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Still the youngest director to ever win an Academy Award (Skippy, 1931); Norman Taurog's career embraces the history of Hollywood, from silent comedies to the Elvis Presley era. During Taurog's fifty-two years in the film business he directed seventy-eight feature films starring everyone from Maurice Chevalier and Carole Lombard, to W.C. Fields and Bing Crosby, to Mickey Rooney and Spencer Tracy (who won an Oscar for his performance as Father Flanagan in Taurog's Boys Town), to Judy Garland, Mario Lanza, Cary Grant, Dean Martin and Jerry Lewis, and of course his nine films with Elvis Presley. Elvis' Favorite Director is an in-depth study of Hollywood movie-making, seen through the eyes of a talented craftsman and told by a writer who worked closely with Taurog during the last six years and eight films of his career. Michael A. Hoey is a multi-award winning film and television editor, writer, director and producer. He is the son of Dennis Hoey, who played Inspector Lestrade in Universal's Sherlock Holmes series. Hoey began in Hollywood working as a film editor. He later wrote, directed or produced a number of feature films, including the teen comedy Palm Springs Weekend, the cult sci-fi flick The Navy vs. the Night Monsters and two movies starring Elvis Presley, Stay Away, Joe and Live A Little, Love A Little. He was also a contributing writer on four more films starring Elvis. He then transitioned into television where he wrote and directed a number of shows, including a multi-year run on Fame for which he received several awards. He lives in San Clemente, California.
(FAQ). If Elvis Presley had not wanted to be a movie star, he would never have single-handedly revolutionized popular culture. Yet this aspect of his phenomenal career has been much maligned and misunderstood partly because the King himself once referred to his 33 movies as a rut he had got stuck in just off Hollywood Boulevard. Elvis Films FAQ explores his best and worst moments as an actor, analyzes the bizarre autobiographical detail that runs through so many of his films, and reflects on what it must be like to be idolized by millions around the world yet have to make a living singing about dogs, chambers of commerce, and fatally naive shrimps. Elvis's Hollywood years are full of mystery, and Elvis Films FAQ covers them all! Which of his own movies did he actually like? What films did he wish he could have made? Why didn't he have an acting coach? When will Quentin Tarantino stop alluding to him in his movies? And was Clambake really the catalyst for his marriage to Priscilla? Elvis Films FAQ explains everything you want to know about the whys and wherefores of the singer-actor's bizarre celluloid odyssey; or, as Elvis said, "I saw the movie and I was the hero of the movie."
Elvis Presley’s stature as the “King of Rock and Roll” will never be challenged. Between his first RCA hit single in 1956—the number-one smash “Heartbreak Hotel”—and his death in 1977, Elvis amassed more than 100 hits on the music charts. Presley’s dominance on the music chart was paralleled only by the singer’s motion picture career. Between 1956 and 1969, Elvis appeared in more than thirty films, further cementing his place as one of the most popular entertainers of the twentieth century. While there have been countless books that explore the real Elvis tucked beneath layers of showbiz mythology, such volumes often dismiss his motion picture career as insignificant or overlook his onscreen work entirely. In The Elvis Movies, James L. Neibaur looks at the thirty-one features that Presley made, from Love Me Tender in 1956 to Change of Habit in 1969. Most of these were star vehicles tailor-made for his image. As Neibaur points out, Elvis had a real interest in being a good actor, but his initial promise was soon thwarted by anti-creative decisions that sold a packaged version of the singer. Despite lapsing into a predictable formula of lightweight musicals, Elvis Presley’s star power ensured that the films became box office successes. Neibaur examines each film, providing information about their production and offering assessments about their value in general, as well as their place in the Presley canon. Additional details include behind-the-scenes personnel, costars, DVD availability, and featured hit songs. An entertaining and informative look at an often underrated aspect of the singer’s career, The Elvis Movies offers readers insight into his films. This volume will be a welcome resource to fans of the singer who want to know more about the King and his successful ventures on the big screen.
A chronicle of the comeback performance that marked Elvis Presley’s return from the screen to the stage. Includes exclusive content from the show’s director, Steve Binder. The book contains a foreword by noted film director Baz Luhrmann, whose film credits include Strictly Ballroom, William Shakespeare's Romeo + Juliet, Moulin Rouge!, The Great Gatsby, and the 2022 Warner Brothers feature film, Elvis. Take a tour behind the scenes at the NBC television special that relaunched Elvis Presley’s career as a stage musician. Author Steve Binder—who directed the TV special—provides exclusive content that gives fans even more insight into the performance that many see as a high point in the King of Rock’s reign of American music. Elvis ’68 Comeback includes full-color photographs and detailed commentary on the show’s development and production, making this an excellent addition to the shelf of every Elvis fan. Foreword by film director Baz Luhrmann.
As a teenager, Danny Fisher had all he ever wanted -- a dog, a grown-up summer job, flirtatious relationships with older women -- and a talent for ruthless boxing that quickly made him a star in the amateur sporting world. But when Danny's family falls on hard times, moving from their comfortable home in Brooklyn to Manhattan's squalid Lower East Side, he is forced to leave his carefree childhood behind. Facing poverty and daily encounters with his violent, anti-Semitic neighbors, Danny must fight both inside and outside the ring just to survive. As his boxing becomes legendary in the city's seedy underworld, packed with wiseguys and loose women, everyone seems to want a hand in Danny's success. Robbins's colorful, fast-talking characters evoke the rough streets of Depression-era New York City. Ronnie, a prostitute ashamed of how far she's fallen and desperately in need of friendship; Sam, a slick bookie who wants to profit from Danny's boxing talent; and Nellie, a beautiful but lonely girl who refuses to believe Danny is beyond redemption -- each of whom has a different vision of Danny's future -- will help steer his rocky course. Gritty, compelling, and groundbreaking for its time, A Stone for Danny Fisher is a tale of ambition, hope, and violence set in a distinct and dangerous period of American history. A classic, sexy bestseller by Harold Robbins, reintroduced to a whole new generation of readers.
