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Keyboard legend Keith Emerson is one of the most important figures to emerge from the thriving rock scene of the sixties and seventies. Fusing rock ‘n' roll with classical, jazz, and world music, he has set a standard by which others are judged. With Greg Lake and Carl Palmer, he formed the hugely successful Emerson, Lake and Palmer, who, between 1970 and 1977, released six platinum albums. Now in this insightful and irreverent memoir, Emerson tells uproarious tales of life on the road, tales of the high lifestyle that goes with being a rock star, and of course, tales of the outrageous, barrier-shattering music he produced.
For the first time, Jethro Tull founder, singer, songwriter and photographer Ian Anderson has gathered together the complete lyrics from all of the Tull and solo albums in one volume. This hardback book is illustrated throughout with new, original and previously unpublished photographs taken by Ian to accompany certain lyrics. Ian has combed through everything from This Was in 1968 to unreleased 2021 songs, taking in all of his solo albums and tracks released only on box sets and compilations, to collate more than 300 song lyrics. After listening to original masters, checking notebooks and song sheets, Ian is confident that this book represents the complete, collected lyrics of his more than six decade-long career.
Greg Lake first won acclaim as lead vocalist, bass guitarist and producer when, together with Robert Fripp, he formed King Crimson. Their first album, the landmark 'In the Court of the Crimson King', co-produced by Greg, featured the iconic song '21st Century Schizoid Man'. King Crimson pioneered progressive rock and paved the way for many famous bands that followed, from Yes and Genesis to the Red Hot Chilli Peppers. 'Lucky Man' not only charts the highs and lows of a career in rock music but also reflects on the death of Keith Emerson last year, living with terminal cancer and the end of life.
"Throughout the 1970s, no style of popular music was more controversial than progressive rock, and no progressive rock band was more controversial than Emerson, Lake and Palmer. Initially attracting attention for their unusual keyboards-bass-drums configuration, ELP became hugely popular on both sides of the Atlantic. Fans saw ELP as fulfilling the promise of post-Beatles rock, imaginatively fusing rock, jazz, and classical elements with cutting-edge technology, breathtaking virtuosity, and a monumental stage show. Critics saw ELP as a bombastic assault on rock's working-class and oppositional roots. In this, Edward Macan unravels the enigma that is Emerson, Lake and Palmer."--BOOK JACKET.
The first official, illustrated, oral history of prog rock legends Jethro Tull. Illustrated throughout with previously unseen, personal and classic photographs and memorabilia, Jethro Tull's story is told by Ian Anderson, band members past and present and the people who helped Tull become one of the most successful bands in rock history.
The wildly entertaining story of progressive rock, the music that ruled the 1970s charts—and has divided listeners ever since. The Show That Never Ends is the definitive story of the extraordinary rise and fall of progressive (“prog”) rock. Epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, along with such successors as Rush, Marillion, Asia, Styx, and Porcupine Tree, prog sold hundreds of millions of records. It brought into the mainstream concept albums, spaced-out cover art, crazy time signatures, multitrack recording, and stagecraft so bombastic it was spoofed in the classic movie This Is Spinal Tap. With a vast knowledge of what Rolling Stone has called “the deliciously decadent genre that the punks failed to kill,” access to key people who made the music, and the passion of a true enthusiast, Washington Post national reporter David Weigel tells the story of prog in all its pomp, creativity, and excess. Weigel explains exactly what was “progressive” about prog rock and how its complexity and experimentalism arose from such precursors as the Beach Boys’ Pet Sounds and the Beatles’ Sgt. Pepper. He traces prog’s popularity from the massive success of Procol Harum’s “Whiter Shade of Pale” and the Moody Blues’ “Nights in White Satin” in 1967. He reveals how prog’s best-selling, epochal albums were made, including The Dark Side of the Moon, Thick as a Brick, and Tubular Bells. And he explores the rise of new instruments into the prog mix, such as the synthesizer, flute, mellotron, and—famously—the double-neck guitar. The Show That Never Ends is filled with the candid reminiscences of prog’s celebrated musicians. It also features memorable portraits of the vital contributions of producers, empresarios, and technicians such as Richard Branson, Brian Eno, Ahmet Ertegun, and Bob Moog. Ultimately, Weigel defends prog from the enormous derision it has received for a generation, and he reveals the new critical respect and popularity it has achieved in its contemporary resurgence.
