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Elves and elf-belief during the Anglo-Saxon period are reassessed in this lively and provocative study. Anglo-Saxon elves [Old English ælfe] are one of the best attested non-Christian beliefs in early medieval Europe, but current interpretations of the evidence derive directly from outdated nineteenth- and early twentieth-century scholarship. Integrating linguistic and textual approaches into an anthropologically-inspired framework, this book reassesses the full range of evidence. It traces continuities and changes in medieval non-Christian beliefs with a new degree of reliability, from pre-conversion times to the eleventh century and beyond, and uses comparative material from medieval Ireland and Scandinavia to argue for a dynamic relationship between beliefs and society. Inparticular, it interprets the cultural significance of elves as a cause of illness in medical texts, and provides new insights into the much-discussed Scandinavian magic of seidr. Elf-beliefs, moreover, were connected withAnglo-Saxon constructions of sex and gender; their changing nature provides a rare insight into a fascinating area of early medieval European culture. Shortlisted for the Katharine Briggs Folklore Award 2007 ALARIC HALL is a fellow of the Helsinki Collegium for Advanced Studies.
In tenth- and eleventh-century England, Anglo-Saxon Christians retained an old folk belief in elves as extremely dangerous creatures capable of harming unwary humans. To ward off the afflictions caused by these invisible beings, Christian priests modified traditional elf charms by adding liturgical chants to herbal remedies. In Popular Religion in Late Saxon England, Karen Jolly traces this cultural intermingling of Christian liturgy and indigenous Germanic customs and argues that elf charms and similar practices represent the successful Christianization of native folklore. Jolly describes a dual process of conversion in which Anglo-Saxon culture became Christianized but at the same time left its own distinct imprint on Christianity. Illuminating the creative aspects of this dynamic relationship, she identifies liturgical folk medicine as a middle ground between popular and elite, pagan and Christian, magic and miracle. Her analysis, drawing on the model of popular religion to redefine folklore and magic, reveals the richness and diversity of late Saxon Christianity.
An exciting historical fantasy featuring a young man whose shadowed destiny leads him to the past...where he could change our world forever. On Halloween eve, a frightening encounter with mysterious creatures transports twenty-year old Thomas McCadden to an unknown and ancient world—7thcentury Britain. How did he get there? What does he do now? The answers to these questions change his life forever, revealing secrets that have long been hidden, and a truth that he would rather not know. As he tries to survive this long-ago time, Thomas encounters the unknown and the otherworldly; an exiled warrior, holy men, tribal kings, and something far more sinister shadowing them all. Is he a tool for the dark forces of this land? Or the liberator sent to save them all? His strange journey forces these and even more important questions: Can he make it back home? Does he even want to return? Wildingis the first book of The Traveller’s Path, a meticulously researched historical fantasy series set in Northumbria, AD 642. It introduces a long-ago world, and a young man whose choices could have disastrous ramifications for it—and ours. “L.A. Smith cleverly weaves history and fantasy together into an intriguing tale of Dark Ages religion and magic.”- Matthew Harffy, author of A Time for Swords. “Wildingis, for the reader, as immersive and intriguing a journey into 7th-century Britain as it is for the time-travelling hero of the story.” – Edoardo Albert, author of Warrior: A Life of War in Anglo-Saxon Britain.
"With the arrival of Christianity in England there was a convergence of the new religion with the old. Many of the heathen customs, superstitions, and festivals were adopted to the needs of the Church, which sought, where it could, to preserve continuity with the past. Communities came together to celebrate seasonal festivals in much the same way as before but the meaning of the events and customs was given a Christian gloss. So, while many heathen practices were outlawed, others were absorbed into Christian tradition and preserved. Thus Yuletide, Easter and harvest festivals are still with us." --book jacket.
Winner of the Best First Monograph from the International Society for the Study of Early Medieval England (ISSEME) 2021. An examination of the Old English medical collections, arguing that these texts are products of a learned intellectual culture.
Tolkien's enduring vision of Middle Earth was largely inspired by the worldview of ancient Saxon Pagans. In this pagan guidebook, Alaric Albertsson presents a complete introduction to Anglo-Saxon cosmology, deities, spirits, and rituals. Travels Through Middle Earth offers practical information about the Saxon Pagan path, including many ways to incorporate Saxon rituals into contemporary spiritual life. Discover the húsel, a basic ritual for honoring personal ancestors, the Gods, and dwarves and elves. Learn how to set up a wéofod, the Saxon altar, to connect with the Gods. Also covered in this handbook: the concept of wyrd and how it shapes your destiny, the holy tides and how to celebrate them, rites of passage, worship, magic, and even instructions for making mead.
Anglo-Saxon England was a society governed by the competing discourses of illness, spirituality, power, and community. The concepts of demon possession and exorcism, introduced by Christian missionaries, provided a potential outlet for expressing the psychological, biological, and sociopolitical dysfunctions of a society that was at the center of multiple conflicting cultural dimensions.Demon Possession in Anglo-Saxon England is a reexamination of the available sources describing the possessed and a study of the currently recognized medical and psychiatric conditions that may be relevant to and resemble medieval possession.
Trees played a particularly important part in the rural economy of Anglo-Saxon England, both for wood and timber and as a wood-pasture resource, with hunting gaining a growing cultural role. But they are also powerful icons in many pre-Christian religions, with a degree of tree symbolism found in Christian scripture too. This wide-ranging book explores both the "real", historical and archaeological evidence of trees and woodland, and as they are depicted in Anglo-Saxon literature and legend. Place-name and charter references cast light upon the distribution of particular tree species (mapped here in detail for the first time) and also reflect upon regional character in a period that was fundamental for the evolution of the present landscape. Della Hooke is Honorary Fellow of the Institute for Advanced Research in Arts and Social Sciences at the University of Birmingham.
" J.R.R. Tolkien's zeal for medieval literary, religious, and cultural ideas deeply influenced his entire life and provided the seeds for his own fiction. In Tolkien's Art, Chance discusses not only such classics as The Hobbit, The Lord of the Rings, and The Silmarillion, but focuses on his minor works as well, outlining in detail the sources and influences–from pagan epic to Christian legend-that formed the foundation of Tolkien's masterpieces, his "mythology for England."
Between the two world wars, on a hike in the English countryside, Professor John Hill takes refuge from a violent storm in a cave. There he nearly loses his life, but he also makes an astonishing discovery -- an ancient manuscript housed in a cunningly crafted metal box. Though a philologist by profession, Hill cannot identify the language used in the manuscript and the time period in which it is was made, but he knows enough to make an educated guess -- that the book and its case are the fruits of a long-lost, but advanced civilization. The translation of the manuscript and the search for its origins become a life-long quest for Hill. As he uncovers an epic that both enchants and inspires him, he tracks down scholars from Oxford to Paris who can give him clues. Along the way, he meets several intriguing characters, including a man keenly interested in obtaining artifacts from a long-lost civilization that he believes was the creation of a superior race, and will help him fulfill his ambition to rule other men. Concluding that Hill must have found something that may help him in this quest, but knowing not what it is and where it is hidden, he has Hill, his friends at Oxford, and his family shadowed and threatened until finally he and Hill face off in a final, climatic confrontation. A story that features a giant pirate and slaver, a human chameleon on a perilous metaphysical journey, a mysterious hermit, and creatures both deadly and beautiful, this is a novel that explores the consequences of the predominant ideas of the 20th Century.