(Book). On January 1, 1967, a contract between "Colonel" Tom Parker and his sole client, Elvis Presley, gave Parker a 50 percent cut of profits that Presley generated. It was a shameless grab for a bigger piece of a pie that had actually been shrinking for some time. Though Parker's plan to reestablish Presley as a star after he left the army proved successful at first (with the triumph of films like G.I. Blues and Blue Hawaii ), by 1967 Presley's singles struggled to break the top 20, and he hadn't hit number one for six years. Amazingly, by the end of 1968 he was artistically revitalized, reemerging in a TV comeback special and slimmed down for the now-iconic black leather suit. It was the pivotal moment of the second great period of Presley's career, which lasted through to the end of 1970, during which he recorded some of his most enduring records, including "Suspicious Minds" and "In the Ghetto." Return of the King document's Presley reclamation of his crown, making an extraordinary transition from fading balladeer to engaged, vital artist.
One of the most admired Southern historians of our time paints an intimate portrait of Elvis Presley, set against the rich backdrop of Southern society, that illuminates the zenith of his career, showing how Elvis himself changed—and didn't—and providing a deeper understanding of the man and his times.
Hailed as "a masterwork" by the Wall Street Journal, Careless Loveis the full, true, and mesmerizing story of Elvis Presley's last two decades, in the long-awaited second volume of Peter Guralnick's masterful two-part biography. Winner of the Ralph J. Gleason Music Book Award Last Train to Memphis, the first part of Guralnick's two-volume life of Elvis Presley, was acclaimed by the New York Times as "a triumph of biographical art." This concluding volume recounts the second half of Elvis' life in rich and previously unimagined detail, and confirms Guralnick's status as one of the great biographers of our time. Beginning with Presley's army service in Germany in 1958 and ending with his death in Memphis in 1977, Careless Love chronicles the unravelling of the dream that once shone so brightly, homing in on the complex playing-out of Elvis' relationship with his Machiavellian manager, Colonel Tom Parker. It's a breathtaking revelatory drama that for the first time places the events of a too-often mistold tale in a fresh, believable, and understandable context. Elvis' changes during these years form a tragic mystery that Careless Love unlocks for the first time. This is the quintessential American story, encompassing elements of race, class, wealth, sex, music, religion, and personal transformation. Written with grace, sensitivity, and passion, Careless Love is a unique contribution to our understanding of American popular culture and the nature of success, giving us true insight at last into one of the most misunderstood public figures of our times.
Almost the only indisputable fact about Colonel Tom Parker is that he was the manager of the greatest performer in popular music: Elvis Presley. His real name wasn’t Tom Parker †“ indeed, he wasn’t an American at all, but a Dutch immigrant called Andreas van Kujik. And he certainly wasn’t a proper military colonel: he purchased his title from a man in Louisiana. But while the Colonel has long been acknowledged as something of a charlatan, this book is the first to reveal the extraordinary extent of the secrets he concealed, and the consequences for the career, and ultimately the life, of the star he managed. As Alanna Nash’ prodigious research has discovered, the Colonel left Holland most probably because, at the age of twenty, he bludgeoned a woman to death. Entering the US illegally, he then enlisted in the army as ‘Tom Parker’. But, with supreme irony for someone later styling himself as Colonel, Parker’s military career ended in desertion, and discharge after a psychiatrist had certified him as a psychopath. He then became a fairground barker, working sideshows with a zeal for small-scale huckstering and the casual scam that never left him. And by the height of Elvis’s success, Parker had become a pathological gambler who, at the same time as he was taking, amazingly, a full 50% of Presley’s earnings, frittered away all his wealth in the casinos of Las Vegas. As Nash shows, therefore, the often baffling trajectory of Elvis Presley’s career makes perfect sense once the secret imperatives of the Colonel’s life are known. Parker never booked Presley for a tour of Europe because of the dark secret that ensured he himself could never return there. Even at his most famous, Elvis was still being booked to play out-of-the-way towns in North Carolina †“ because the former fairground barker (who shamelessly negotiated as such even with top record company and film executives) knew them from his days on the circus circuit. And Elvis was trapped playing years of arduous seasons in Las Vegas †“ two shows nightly, seven days a week, until boredom and despair brought on the excessive drug use that killed him †“ because for Parker he was “an open chit†? whose huge earnings prevented his manager’s losses at the gambling tables being called in. Alanna Nash knew Parker towards the end of his life, and has now uncovered the whole story, improbable, shocking, and never less than compelling, of how this larger-than-life man made, and then unmade, popular music’s first and greatest superstar.
(Easy Guitar). 100 songs from The King's career, all arranged for easy guitar without tab. Includes: All Shook Up * An American Trilogy * Are You Lonesome Tonight? * Blue Hawaii * Blue Suede Shoes * Burning Love * Can't Help Falling in Love * Don't Be Cruel (To a Heart That's True) * G.I. Blues * Good Luck Charm * Heartbreak Hotel * Hound Dog * It's Now or Never * Jailhouse Rock * Love Me Tender * Memories * Return to Sender * (Let Me Be Your) Teddy Bear * Treat Me Nice * Viva Las Vegas * and more.