with Martin Hanson and Frank Askew The first ever biography of the ultimate 70s supergroup who, with members drawn from King Crimson, The Nice and Atomic Rooster, epitomised the ambition of the progressive rock movement. Drawing on interviews with band members and associates, the authors have produced a gripping and fascinating document of one of the great bands of the seventies that also paints a picture of an era of unparalleled showmanship, egomania and excess. Unmissable. Illustrated.
Emerson, Lake & Palmer were, without question, one of the great rock bands of the 1970s. Selling millions of albums across the globe, with all three members winning awards for their dazzling musical ability, ELP were no ordinary group. Their pioneering attitude was adored by their legions of fans, none more so than in the USA, where they toured widely. Despite ELP being the embodiment of the dinosaurs that punk sought to kill. However, just like their peers – Yes, Genesis and Pink Floyd – they survived punk’s onslaught, continuing to make albums until the mid-90s and touring right until their final concert, a headlining performance at London’s High Voltage Festival in 2010. This book charts their rise, via every track on all nine of their studio albums recorded between 1970 and 1994 including Tarkus, Trilogy and Brain Salad Surgery. Key recorded live performances – such as 1971’s Pictures at an Exhibition – are also included as well as overviews on all three member’s solo projects, With informed insight and information, this is the ultimate guide to the band’s music – a must-own companion to Emerson, Lake & Palmer’s recorded legacy. Since graduating from art college in the early 1980s, Mike Goode has pursued a successful career in the creative industry – as a designer, art director and writer. However, his biggest passion is music – specifically anything related to Emerson, Lake and Palmer. A fan since hearing Pictures as an Exhibition as a teenager in the 70s, there’s no person better suited or qualified to write and research this book on these progressive rock legends. He lives in Brecon, Powys.
In this deluxe hardback, packed with over 200 pages of photographs, Tarja tells her story about making music and shares lots of personal memories and photos, many of them from her personal collection and never seen before. It's written by Tarja in her own words with special contributions from friends and colleagues.
ROCK DOC will take you from backstage at a Pink Floyd Dark Side of the Moon concert in the early seventies, where Neil's production company, Circus Talents, Ltd. was providing production services, to the office operating rooms of elite New York surgeons where Neil Ratner MD was Director of Anesthesia.As a teenager, Neil was an aspiring rock n' roll drummer but ended up on the other side of the business working as both a tour manager for Emerson, Lake, & Palmer and providing production for the Pink Floyd. After a bad attack of kidney stones and a stint in the hospital, Neil had an epiphany and decided to pursue his childhood dream of becoming a doctor. He finished college, learnt Spanish, spent four years at a medical school in Mexico, completed two years of surgical training and an anesthesia residency, and helped create the new specialty of office-based anesthesia in Manhattan. In doing so, Dr. Ratner became an expert in the use of the new drug, Propofol, a drug that would play a significant role in Neil's future.Although Dr. Ratner encountered many celebrities in his anesthesia practice, one would change his life... Michael Jackson. Eight years after establishing his anesthesia practice, Michael Jackson walked into an office in which Neil was the Director of Anesthesia. Neil became a trusted friend of Michael's from 1994 to 2002, periodically going on tour and spending time with Michael at Neverland. Read in ROCK DOC how their relationship profoundly affected both...Rock Doc is Neil's remarkable journey about Rock & Roll and Michael Jackson, Nelson Mandela, a prison sentence with very unexpected results and how helping the poorest of the poor became a key part of his life.