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"This cleverly conceived book relates Denis Diderot and Andre Gide to each other as well as to their separate centuries ... Using a binocular approach similar to the double-spotlight technique of the theater, Professor Laidlaw juxtaposes the lives, works, and philosophies of the two French writers. Constant questioning, agnosticism to the deathbed, and voluminous literary output characterize both. Their catholic interests -- in science, in poetry and drama, in Russian ways as well as French behavior -- are similar. [Laidlaw] discusses their common concern with the dilemma of morality and sincerity, their fascination with literal or figurative blindness, their attitudes toward death, their strong sense of paradox, and the delight and inspiration they both drew from foolishness"--
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Sheridan presents a literary biography of one of the most important writers of the 20th century--an intimate portrait of the reluctantly public man, whose work was deeply and inextricably entangled with his life. 35 halftones.
Modernism and Morality discusses the relationship between artistic and moral ideas in European and American literary modernism. Rather than reading modernism as a complete rejection of social morality, this study shows how early twentieth-century writers like Conrad, Faulkner, Gide, Kafka, Mann and Stein actually devised new aesthetic techniques to address ethical problems. By focusing on a range of decadent, naturalist, avant-garde and expatriate writers between 1890 and the late 1930s this book reassesses the moral trajectory of transatlantic fiction.
This collection of fifteen essays looks at the theme of decadence and its recurring manifestations in European literature and literary criticism from medieval times to the present day. Various definitions of the term are explored, including the notion of decadence as physical decay. Some of the essays draw parallels between modernist and postmodernist notions of decadence. Similarities are detected between fin de siècle decadence at the end of the nineteenth century (which reaches its apotheosis in the character of Eugene Wrayburn in Our Mutual Friend) and depictions of decadence in our own age as we enter the new millennium.
Vol. for 1934- include Addresses and occupations of Rhodes scholars and other Oxonians (called 1934-36, Addresses and occupations of Rhodes scholars).
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)
How to use philosophy and music to open your horizons and enjoy being yourself, put theory to work, and help you experience personal growth is discussed in A Marriage of Philosophy and Music. It is all about "after." After having a liberal education, you are comfortable in modern culture, and after further education and becoming a specialist in some field, you enjoy using your skills. We learn the ideas and methods of many social cultures and our own chosen specialty, but we often neglect the liberal art of disciplining and enjoying the ideas and methods of our own individuality. This book offers a path toward the education of privacy, with the key words being selection, design, and beauty. The book relates five areas of general human interest: spirituality, philosophy, science, art, and body awareness. The interrelation is accomplished by using personal patterns of experience that are available from philosophy and music. Because of the plurality of subject matters and methods used in philosophy and music, their patterns of discipline are comparable to self-discipline. A Marriage of Philosophy and Music attempts to create a path in this direction, because besides the enjoyment of social culture and personal skills, there is enjoyment in being yourself, which is a neglected liberal art.