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The emergence of Thatcherism around 1980, which ushered in a period of neo-liberalism in British politics that still resonates today, led musicians, like other artists, to respond to their context of production. This book uses the early work of one of these musicians, Elvis Costello, to explore the relationship between popular music and politics in one historical period. It is not a biography but an exploration of the interaction between a creative musician's works and their context of constraint and opportunity. Pilgrim and Ormrod unpack the political meaning of Thatcherism and deal with matters arising in that political context about Costello's life but which had resonance for many others at the time (and still do). These topics include the politics of race, class, gender and ageing, emphasising the recurring theme of nostalgia in modern and post-modern life. Throughout the book examples are provided of Costello's songs and how they work musically to illustrate or stimulate the contextual discussion. The book will be of significant interest to musicologists, sociologists and social psychologists.
This book provides in-depth analysis of the words, music, and recordings of Elvis Costello, one of the most enigmatic, eclectic, and critically acclaimed singer-songwriters of the rock era. Elvis Costello is one of the greatest pop songwriters of his generation as well as one of the most significant songwriters of the 20th century. His career's length now approaching four decades, Costello continues to be vital part of pop culture through live performances, recordings, and the iconic nature of his work. The Words and Music of Elvis Costello provides in-depth analysis of this important artist's words, music, and recordings. Arranged chronologically, the book places Costello in the cultural context of his time and place; addresses the overlaps between rock, classical, torch song, and jazz in Costello's highly eclectic range of songs from 1975 to the present; provides a look at the uniquely British aspects of his work; and uniquely spotlights his compositional techniques and approaches to musical form. The book covers everything from Costello's first album My Aim Is True as well as his other albums in the 1970s to his body of work in the '80s and '90s to his continuing eclecticism in the 21st century as he successfully integrates what would appear to be mutually exclusive genres. The concluding chapter provides analysis of the critical commentary about Elvis Costello's work as a performer and songwriter over his long career.
This book situates the controversial Thatcher era in the political, social, cultural and economic history of modern Britain.
Louisa Hadley examines the range of responses to Margaret Thatcher's death in relation to the cultural discourses surrounding Thatcher in the 1980s and since her resignation. The responses examined include the anticipation of Thatcher's death in anti-Thatcher songs, social media responses, obituaries, picture tributes and the ceremonial funeral.
A personal introspective by the influential pop songwriter and performer traces his Liverpool upbringing, artistic influences, creative pursuit of original punk sounds, and emergence in the MTV world.
Thatcher provides an accessible and scholarly introduction to the personality and career of Britain’s first female political leader and the twentieth century’s longest serving Prime Minister. Providing a balanced narrative and assessment of one of the most significant figures of the post-war era, this new biography examines the reasons why Margaret Thatcher has been admired by many as an architect of national revival, yet loathed by others as the author of widening social and geographical division. The book begins by examining the making of Margaret Thatcher, her education, the beginning of her political career and her rise through the Conservative Party to her appointment as unexpected leader. Moving on to her tenure as Prime Minister, Graham Goodlad then examines her impact at home and abroad, covering her controversial economic policies and hard line with the trade unions, leadership through the Falklands conflict and during the last decade of the Cold War, and influence on Britain’s relationship with a more closely integrated Europe. Finally, the biography closes with a review of Thatcher’s legacy before and after her death in April 2013, and considers how far she shaped the politics and society of the 1980s and those of our own time. Thatcher is essential reading for all students of twentieth-century history and politics.
Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and the surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Fantastic Four and the X-Men, and topics covered include American wars, conflicts, and public policy. Instructors considering this book for use in a course may request an examination copy here.
Here to stay, and recognized by Burt Bacharach as "a great survivor," Elvis Costello has produced a large and significant body of work. This is the first book on Costello that avoids chronological presentation in favor of a thematic approach focused on music and words over the nearly 30 years that separate "Radio Sweetheart" and "Country Darkness." In addition to engaging with the songs Costello has performed as a rock musician, the book features informed discussions of more recent albums, such as Painted from Memory, North, and Il Sogno. Also considered are the essays Costello has written to support CD reissues of his recordings, a substantial body of writing that approaches a critical autobiography. The book demonstrates that on all fronts—music, words, voice, instrumental resources—Costello's work broadens and deepens, as he sets himself the task of expanding the range of expressive material available.
This book provides an original, impassioned exploration of memory studies and the uses of the past in the present. It capitalises on London’s global appeal and Big Ben’s iconic status. Moving beyond this familiar facade the reader will journey around the hidden histories of Westminster’s streets, squares and statues. This tangible heritage supports a diversity of contested memories. The rationale for this approach is that, by linking theory with empirical examples, it becomes possible to tackle complex issues in a grounded, accessible manner. Readers will be encouraged to use this case study as a framework for addressing the politics of memory in their own lives as well as in other places, not just in Britain but around the world. This book will be of interest to scholars and students from a wide variety of disciplines including, but not limited to, sociology, culture and media studies, English literature, film and television studies, global studies, heritage studies, history, politics and human geography.
This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.