Download Free Embedded On The Home Front Book in PDF and EPUB Free Download. You can read online Embedded On The Home Front and write the review.

Home front. It’s hard to separate that word from war. In the First and Second World Wars, the home front was a clear entity and location: if you weren’t on the frontlines, you were on the home front. But during current times of peacekeeping, peacemaking and armed interventions, the notion of home front seems to comprise only those who are in some way directly affected by the military: family and friends of soldiers, returning soldiers or ex-soldiers—an invisible group camouflaged by everyday jobs and activities. Editors Barb Howard and Joan Dixon have compiled insightful essays and reflections from 14 writers, including Melanie Murray, Scott Waters, Ryan Flavelle and Chris Turner. All have found themselves, at one time or another, embedded on the home front. And even though each experience is unique and comes from a single perspective, common motifs surface: family, fate, death and memory. This anthology captures triumphs, incredible fortitude and humour, often in the face of grief, as well as the complicated logic, fears, anger and other everyday realities that are part of home-front life.
Learn how to design software interfaces for embedded systems applications that are intuitive for your users and cost-effective for you. Front Panel shows you how to leverage object methods -- even when you are using assembler or C. Take a look at these topics!: - Event handling patterns for graphical and non-graphical user interfaces - Using objects for graphical interfaces - The pros and cons of C & C++ in embedded systems - Using simulations and prototypes to test your design - Looking at the human side of the user interface interaction - Finite state machines & table driven software The enclosed disk contains C and C++ programming examples that show how to structure the data to be manipulated by the user, and how to queue and process user events. If you design and build embedded systems, Front Panel will make your applications more effective -- and more successful. ;
Now a Major Motion Picture Directed by American Sniper Writer Jason Hall and Starring Miles Teller No journalist has reckoned with the psychology of war as intimately as David Finkel. In The Good Soldiers, his bestselling account from the front lines of Baghdad, Finkel embedded with the men of the 2-16 Infantry Battalion as they carried out the infamous “surge”. Now, in Thank You for Your Service, Finkel tells the true story of those men as they return home from the front-lines of Baghdad and struggle to reintegrate--both into their family lives and into American society at large. Finkel is with these veterans in their most intimate, painful, and hopeful moments as they try to recover, and in doing so, he creates an indelible, essential portrait of what life after war is like--not just for these soldiers, but for their wives, widows, children, and friends, and for the professionals who are truly trying, and to a great degree failing, to undo the damage that has been done. Thank You for Your Service is an act of understanding, and it offers a more complete picture than we have ever had of two essential questions: When we ask young men and women to go to war, what are we asking of them? And when they return, what are we thanking them for? “Finkel sketches a panoramic view of postwar life....A book that every American should read.” —Jake Tapper, Los Angeles Times Finalist for the National Book Critics Circle Award, the Los Angeles Times Book Prize, and the New York Public Library Helen Bernstein Award for Excellence in Journalism. One of Ten Favorite Books of 2013 by Michiko Kakutani (The New York Times), a Washington Post Top Ten Book of the Year, and a New York Times Book Review Notable Book of the Year
Formed in 1951, the Federal Civil Defense Administration said that "the importance of women in civil defense can scarcely be overstated." Comprising 70 percent or more of civil defense workers at the height of the Cold War, American women served as FCDA wardens, auxiliary police, nurses, home preparedness advisors, coordinators of mass feeding drills, rescue and emergency management personnel, and in various local, state, regional and national organizations. The author examines the diverse roles they filled to promote homeland protection and preparedness at a time when atomic war was an imminent threat.
What does it mean to live during wartime away from the battle zone? What is it like for citizens to go about daily routines while their country sends soldiers to kill and be killed across the globe? Timely and thought-provoking, War at a Distance considers how those left on the home front register wars and wartime in their everyday lives, particularly when military conflict remains removed from immediate perception, available only through media forms. Looking back over two centuries, Mary Favret locates the origins of modern wartime in the Napoleonic era and describes how global military operations affected the British populace, as the nation's army and navy waged battles far from home for decades. She reveals that the literature and art produced in Britain during the late eighteenth and early nineteenth centuries obsessively cultivated means for feeling as much as understanding such wars, and established forms still relevant today. Favret examines wartime literature and art as varied as meditations on the Iliad, the history of meteorology, landscape painting in India, and popular poetry in newspapers and periodicals; she locates the embedded sense of war and dislocation in works ranging from Austen, Coleridge, and Wordsworth to Woolf, Stevens, and Sebald; and she contemplates how literature provides the public with methods for responding to violent calamities happening elsewhere. Bringing to light Romanticism's legacy in reflections on modern warfare, this book shows that war's absent presence affects home in deep and irrevocable ways.
