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Dr. Peter Chesterfield is one of the Royal London Hospital's top neurosurgeons. He is also a workaholic, ordered by his boss to take a week off to attend a medical symposium at the luxurious Elysium Grand on the island of Maui. While there, Peter pulls a woman with a skull fracture from the water. Though he is able to revive her in the ambulance, she eventually dies in his arms, leaving him with only one clue to what happened to her: the word "honu." Increasingly obsessed with discovering the cause of his patient's death, Peter becomes entangled in an ongoing investigation of a brazen luxury auto theft. He also becomes a source of deep irritation to detective Lisa Kealoha, who has jurisdiction over the case. But when the two join forces, they begin to uncover a destructive plot that runs far deeper than either of them could have imagined. And if they're not careful, they're both going to end up dead. Award-winning author James R. Hannibal whisks you away to the deadly beauty of Hawaii for a story of greed, violence, and justice that will leave you breathless.
The earth has established twin bases on Mars. Two competing nations have founded their remote, interplanetary outposts on the red planet, separated by over two thousand kilometers of alien and hostile desert. Without warning, communications with the earth are suddenly and inexplicably lost. All systematized transmissions from earth have ceased. It is as though the earth has disappeared. Without warning or explanation, the colonists are alone in the universe. Survival on Mars is a synthesis of skill, intellect, courage as well as the most advanced technology ever developed. But in no one's blackest nightmare has anyone ever planned on permanently severing all links with the home planet. The thin barrier between life and death has just been sliced in two - and now the relatively small band of humans are no longer explorers, but now they are interplanetary castaways, waiting for a rescue that may never come. Now there are too many people and there is far too little to go around. It soon becomes apparent, they would have to fight one another to live - war on another planet becomes the only way out. Dennis Chamberland's Abyss of Elysium - Mars Wars - is filled with the full sweep of the most dramatic, high-tech, nail biting audacious adventure in the genre. Chamberland's style is characterized by a sustained extreme energy, high stakes and maximum passion, a fusion of the human drama and the technology that links the humans with an alien planet.
Police Chief Autumn Long is fighting to keep her job in the quiet Alaska town of Shadow Gap when an unexpected string of criminal activity leaves her with a wounded officer, unexplained murders, and even an attack on her own father. Despite her mistrust of outsiders, she turns to Grier Brenner, a newcomer who seems to have the skills and training Autumn needs to face this threat to her community. Grier is in Alaska for the same reason so many others are--to disappear--when Chief Long enlists his help. He emerges from the shadows and proves his mettle, but his presence in her life could be a deadly trap for them both. If his secret is exposed, all will be lost. And he's not sure even Autumn could save him. As the stakes rise and the dangers increase, Autumn and Grier must rely on each other to extinguish the deadly threats.
Montana Detective Trevor West is desperate to learn what happened to his sister, who went missing in Alaska over a year ago, leaving nothing but a few photographs as clues to her whereabouts. At the advice of Police Chief Autumn Long, Trevor enlists the help of an experienced bush pilot. If Carrie James can't help him find the places in the photographs, no one can. But Carrie has her own agenda. Grieving the death of her closest friend and the only person she could trust, Carrie will help Trevor find his sister on one condition--that he help her track down her friend's killer. As the two close in on the answers they crave, they'll face dangers and connections they could not have imagined. They'll have to learn to trust one another--and face the dark secrets of the past--if they are ever to discover the truth and bring a killer to justice.
Contains Douglas Jerrold's novel St. Giles and St. James (selected issues, no. 1-29), illustrated by Leech.
Contains Douglas Jerrold's novel St. Giles and St. James (selected issues, no. 1-29), illustrated by Leech.
From the author of The Price of Valor, The Shadow Throne, and The Thousand Names comes a new novella set in the world of the Shadow Campaigns—"a world of dust and bayonets and muskets...and magic."* The wagons travel north across the mountains, carrying cargo of great value: Hamveltai glass and porcelain; Deslandai jewelry in heavy iron strongboxes; fine cloth from the cities of the Old Coast. And Abraham. Bound and tied, guarded day and night, Abraham has been stolen from his village, from the arms of the man he loved. He is being sent to the fortress-city of Elysium to serve a dark and ancient order, the Priests of the Black. They have discovered the secret he kept all his life: that inside him dwells a demon which allows him to heal…and to kill. But Abraham is not alone. A young woman named Alex, similarly possessed, rides with him. And as a bond grows between them, they begin to wonder if they can turn the demons that have damned them into their salvation. INCLUDES AN EXCLUSIVE PREVIEW OF THE PRICE OF VALOR
"The First Folio of 1623 is the definitive edition of Shakespeare's plays. It is more often than not the closest we can now get to what Shakespeare actually wrote. But the Folio's antiquated typography and cramped layout make it remote and inaccessible to modern eyes. The Shakespeare Folios on the other hand offer easy access directly to the First Folio by presenting the text in modern type but otherwise unchanged. All the First Folio's idiosyncrasies of layout and spelling, even its obvious errors, have been scrupulously left intact, but the text suddenly becomes as easily legible as the script of any modern play." "As an additional aid to understanding, readers will find, printed opposite each page of the Folio, the very same passage in a modern edition. So, whenever the Folio presents a problem, the reader can refer to this parallel text for a solution, either in the text itself or in the set of notes at the end of the book. These notes draw on the long tradition of Shakespearean scholarship and include full reference to surviving Quarto texts."--BOOK JACKET.