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Natalie says, "this book is written to give women courage and support to be full persons in our society and what is personal is political....also to give sanction to men and women to be honest and open about their struggles. Communication begins by revealing oneself. I have revealed much of myself in the hope that it will stimulate new thought and action; new channels to reach out to each other. Carl Rogers, author of On Becoming a Person said, "My daughter has written a personal, sensitive and moving book about her own journey to womanhood. ...it confirms what I have long believed: what is most personal is universal." Self published in 1980, this has become a feminist classic having been published in French, Italian, Portuguese and Japanese. It became an underground book handed from one woman to another. The chapter titles: "The Right To Be Me, "Uprooting and Rerooting: A Transition,"Solo, A Midlife Choice," "On Love, Loving and Lovers," and "Opening,"The Impact of Women On My Life." This book is still extremely relevant for the 21st century.
Interviews with more than 50 emerging women, with a strong feminine spirit, that delineate the distinguishing traits of emerging women and provide clear-cut steps for unfolding your own potential.
Beautiful photographs and compelling profiles brilliantly portray the ordinary women in developing countries - Afghanistan, Bangladesh, Ecuador, Ethiopia, Ghana and India, among others - who have chosen to break through the barriers of oppression and convention to make a positive difference in their communities.
Eighteenth-century Spanish women were not idle bystanders during one of Europe's most dynamic eras. As Theresa Ann Smith skillfully demonstrates in this lively and absorbing book, Spanish intellectuals, calling for Spain to modernize its political, social, and economic institutions, brought the question of women's place to the forefront, as did women themselves. In explaining how both discourse and women's actions worked together to define women's roles in the nation, The Emerging Female Citizen not only illustrates the rising visibility of women, but also reveals the complex processes that led to women's relatively swift exit from most public institutions in the early 1800s. As artists, writers, and reformers, Spanish women took up pens, joined academies and economic societies, formed tertulias—similar to French salons—and became active in the burgeoning public discourse of Enlightenment. In analyzing the meaning of women's presence in diverse centers of Enlightenment, Smith offers a new interpretation of the dynamics among political discourse, social action, and gender ideologies.
Two social scientists chart the consequences of the global economy on women across the world, revealing the underground economy that has turned many poor women into virtual slaves.
The New Woman was the symbol of the shifting categories of gender and sexuality and epitomised the spirit of the fin de siècle . This informative monograph offers an interdisciplinary approach to the growing field of New Woman studies by exploring the relationship between first-wave feminist literature, the nineteenth-century women's movement and female consumer culture. The book expertly places the debate about femininity, feminism and fiction in its cultural and socio-historical context, examining New Woman fiction as a genre whose emerging theoretical discourse prefigured concepts central to second-wave feminist theory.
2. Redefining the New Woman, 1920-1963 Despite the fact that women's suffrage did not produce the catastrophic consequences predicted, mainstream opposition to the feminist movement refused to die, as exemplified in commentaries by industrialist Henry Ford, renowned literary figures D.H. Lawrence and Norman Mailer, and even presidential candidate Adlai Stevenson, all represented in this volume. The other selections first focus on sources published during the interwar years and indicate that the legacy of progressive social feminism exacerbated reactionary attitudes toward women in the context of postwar political fundamentalism, the Great Depression, and the New Deal. The second part contains literature that appeared between 1941 and 1963, and reflects the ambivalence and backlash toward wives and mothers in the workforce and the public sphere, driven by the social, political, and economic conservatism of the Cold War Era.
A study of the 'New Woman' phenomenon, examining whether British women really achieved the economic independence to challenge social conventions.
In early twentieth-century China, age-old traditions of homosocial and homoerotic relationships between women suddenly became an issue of widespread public concern. Discussed formerly in terms of friendship and sisterhood, these relationships came to be associated with feminism, on the one hand, and psychobiological perversion, on the other—a radical shift whose origins have long been unclear. In this first ever book-length study of Chinese lesbians, Tze-lan D. Sang convincingly ties the debate over female same-sex love in China to the emergence of Chinese modernity. As women's participation in social, economic, and political affairs grew, Sang argues, so too did the societal significance of their romantic and sexual relations. Focusing especially on literature by or about women-preferring women, Sang traces the history of female same-sex relations in China from the late imperial period (1600-1911) through the Republican era (1912-1949). She ends by examining the reemergence of public debate on lesbians in China after Mao and in Taiwan after martial law, including the important roles played by globalization and identity politics.
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.