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Contains information on various Pennsylvania military orphan schools including description, activities and finances with some registers of students.
A sinister novel based on the real Bloody Benders, a family of serial killers in the old West bound by butchery and obscured by the shadows of American history. The winds shift nervously on the Kansas plain whispering of travelers lost and buried, whispering of witches. Something dark and twisted has taken root at the Bender Inn. At first the townspeople of Cherryvale welcome the rising medium Kate Bender and her family. Kate's messages from the Beyond give their tedious dreams hope and her mother's potions cure their little ills—for a price. No one knows about their other business, the shortcut to a better life. And why shouldn’t their family prosper? They’re careful. It’s only from those who are marked, those who travel alone and can easily disappear, that the Benders demand their pound of flesh. But even a gifted seer like Kate can make a misstep. Now as the secrets festering beneath the soil of the family orchard threaten to bring them all to ruin, the Benders must sharpen their craft—or vanish themselves.
Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and ’60s, it was common for announcers to declare that a program had been “brought to you by” a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple,provided a brief encapsulation of the show’s subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children’s show. In addition to quoting the opening material, entries provide information about each show’s network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie’s Angels are also included. For programs that featured new guest stars every episode—such as game shows and variety programs—Terrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.