Brings together 1,000 focused biographies of Americans who affected how the United States made, supported, perceived, and protested its major wars from the Revolution to Gulf War II. Inventors and scientists, nurses and physicians, reformers and clerics, civil rights and labor leaders, financiers and economist, artists and musicians have all been soldiers on the home front. Home Front Heroes brings together brief and focused biographies of 1,000 Americans who affected how the United States made, supported, perceived and protested its major war efforts from the Revolution to Gulf War II. Battlefield victories and defeats are in a very real sense the reflection of the society waging war. Inventors and scientists, social reformers and clerics, civil rights and labor leaders, nurses and physicians, actors and directors, financiers and industrialists, economists and psychologists, artists and musicians, writers and journalists, have all been soldiers on the home front. The biographical entries highlighting the subjects' wartime contributions are arranged alphabetically. Many of the entries also include suggestions for further reading. Thematic indexes make it easy to look up people alphabetically by last name and by war, and other indices list entries under broad categories - Arts and Culture; Business, Industry, and Labor; Nursing and Medicine; Science, Engineering and Inventions - with more detailed occupational background. Entries include: Julia Ward Howe, composer of The Battle Hymn of the Republic; Robert Fulton, inventor of the steam engine and architect of the submarine Nautilus; Martin Brander, maker of Eliot's Saddle Ring Carbine; Robert Parker Parrott, inventor of the Parrott cannon; Novelist and War Correspondent Stephen Crane; Founder of the Army Nurse Corps Dr. Anita Newcomb McGee; Composer John Philip Sousa (Stars and Stripes Forever); Louis M. Terman, who invented the IQ test; Reginald Fessenden, developer of a sonic depth finder; machine-gun inventor Benjamin Hotchkiss; Labor leader John L. Lewis; Comedian and USO stalwart Bob Hope; Dr. Ancel Keys developer of the K-ration; napalm inventor Louis F. Fieser; and many more. The work is fully indexed, and contains an extensive bibliography.
In the Second World War everyone was on the front line. No one was too young to fight and you didn't even have to leave home. That's why it was called the Home Front. The war came to you. Young people found their homes bombed and their countries occupied by foreign armies. Home Front tells how the war turned them into evacuees, resistance fighters, fugitives and heroes.
In recent years, the US-led invasions of Afghanistan and Iraq have had an impact on the UK rivalled only by Brexit and the global financial crisis. For people at home, the wars were ever-present in the media yet remained distant and difficult to apprehend. Janina Wierzoch offers an analytical survey of British contemporary war narratives in novels, drama, film, and television that seek to make sense of the experience. The study shows how the narratives, instead of reflecting on the UK`s role as invader, portray war as invading the British home. Home loses its post-Cold War sense of »permanent peace« and is recast as a home/front where war once again becomes part of what it means to be »us«.
Captures the transformation of America during WWII, highlighting daily life, wartime economy, and the profound patriotism that united the nation. Don’t you know there’s a war on?! Use it up… Wear it out… Make it do… Or do without! Loose Lips Sink Ships! Any Bonds Today? Remember Pearl Harbor! Those were the slogans Americans called out to each other on the home front during WWII. They forged their days surrounded by fellow patriots sharing in the greatest endeavor of their lives: winning the war. The American Home Front in WWII presents the striking story of those times starting with little-known events well before Pearl Harbor – the clashes between isolationists and those favoring intervention and America’s first peacetime draft. The shock of Pearl Harbor transformed America from a peacetime country to a full wartime economy. Factories produced an airplane every sixty-one minutes. Women and Blacks entered the workforce as never before bringing about earthshaking changes. Americans describe in their own words the rigors of everyday life: rationing, air raid drills, rigging up black curtains and scrap drives. But Americans found ways to enjoy themselves- movie attendance swelled with films such as Casablanca while Broadway brought audiences Oklahoma. The music of Glen Miller and the voice of a skinny newcomer named Frank Sinatra had Americans swinging and swooning. The American Home Front in WWII brings this story to life to capture the extraordinary level of patriotism and teamwork on the home front. It truly was a time when there were no strangers.
This volume explores the role of gender on both the home and fighting fronts in eastern Europe during World Wars I and II. By using gender as a category of analysis, the authors seek to arrive at a more nuanced understanding of the subjective nature of wartime experience and its representations. While historians have long equated the fighting front with the masculine and the home front with the feminine, the contributors challenge these dichotomies, demonstrating that they are based on culturally embedded assumptions about heroism and sacrifice. Major themes include the ways in which wartime experiences challenge traditional gender roles; postwar restoration of gender order; collaboration and resistance; the body; and memory and commemoration.