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On dance and culture
Sarah MacNeil is about to put her heart in the hands of a beautiful woman who could be her salvation...or her ruin! Surfing high on the wave of lesbian chic, author/screenwriter Melissa Hartley is deliciously dangerous. She knows the right people, goes to all the right parties, says all the right things. When she meets the quiet, elegant Sarah MacNeil at a hotel bar, Melissa makes all the right moves to get Sarah to her bed, then makes all the right promises to convince the usually cautious young attorney to come live with her in San Francisco. Totally captivated for the first time in her life, Sarah surrenders herself completely. Blinded by the glow of Melissa's white-hot sensuality, is Sarah setting herself up for a total meltdown?
Determination meets dance in this prizewinning and New York Times bestselling memoir by the history-making ballerina Misty Copeland, vividly recounting the story of her journey to become the first African American female principal ballerina at the prestigious American Ballet Theatre. When she first placed her hands on the barre at an after-school community center, no one expected thirteen-year-old Misty Copeland to become one of America’s most groundbreaking dancers. A true prodigy, she was attempting in months roles that take most dancers years to master. But when Misty became caught between the control and comfort she found in the world of ballet and the harsh realities of her own life, she had to choose to embrace both her identity and her dreams, and find the courage to be one of a kind. With an insider’s passion, Misty opens a window into the life of an artist who lives life center stage, from behind the scenes at her first classes to her triumphant roles in some of the world’s most iconic ballets. A sensational memoir as “sensitive” and “clear-eyed” (The Washington Post) as her dancing, Life in Motion is a story of passion, identity, and grace for anyone who has dared to dream of a different life.
Includes the decisions of the Supreme Courts of Massachusetts, Ohio, Indiana, and Illinois, and Court of Appeals of New York; May/July 1891-Mar./Apr. 1936, Appellate Court of Indiana; Dec. 1926/Feb. 1927-Mar./Apr. 1936, Courts of Appeals of Ohio.
This book’s theological and philosophical construction of a God of enjoyment poetically remaps divine love. Posing a critique to the Aristotelian unmoved mover whose intellective enjoyment is self-enclosed, this book’s affective tones depict a passionate God who intermingles with the cosmos to suffer and yearn out of love— even improper love. Divine Enjoyment leads the reader to a path of excess, first in the form of an intellective appetite that for Aquinas places God beyond the divine self, then more erotically in the silhouette of a lover whose love is like the delectable pain of mystics. Culminating with banqueting, fiesta, and carnival, the book deterritorializes God’s affect, conceiving of an expansively hospitable enjoyment stemming from many life forms With a renewed welcome for pleasure, the book also upholds a disruptive ethic. Ultimately, an immoderate God of love whose passionate enjoyment stems from the sufferings as well as joys of the cosmos offers another paradigm of lovingly enjoying oneself in relationship with passionate becomings that belong to many others.
Their whole life together has been a series of miracles. Can they really hope for more? After overcoming a crisis in their marriage, Abby and John Reynolds are experiencing a season of joy and restoration. For the first time in years they're making time to enjoy life and embrace each other. And John loves his coaching job . . . at least he did until high-school politics make him wonder if it's time to quit. As they wrestle with that situation, something greater rocks their world. A car accident causes Abby and John to suddenly face a future they never imagined—all because of one teen's thoughtlessness. Fumbling for forgiveness and hoping for a miracle, they must remember what is important and cling to that above all else. God is moving mightily in their lives . . . if they can just hold on to Him and each other. The second novel in Karen Kingsbury's celebrated series about the resiliency of love, the power of commitment, and the amazing faithfulness of God. A powerful story of the resilience of love Part of the Timeless Love Series Book 1: A Time to Dance Book 2: A Time to Embrace Includes discussion questions for book clubs
Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.
Profiles the life and career of the professional ballerina, covering from when she began dance classes at age thirteen in an after-school community center through becoming the only African American soloist dancing with the American Ballet Theatre.
A time travelling Highlander on a dark quest for vengeance cannot resist protecting a modern-day woman in need in this paranormal romance. As a Master of Time, Aidan once used his abilities to protect the Innocent across the ages. But he has long since abandoned the Brotherhood and forsaken his vows. Feared by all and trusted by none, he hunts alone, seeking vengeance against the evil that destroyed his son. He has not saved an Innocent in sixty-six years—until he hears Brianna Rose’s scream of terror, and leaps to modern-day Manhattan to rescue her . . . Brie is a gifted empath who spends her time fighting evil from the safety of her laptop—and fantasizing about the medieval Highlander she met just once. Her quiet life is upended the night she awakens consumed with Aidan’s pain and rage. When Aidan suddenly appears and takes her hostage, Brie cannot believe how dark and dangerous he has become. She knows she should be afraid, but instead, she will fight across time for his redemption . . . and his love.