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This is the second of two volumes containing peer-reviewed research and survey papers based on talks at the International Conference on Modern Analysis and Applications. The papers describe the contemporary development of subjects influenced by Mark Krein.
Emet loves to paint. But grown-ups think he should spend his time doing more important things. When Emet stops doing what he loves, color disappears from his world. What does Emet discover within himself in order to bring color back into his life? A colorful story about following your heart.
Even as a country ceases to be a great power, the concept of it as a great power can continue to influence decision making and policy formulation. This book explores how such a process took place in Russia from 1917 through 1920, when the Bolshevik coup of November 1917 led to the creation of two regimes: the Bolshevik "Reds" and the anti-Bolshevik "Whites." As Reds consolidated their one-party dictatorship and nursed global ambitions, Whites struggled to achieve a different vision for the future of Russia. Anatol Shmelev illuminates the White campaign with fresh purpose and through information from the Hoover Institution Archives, exploring how diverse White factions overcame internal tensions to lobby for recognition on the world stage, only to fail—in part because of the West's desire to leave "the Russian question" to Russians alone. In the Wake of Empire examines the personalities, institutions, political culture, and geostrategic concerns that shaped the foreign policy of the anti-Bolshevik governments and attempts to define the White movement through them. Additionally, Shmelev provides a fascinating psychological study of the factors that ultimately doomed the White effort: an irrational and ill-placed faith in the desire of the Allies to help them, and wishful thinking with regard to their own prospects that obscured the reality around them.
Based on a wide range of primary sources, this book shows the way in which diplomacy, economics, finance and strategy became intertwined during the First World War. The author examines the diplomatic, economic, financial and military relations between Britain and Russia and argues that the key to understanding the alliance is the British determination to win the war and the role Russia played in achieving this aim. British strategy is shown to be more the result of her relations with her allies, especially during the first years of the war, than a quarrel between East and West. This revision of the accepted interpretation of the strategy leads to a reassessment of the views of Lloyd George, Kitchener and Grey. The author concludes that in 1917 the British interest in Russia remained as it was earlier in the war: the maintenance of a powerful ally on the eastern front.
Accompanying CD-ROM has electronic text of the contributed proceedings papers.
David Bergelson (1884–1952) emerged as a major literary figure who wrote in Yiddish before WWI. He was one of the founders of the Kiev Kultur-Lige and his work was at the center of the Yiddish-speaking world of the time. He was well known for creating characters who often felt the painful after-effects of the past and the clumsiness of bodies stumbling through the actions of daily life as their familiar worlds crumbled around them. In this contemporary assessment of Bergelson and his fiction, Harriet Murav focuses on untimeliness, anachronism, and warped temporality as an emotional, sensory, existential, and historical background to Bergleson’s work and world. Murav grapples with the great modern theorists of time and memory, especially Henri Bergson, Sigmund Freud, and Walter Benjamin, to present Bergelson as an integral part of the philosophical and artistic experiments, political and technological changes, and cultural context of Russian and Yiddish modernism that marked his age. As a comparative and interdisciplinary study of Yiddish literature and Jewish culture, this work adds a new, ethnic dimension to understandings of the turbulent birth of modernism.