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Elvira's temporal adventures land her in hot water - so hot -- one more time, and it may be the last. Her new nemesis sends her to the worst place in the universe, and we're not talking about Encino! See it all go to Hell in the fifth exciting chapter of ELVIRA: TIMESCREAM, brought to you in Elvirascope (no special glasses required) by artist Dave Acosta (TWELVE DEVILS DANCING) and written in Elviravision by David Avallone (BETTIE PAGE), the team who brought you DOC SAVAGE: RING OF FIRE and TWILIGHT ZONE: THE SHADOW.
Filming begins on Elvira’s gill monster romance, and she has some questions about her scaly paramour. Why doesn’t he ever speak? Why is he never out of makeup? The Mistress of the Dark discovers that “Love Means Never Having to Say You’re Soggy”, in the second ridiculous issue of this special four-part miniseries.
First multi-year cumulation covers six years: 1965-70.
Nevermore! The Mistress of the Dark time-travels to 1838 Philadelphia for a black-cat-and-mouse game between America's greatest poet of horror and the scariest tyrant of medieval Europe. Elvira and Edgar Allen Poe face down a raven-ous foe, in the second chapter of ELVIRA: TIMESCREAM. From David Avallone (Bettie Page) and Dave Acosta (Twelve Devils Dancing), the amazing team who brought you DOC SAVAGE: RING OF FIRE and TWILIGHT ZONE: THE SHADOW.
The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online
Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Individual essays demonstrate the significant contrasts between the theatre of different decades and the context of performance, paying special attention to the literary innovation and socio-political changes that contributed to the evolution of drama. Exploring the developments in both tragedy and comedy, and in literary production, specific topics include the playwright's relationship to the monarch, women writers' connection to the audience, the changing market for plays, and the rise of the bourgeoisie. This collection also examines aspects of gender and class through the exploration of women's impact on performance and production, masculinity and libertinism, master/servant relationships, and dramatic representations of the coffee house. Accompanied by a list of Spanish-English plays and a chronology of monarch's reigns and significant changes in theatre history, From Leviathan to Licensing Act is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.