as varied as the Rev. James McGregor, who in 1718 led the first major settlement of Presbyterians from Ulster to the New World, Mary Rush, a desperate refugee from the Great Famine in County Sligo, and Tom Brick, an Irish-speaking Kerryman on the American prairie in the early 1900s. Above all, Ireland and Irish America offers a trenchant analysis of mass migration's causes, its consequences, and its popular and political interpretations. In the process, it challenges the conventional 'two traditions' (Protestant versus Catholic) paradigm of Irish and Irish diasporan history, and it illuminates the hegemonic forces and relationships that governed the Irish and Irish-American worlds created and linked by transatlantic capitalism.
A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs—the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with fictional motifs, and as he puts the question to realism, the four stories merge into one unfathomable requiem.
A magisterial history of the artists and writers who left Weimar when the Nazis came to power In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.